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High St - Daddy Issues (2) - Deep Dream (Vinyl, LP, Album)

17.12.2021

Nina's second album 'Synthian' feat. LAU is out now via Aztec Records. The Queen of Synthwave returns A1 Listen Learn Read On A2 Hard Road A3 Kentucky Woman B1 The Shield B2 Anthem B3 River Deep Topics: Deep Purple, hard rock, rock music, 60s rock, progressive rock, symphonic rock, psychedelic rock, A1 Live For The Music A2 Simple Man A3 Honey Child A4 Love Me Somebody A5 Run With The Pack B1 Silver Blue and Gold B2 Young Blood B4 Sweet Lil' Sister B5 Fade Away Topics: Bad Company, Island Records, rock music, hard rock, 70s rock, blues rock, 12" vinyl, 12 inch A1 Woman from Tokyo A2 Mary Long A3 Super Trouper A4 Smooth Dancer B1 Rat Bat Blue B2 Place in Line A1 Whisky River A2 Rocking Man A3 Rolling Home Again A4 Make Me Happy B1 Drugstore Woman B2 Bottled B3 Young Is A World B4 Stranded Notes Notes Originally released in Topics: Budgie, hard rock, 70s rock, rock music, Squawk, vinyl record, vinyl album, vinyl rip, 12" A1 Look At Yourself A2 I Wanna Be Free A3 July Morning B1 Tears In My Eyes B2 Shadows Of Grief B3 What Should Be Done Beastie Boys.

Fat Boys - Disco 3 Topic: hip-hop rap urban. Flying Lotus - L. No copyright infringement Topic: Post Punk. It is sometimes referred to as The Silver Album because of its metallic cover. Topic: YYYY. Victory Day Topic: Victory Day. It was released on September 10,through record label Grunt.

Four singles were released from the album: the No. Contents 1 Content 2 Release 3 Reception 4 Track It was definitely the most serious, I think, that you can photograph a band. You couldn't go any further down that line unless you start photographing graves. For the vinyl record release, Corbijn originally wanted to have a shot of the Joshua tree on the front of the sleeve, with U2 in a continuation of the photograph on the back.

The centre gatefold showed an image of U2 with the Joshua tree in the middle; a mirror used by them to check their appearance was mistakenly left in frame. Since the compact disc was a relatively new format at the time, the creative team decided to experiment with the album cover, selecting different cover images for each format on which the album was released; the original compact disc release used a blurry, distorted photo of the band, while the cassette used a clear, but alternate photo.

Later CD reissues used the LP photo. The tree photographed for the sleeve fell around[90] yet the site remains a popular tourist attraction for U2 fans. Just prior to the release of The Joshua TreeBono was stricken with a sudden panic about the quality of the completed album.

He said that he contemplated calling the production plants to order a halt of the record's pressing, but he ultimately held off. The Joshua Tree debuted on the UK Albums Chart on 21 March at number one withcopies sold in its opening week, making it the fastest-selling album in UK history to that point.

This edition rectified the incorrect track splitting between "One Tree Hill" and "Exit" that affected some CD releases; the quiet coda that concludes "One Tree Hill" had previously been included in the same track as "Exit". Following its 30th anniversary reissue, The Joshua Tree re-entered the Billboard chart the week of 8 Juneclimbing to number 16—its highest position on the chart since 13 February That week, it shifted 27, album-equivalent units23, of which were sales, making it the album's highest-selling week in the US since 3 January The Joshua Tree received critical acclaim, and the best reviews of U2's career to that point.

Steve Pond of Rolling Stone wrote, "For a band that's always specialized in inspirational, larger-than-life gestures—a band utterly determined to be Important— The Joshua Tree could be the big one, and that's precisely what it sounds like. It's the sound of people still trying, still looking He praised the musicianship of the group members, calling Bono's vocals "wrenching", the rhythm section of Mullen and Clayton "razor-sharp", and the Edge's guitar playing "never It judged that the record's "power lies in its restraint" and that there is an "urgency underlying virtually all of the 11 songs".

