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Its No Fun - Fats Waller & His Rhythm - 1935-1936 (CD)


1997
Label: Giants Of Jazz - CD 53269 • Format: CD Compilation, Remastered • Country: Italy • Genre: Jazz •
Its No Fun - Fats Waller & His Rhythm - 1935-1936 (CD)

 · Looking for the perfect Fats Waller album? This just might be it. With the exception of eight titles recorded in May and August of , these are the earliest recordings to be issued under the banner of Fats Waller & His now, Waller had begun to settle into his role as pianist, vocalist, and bandleader, using his own vigorous presentational formula that was still fresh and stimulating.9/10(2).

View credits, reviews, tracks and shop for the Vinyl release of "The Complete Fats Waller, Vol. I ()" on Discogs/5(21).

1/5/ Night wind: Fats Waller and his Rhythm: Jazz/dance band, with male vocal solo: Musical group: Victor: BS in. 1/5/ Because of once upon a time: Fats Waller and his Rhythm: Jazz/dance band, with male vocal solo: Musical group: Victor: BS in. 1/5/ I believe in miracles: Fats Waller and his Rhythm: Jazz.

"Fats" Waller And His Rhythm*. Serenade For A Wealthy Widow / Let’s Pretend There’s A Moon ‎ (Shellac, 10", Single) Victor. US. Sell This Version.

Fats Waller - Early, Middle & Last Years () [15 CD] Not only was Fats Waller one of the greatest pianists jazz has ever known, he was also one of its most exuberantly funny entertainers -- and as so often happens, one facet tends to obscure the other. His extraordinarily light and flexible touch belied his ample physical girth; he.


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2 thoughts on “Its No Fun - Fats Waller & His Rhythm - 1935-1936 (CD)”

  1.  · 78_its-no-fun_fats-waller-and-his-rhythm-fats-waller-newman-mencher-ager_gbiab Location USA Run time Scanner Internet Archive Python library Scanningcenter George Blood, L.P. Size Source 78 User_cleaned Shaun Kinney User_metadataentered Liz Rosenberg User_transferred Liz Rosenberg.

  2.  · By the time of this ninth volume of French label Classics' chronological series, Fats Waller was among the most popular recording artists in the U.S., and the 24 selections here, drawn from sessions recorded in November and December and February and April , reflect both that popularity and the kind of material necessary to maintain it.. Nearly all the performances feature Waller.

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