The review praised U2 for maturing and expanding their musical range, yet "retain[ing] their sense of power" and the "brave passion and emotion" of Bono's vocals. Q ' s Paul Du Noyer said that the source of The Joshua Tree ' s "potency lies in a kind of spiritual frustration — a sense of hunger and tension which roams its every track in search of some climactic moment of release, of fulfilment, that never arrives.

The review stated, "There isn't a bad song on the record" and that "every one has a hook". The magazine praised U2 for eschewing ambient experimentation in favour of uncomplicated but layered arrangements. Hilburn noted that the band showed "sometimes breathtaking signs of growth" and played more "tailored and assured" music. Racine, however, believed the group took itself too seriously, resulting in a record that is "not a whole lot of fun, bordering on the pretentious", which caused him to lose interest by the second side.

In a retrospective review, Stephen Thomas Erlewine of AllMusic said "their focus has never been clearer, nor has their music been catchier". His review concluded, "Never before have U2's big messages sounded so direct and personal. DeCurtis summarized The Joshua Tree ' s examination of America both lyrically and musically as such: [5]. Indeed, Bono says that 'dismantling the mythology of America' is an important part of The Joshua Tree ' s artistic objective.

Following the album's release, U2 embarked on a worldwide concert tourthe Joshua Tree Tour. Lasting from April to Decemberit comprised shows over three legs. Like their previous tours, the Joshua Tree Tour was a minimalistic, austere production, [] and U2 used this outlet for addressing political and social concerns.

The band hinted that the stresses of touring led them to enjoy the "rock and roll lifestyle" they previously avoided.

Rattle and Hum was an extension of the album, further exploring American music forms such as blues, gospel, and soul. Then, inevitably, U2 got tired of living in their own shadow, and both Achtung Baby and Zooropa chipped away at expectations of the band.

When they finally realized there was no escaping their iconic status sealed by The Joshua TreeU2 mocked it on Pop. By then, though, fans had grown weary of the band's experimentation, and U2 have spent their last two albums trying to recapture the radio-friendly sound of their opus.

The Joshua Tree is the band's best-selling album, [] and with 25 million copies sold worldwide, [] it is among the best-selling albums of all time. The Joshua Tree has been acclaimed by writers and music critics as one of the greatest albums of all time; according to Acclaimed Musicit is the 40th most acclaimed record based on critics' lists. Inthe album appeared at number 62 on Spin ' s list of the most influential albums in the 25 years since the magazine launched.

The publication said, "The band's fifth album spit out hits like crazy, and they were unusually searching hits, each with a pointed political edge.

Kallen called it a "classic alternative album", [] while WYMS journalist Mitchell Kreitzman credited it with exposing "alternative music to the masses" [] and Kevin J. Dettmar cited it as the most commercially and critically successful album "yet to emerge from alternative or college rock".

The band's penchant for addressing political and social issues, as well as their staid depiction in Corbijn's black-and-white sleeve photographs, contributed to the group's earnest and serious image as "stone-faced pilgrim[s]".

This image became a target for derision after the band's critically maligned Rattle and Hum project in They incorporated alternative rockelectronic dance musicand industrial music into their sound, and adopted a more ironic, flippant image by which they embraced the "rock star" identity they struggled with in the s.

On 20 Novembera 20th anniversary edition of The Joshua Tree was released. All editions included liner notes by author Bill Flanagan and previously unseen photographs by Anton Corbijn. As always, the band had to make sure it was right, and now it is. The bonus DVD includes live concert footage, a documentary, and two music videos. The disc includes Live from Parisan minute concert from 4 July that was originally broadcast on British television in celebration of the 25th anniversary of Island Records.

Footage of U2's alter ego country band, the Dalton Brothers, is included on the disc as an Easter egg. For the 30th anniversary of The Joshua TreeU2 staged a concert tour in North America, Europe, and Latin America, on which they played the album in its entirety at each show. It was a period when there was a lot of unrest. Thatcher was in the throes of trying to put down the miners' strike ; there was all kinds of shenanigans going on in Central America.

It feels like we're right back there in a way It just felt like, 'Wow, these songs have a new meaning and a new resonance today that they didn't have three years ago, four years ago. On 2 Junethe album was reissued in several formats in commemoration of its 30th anniversary.

All lyrics are written by Bono ; all music is composed by U2. U2 [51] [nb 2]. Additional performers [51]. Technical [51]. From Wikipedia, the free encyclopedia. Achiever Papers is here to help with such urgent orders. All you have to do is chat with one of our online agents and get your assignment taken care of with the little remaining time.

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Bruce sure does, and this week's entry into the From My Home to Yours canon goes a little meta — with our host talking about radio In a crisp minute program, Springsteen doesn't mention the streaming services or downloadable apps that constitute modern "radio," nor does he use the time as an opportunity to weigh in on the current state of affairs in the radio biz — offering no "Last DJ"-style critiques of the mega-conglomerates or business decisions that replaced the heart of old-school "rock 'n' roll radio" with the iHeart of algorithms and one-size-fits-all playlists.

Instead, he's talking, and playing songs, about those old-school transistor radios: boxes with dials, protruding knobs, and antennas. And he starts it all off with a nostalgic look back on how those devices, with their translated sounds and signals, transported young Bruce to a universe far beyond his small town.

Like past shows about summertime, cars, or bands, "Vol. It's not hard to envision that same desire for connection and community driving Springsteen back to radio just a little over a year ago to escape a global pandemic, provide a little spark, and connect with a distant audience amid the isolation and solitude of a homebound quarantine. Previous to cable, previous to satellite, previous to the prominence of popular music in the New York area, you had your choice of two — two!

It was approximately the size of your iPhone. The transistor was your only connection to the rocking, swinging sounds and culture that was teenagedom in the greater world in the '50s and '60s. The power and importance of my radio could not be overstated.

I lived with it: tucked it in my school bag during the day, and tucked it beneath my pillow all hours of the night. This… this… this music This was speaking to me. There were people who knew and respected who I was and who I wanted to be. There I could find the answer to the only question my dead little town could not afford to ask: Is there High St - Daddy Issues (2) - Deep Dream (Vinyl alive out there?

Fast forward nearly two decades, and a Album) anthemic, hook-laden melody drove Springsteen's search for connection in 's "Radio Nowhere. The Rayvns' "Raised on the Radio," a radio single off 's Fast Times at Ridgemont High soundtrack, kicks off a three-pack of songs from lesser-known, indie bands. He even drops a personal connection to the film — no, not Brad Hamilton's "Jersey Devil" T-shirt, but Bruce's own "fabulous" little sister, Pam, and her big-screen turn as one of Spicoli's cheerleader classmates.

More power pop follows with "It's on the Radio" from Oakville, Ontario's The Nines from 's Polaritiesa synth-driven song that would fit at home among Springsteen's lates pop-focused ear candy hello, "Hurry Up Sundown". Springsteen recognizes Schermer, a Bay Area "club scene fixture," now based in Austin, TX, for his "heavy set of bona fides" as a sideman for artists like Bonnie Raitt and Elvin Bishop before venturing on a solo career.

Changing direction for the final half of the show, Springsteen shifts the spotlight from underappreciated bands to a series of songwriting legends. Like quite a few Warren Zevon songs, "Mohammed's Radio" is open to interpretation, but when he asks, "Do you wanna rock and roll all night long?

Somewhat less ambiguous, Brian Wilson and The Beach Boys leave no room for doubt that the spiritual power that was the pop-and-hiss of AM radio is exactly what they're talking about in 's "That's Why God Made the Radio. When introducing the song in [below] he not only revisited his memories of staying up all night with the transistor radio tucked beneath his pillow, but further added that this was "a song about when there was just a few stations, and everybody was gathered together listening to the same thing, hearing the same whisper in their ear.

Statement with details from the promoter: Due to circumstances beyond our control and the safety of our patrons, the sold-out Gary U. Bonds show scheduled for today, Friday, May 28, has been postponed to Monday, May 31, at pm.

Doors 3pm. All tickets will be honored on that date and no further action is required by you. We apologize for any inconvenience this may cause. All involved are equally disappointed. For the latest Stevie-sanctioned single, we have a Backstreets. Steve's brother John has been the bassist for Southside Johnny and the Asbury Jukes sinceand he plays on "Recovery Doll," too, holding down the low end while Steve's out front on lead vocals and guitar. The drummer on the track, Charley Drayton, has played with the Replacements and Keith Richards' X-Pensive Winos — and fans of those acts should find this "groovin' rock 'n' roll track," as Conte calls it, right in their sweet spot.

Also appearing on the new A-side: Steve's year-old son Zia, among those glossy backing vocals. But to balance it out, I wanted the track to be uplifting And of course, I'm a fan of his, too. I mean, you can't go wrong with an Italian who plays guitar, sings, writes songs, produces records and acts!

The B-side of the new single is a demo of that album's "Rock and Rye Queen," again with John Conte on bass, conjuring that Mats-style rock 'n' roll that's harder and harder to find these days. Get it here.

That seaside show, night one of two in Brighton, was the first-ever Bruce concert for our trusty correspondent across the pond, Mike Saunders, so today is a fitting day to bring you the next installment of his three-part series, "Highway '81 Revisited: Bruce Springsteen's Longest U. Now in Part 2 he digs deeper into the reschedulings that kept them waiting even longer after the following news was announced on, fittingly, Friday the 13th of March: Bruce is simply exhausted and suffering from the assorted ailments that can crop Album) during a gruelling tour.

While his health is not in serious danger, doing his first full tour of the U. Bruce regrets any inconvenience to his fans and looks forward to seeing everyone in May and June.

So the shows in England and Scotland would close the European tour, rather than open it as planned. Just how big? Let Bruce himself tell you, via his Born to Run autobiography: Bob Dylan is the father of my country. Highway 61 Revisited and Bringing It All Back Home were not only great records, but they were the first time I can remember being exposed to a truthful vision of the place I lived.

The darkness and light were all there, the veil of illusion and deception ripped aside. He put his boot on the stultifying politeness and daily routine that covered corruption and decay. The world he described was all on view, in my little town, and spread out over the television that beamed into our isolated homes, but it went uncommented on and silently tolerated. He inspired me and gave me hope. He asked the questions everyone else was too frightened to ask, especially to a fifteen-year-old: "How does it feel…to be on your own?

Bob pointed true north and served as a beacon to assist you in making your way through the new wilderness America had become. He planted a flag, wrote the songs, sang the words that were essential to the times, to the emotional and spiritual survival of so many young Americans at that moment.

We were alone together for a brief moment walking down a back stairwell when he thanked me for being there and said, "If there's anything I can ever do for you…" I thought, "Are you kidding me? Not much we can add to that ourselves, except to note that what's especially great about celebrating Dylan entering his eighties is that he remains, like Springsteen in his seventies, an active and vital artist, still performing and making records well worth checking out.

In fact, we'd argue that Rough and Rowdy Waysreleased just last year, contains some of his best all-time work. To celebrate, here are links to eight of our favorite Dylan covers performed by Springsteen through the years — including that moving Kennedy Center Honors performance Bruce refers to above — one for each decade that Dylan has been on the planet. Happy birthday, Bob, and many more! Bruce Springsteen - "Blowin' in the Wind" live at the S. We helped put out the call earlier this monthand we're gratified to hear that hundreds of women have filled out the survey in the last ten days.

Luff, a writer and sociologist, tells us, "We're delighted by the response from women fans! Thanks to everyone who has taken part so far. We're hearing so much about what Bruce's work has meant to fans over the last few years. The survey takes about minutes to complete, and all information collected will be anonymous. Revisiting their previous research project on the subject, which they presented at a Monmouth University Springsteen Symposium, Lorraine and Donna will use the information to further understand women fans and their relationship to Springsteen's work; the survey results will contribute to a book they aim to write about women fans.

July 9 release captures final concert of tour in multiple formats Little Steven and the new Disciples of Soul travelled the world between their debut at the Indigo O2 in London on October 29, and their most recent performance at the Beacon Theatre in New York on November 6, During those three years, they undertook multiple tours of the U.

This intense period of touring has been well documented on audio and video, on Soulfire Live! The new title will also add an additional hour of live material fromwhich Little Steven says was "too good to leave on the shelf.

Summer of Sorcery Live! At The Beacon Theatre will include sleeve notes by Little Steven and personal comments about each performance. We got into this business because no other would have us," he explains. Being on the road with a band is the ultimate manifestation of that fantasy. Together you travel, you perform, you dispense joy, and you get to see the world while avoiding it at the same time. First, as the Soulfire was lit in the overture, and finally as the Summer of Sorcery played out its magical denouement.

Herein embodies the still sparkling evidence of the latter, which began as stranger's prayers imagined and ended as a family's promise fulfilled. Enjoy it as much as we did at whatever volume is required to force your neighbors to call the cops. To coincide with the July 9 release, Backstreets will be talking to Music Director Marc Ribler and other members of the Disciples of Soul about those three years on the road and their memories of the Beacon Theatre performance.

Cut from similar cloth in several ways, the singer-songwriters had been categorized together in the mid-'80s, for better or worse, as "heartland rockers" — a useful tag at the time, but also a diminishing one for musicians of their varied talents. Since then their paths have certainly crossed; Mellencamp performed "Born in the U.

But another decade on at the Rainforest concert, any competition, frustration, or resentment real or imagined between them felt truly like a thing of the past as they shared center stage on key songs from that heyday, "Pink Houses" and "Glory Days. Now, with travel and face-to-face gatherings back on the rise thanks to COVID vaccines, comes word that they've gotten together again, this time in Indiana to record for Mellencamp's next album.

Melinda Newman reported on the exchange in Billboard :. At the time, Mellencamp was getting compared to Bruce Springsteen, and now, he revealed, he and The Boss have worked together. Mellencamp's announcement helps explain a sighting of the two last month in Bloomington, Indiana where Mellencamp lives and workshaving a mid-afternoon meal at the Uptown Cafe.

All others had biscuits and gravy. The real gravy fans were looking for was to know what the two were doing together, but as the Indiana Daily Student reported, no one had an answer as to "why Springsteen might have been in town.

The new Mellencamp album has yet to be officially announced. According to his official website, Mellencamp. More here as we know it. Joey and the Ramones had some interesting intersections with E Street over the years, most notably as the inspiration behind Bruce's first top-ten hit, "Hungry Heart. The live broadcast was part of K-Rock's annual Hungerthon fundraising efforts for the organization then known as World Hunger Year and now known as WhyHunger.

Listeners could call in, make a contribution, and request a song to be performed by the band. Legendary New York DJ Vin Scelsa, who co-hosted the Hungerthon, can be heard at the end of the performance exclaiming, "Man, I never thought I would ever to live to see the day… Joey Ramone and all these wonderful musicians…". Despite its title, the set is well worth tracking down to hear well-preserved recordings of the complete on-air jam sessions and loose, conversational interplay with this group of legendary musicians.

Toward the end of the broadcast, Ramone also can be heard telling Scelsa that he meant to bring a pair of Ramones shirts with him: one for Scelsa and one for the Big Man. Ramones forever, baby. Boston Garden, December 13, - photograph detail by Stan Grossfeld for the Boston Globe, as it appeared on the cover of Backstreets It reminded us of an image from that very December date that first appeared in the Boston Globe immediately after the concert; seeing it at the time, we bought the rights and placed it on the cover of Backstreets 43 the following spring.

The photo's appeal was clear: it captured a moment long after most press photographers had been ushered out which typically happened by the fourth song as Springsteen made his faithful leap into the crowd. The angle was unique, too: a bird's-eye view. To coincide with Boston December 13,Globe photographer Stan Grossfeld — a two-time Pulitzer Prize winning photojournalist — looks back at that night to tell Backstreets how his picture came to be.

The catwalk of the Boston Garden was a scary place. There was no handrail, just a waist-high wire strung on each side. It was dark, and there were electrical wires running across it — some taped down, some not.

The old building had rats, too, and while it was being demolished, workers found a petrified monkey who apparently abandoned the circus up in the rafters. Meeting my rock 'n' roll heroes is not something I sought out; the problem being, if they are jerks, the music is ruined forever. In this case, it was not. I met Springsteen earlier, and he was cool — and more than gracious, asking me about places I had photographed. I told him about taking his music to people living in crypts in Egypt Souls of the Departed and Siberia Tenth Avenue Freeze-out even though in the latter case the tape player eventually froze, making it sound oh so slooooooow.

He laughed and tossed me his harmonica as a present. I asked Bruce where he was going to jump in, so I could scout the best location. He shrugged and said it's a last-second decision — he prowls the stage and eyeballs the crowd, looking for a suitable landing space. Fair enough. I climbed up the catwalk with Globe chief electrician Mike McHugh, who had hooked up my cameras to a set of strobes in the ceiling. You have to make sure the camera equipment is secure; one false move, and you could hurt somebody.

Besides the secondhand reefer smoke rising to the top, and fear of rats, I am not thrilled with heights. But who could pass up an opportunity to hover above the Boss? Somehow great music transcends fear, and eventually we were dancing in the dark. Forty-five minutes into a four-hour show, Springsteen patrolled the lip of the stage, pumping up the crowd as only he can, before suddenly leaping into the crowd. There were fans tugging at him and his clothing. I could see the microphone — and his hands clutching it for dear life — but I couldn't see his face.

No face, no picture. And I was getting a little dizzy looking down and focusing the telephoto lens. As Globe writer Patricia Smith wrote, "Then his feet appeared, then half his legs, waving like insect antennae, black denimed and upside down in a crazed sea of worship. Springsteen rallied, and soon the music was working its magic. A burly security guard waded in and provided a little buoyancy.

Bruce was soon crowd surfing — a sweat-drenched, well-buffed human beach ball — and it looked like he was having the time of his life. I guessed right on the location and framed him with my Nikon mm lens. He's High St - Daddy Issues (2) - Deep Dream (Vinyl of his mind, I thought, but that's the beauty of rock 'n' roll. Nearly 30 years later, he remains a national treasure. It takes a leap of faith to get things going It takes a leap of faith you gotta show some guts It takes a leap of faith to get things going In your heart you must trust.

The annual Woody Guthrie Prize is given "to an artist of any medium who continues in the footsteps of Woody Guthrie: A champion for the voiceless with an understanding of how a platform can be used to shine a light on our world, showing us what needs to be fixed and how to fix it.

Nora, co-founder of the Guthrie Center, prefaced the handover with a knowledgeable and sincere appreciation of Bruce's work, its importance, and how she viewed his work through the lens of her father's influence. Quoting her father, who said, "You've got to vaccinate yourself into the big stream in the blood of the people," Guthrie added, "Bruce never left that stream.

His words have always consistently flowed in that stream and blood of the people. No different than my dad's. She spoke to Bruce directly: "First, you attracted us, but then you magnetized us — you held our attention. Then, you spoke to us, and you spoke for us, and to top it off, you entertained us, and we could dance with you as you preach.

We can dance until, unbeknownst to all of us, we all come through the doors of your church. And when we get there we only find it's not Bruce's church. It's the church of all of us. Visibly moved by Guthrie's tribute, Springsteen accepted the statue and gave her a big hug, and he began to speak of Woody's influence. His was the first music where I found a reflection of America that I believed to be true. Where I believed that the veils had been pulled off, and that what I was seeing was the real country that I live in.

Bruce spoke about that moment in his work when he and the band added "This Land Is Your Land" to the set, towards the end of the first leg of the River tour, at Nassau Coliseum.

Robert Santelli joined Bruce and Nora for a short chat that dug a little deeper into Springsteen's affinity with Woody Guthrie's work. Santelli noted that he always saw Woody's role in Bruce's music as enabling him to travel beyond New Jersey; Springsteen responded with thoughts on his time in the West, as well as an exciting hint of things to come: "You can inhabit a lot of different Californias," Bruce said of his early-'90s home.

Nora shared that her first Springsteen album was 's Nebraska — via a signed copy that had been sent to her mother — though she attended the aforementioned Nassau Coliseum show when the band debuted their version of "This Land Is Your Land.

The January 18, rendition was an electrifying event, Bruce on the steps of the Lincoln Memorial, with Pete Seeger alongside him and a gospel choir behind him, and they sang all the verses. According to Bruce it was actually Patti Scialfa's idea to invite Seeger, and Nora praised the historical nature of their Inauguration performance. Nora also reminded us that following the McCarthy-era blacklist, Seeger was banned from appearing on television for 25 years.

There was a charming moment earlier when Bruce admitted to some trepidation in picking up the phone and inviting Pete to come along; judging by his reaction to Nora's statement, he hadn't considered the amount of karma that he'd set right by that action.

After the conversation, Bruce picked up the black Takamine and played four songs himself: two of his, two of Woody's. Segueing into his own material, Springsteen sang a version of "Across the Border" that even through a computer screen effectively conveyed the song's elements of, yes, hope and dreams. As a story, it never gets old; as a song, it serves as record and warning and faith and prayer. All of which can describe any number of Woody Guthrie songs. All credit goes to Dr.

Onkey, who opened the conversation by talking about the musicians' connection to the girl groups — Nona as a participant, and Bruce as an avid fan. I mean, it's just one of the great titles of all time. It was a fascinating moment in popular music: first of all, it was dominated by women, by young women who really tore up the charts at that particular Bruce further went on to say that in the '70s, he was focused on trying to get a woman into the band in order to make it possible to perform those songs.

Then he got into exactly why he wanted to do so: "The naive romantic-ness of those records would be hard to recapture… and that's really what attracted me. That was really the element that I pulled into my own music; they were just romantic records, and they had drama and tension. Certainly and particularly the records that Phil Spector made had that, you know.

They sounded like they were the last records you're ever going to hear before the world was going to explode. And I love that apocalyptic grandeur of so many of those. What's remarkable is not that Bruce used to play songs by the girl groups — most famously, the transformation of the Crystals "And Then He Kissed Me" into "And Then She Kissed Me," which at the time seemed forward-thinking and kinda cute, but looking at it now, with Bruce's explanation?

He was playing the songs to try to figure out how they worked, how he could make them work for him. Would it work if he flipped the pronouns in the song? Or take Jackie DeShannon's "When You Walk In the Room" — ostensibly written from a woman's point of view, but the lyrics are neutral, with no third-person pronouns — what were the mechanics there? If we play it enough maybe we'll figure it out. And it isn't that Bruce Springsteen managed to write a girl group song, but instead, he wrote songs that had drama and tension and even some of that "apocalyptic grandeur.

And yes, we all heard what was going on, it's hard to not hear someone trying to emulate Phil Spector — but the reasoning behind it, and the study Springsteen put into trying to make it happen, is something that he had never detailed quite so explicitly before. Onkey also noted that the girl groups and their sound didn't have the respect that they do now, back when the E Street Band was covering them; it also wasn't common for a rock guy like Bruce Springsteen to be covering that kind of music.

She went on to note that the virtual conference's honoree, Dave Marsh, also championed those artists and advocated for their place in the Rock and Roll Hall of Fame and rock history in general.

As Nona discussed her favorite girl groups — the Shirelles, the Chantelles — Bruce audibly exclaimed with the kind of enthusiasm that a Springsteen fan might reserve for someone who was at the Main Point in

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