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The first side suite is not entirely convincing. Overall the album is compact and settles on a decent or good musical quality, reaching its peak in the last song.
Three Stars. Antony Solo Stuff reminds me of Tomas Bodin. From the Flower kings. This final part of trilogy. You would swear. More guitar dominated on LP album vs last 2. I can hear Roine Stolt tone. As Flower Kings are my fave band of all times. I can pick up on this. Antony keywork is amazing on this new album. The epic long track opener is great piece. I feel songs follow after are the meat of the album Especially 3rd track.
Which is my fave off album. If you like Instrumental prog and love the flower kings this album is 5 stars. Antony can do no wrong. He is Tomas Bodin of modern times. Those who miss Tomas Bodin. Antony is his replacement. By all means order this new album you won't be disappointed. On the flip side I find the songs to be to short, far to many songs in the minute range and to the best of my knowledge they don't segue into another so their just really short songs.
The songs sound to much like a rough sketch, like the music is compositionally incomplete. I definitely think some of the songs should have been strung together to form longer complete pieces rather then the brief pieces to often presented here. I also don't think the singer is quite as good as on follow up efforts, it's less confident, might just be the mixing. Overall this is a solid album but I think some of their later albums are a lot better though.
Down At Finckles opens the album with Nucleus esque rhythm and sax powering over as lead. There are some nice tremolo guitar licks, A short song, it fades out at four minutes. Eye of Glass opens with a little laugh, then a few seconds of silence which is replaced by a quiet guitar line.
This is joined by bass, drums and keys as the guitar line changes. Halfway through the song the organ is left alone to drone, then the rest of the band comes back powerful due to the twin saxophone. A minute long monologue with line like "The secret sexual life of little red riding hood" is a poor opening to a poor song in my eyes.
After this one gets lullaby keyboard work that heads into a cliche faux eastern guitar line that fortunately segues into a brief instrumental but nice instrumental. Sedated vocals come around three minutes into the song, mixed low in the mix and treated. The rhythm changes to something more driving and guitar plays fittingly. The earlier eastern run returns here and the song heads into just guitar playing.
First keyboards return then the rest of the band, this is brief as guitar again changes it up. A faster, smoother section follows which is in turn replaced by a modified version of the eastern theme.
I find most of the instrumental parts on this song pretty good however their arrangement is not to my liking, to often everything fades for just one instrument to play a little fill, preventing any strong build up.
Surviv'n Boogie is a real old time rock n roll track with with vocals delivered in a time appropriate bluesy growl. There's even a little harmonica run and back up singers adding doo wops, late 50s, early 60s.
Unexpected song and not a fan, thumbs down. The Walkin' Pile opens with a short monologue intersped with choral shoutings ", Join Us! The actual track begins with a hypnotic keyboard that is replaced abruptly by a quasi reggae piece with nonsense vocals mumbling loudly. This is joined by the keyboards riff then a short guitar line comes and the rhythm becomes denser as the vocals continues.
Saxophone replaces the "singing," squealing sparsely for a bit until the shouts return. The keyboard riff comes back, replacing guitar which then comes back ominously in the background. Both disappear as flute and vocals mumble over a repetitive beat then fade out. Feel the same as last track with this one. The Hobbit opens with guitar on the left ear, piano on both and violin the right. It's a calm, short, pretty tune. The Fancy Model opens with coughing and laughing.
Slowly the instruments begin to drop off till it's just the bass quietly holding th rhythm down as the drums solo. Then the instruments hold their notes and fade out. When She Flies Away begins with organ chords that are joined by drums and guitar till spine drums change it up. Bass replaces guitar and keyboards begin playing lead. The guitar returns, as keyboard goes back to chords. Vocals then come in, alongside lead guitar and female choral backup. I could do without the backup vocals, aside from that this section is probably my favourite in regard to singing.
The song ages out from here then another stupid dialogue comes, this time the sound of people using the lavatory. I dislike the second vocal part and the organ is used in a very amateurish way, just holding down chords for an eternity, annoying. Reminds me of Frank Zappas early 70s.
Again the samurai and their composers were inspired by the Grimm fairy tales. This time they assemble six pieces into five fairy tales. Steve Unruh mimes the minstrel with his violin or should I say: his fiddleand the whole band goes into a beautiful, instrumental, slightly followed retro progger.
A great introduction to the new Samurai album. As with his contribution to "Grimm Tales I", I have to say that I really like "Searching for the Fear", the setting of the "fairy tale of someone who set out to learn to be afraid". A solid piece of retro-prog that lives more from Unruh's violin and flute playing and from Marco Grieco's keyboard solo than from brilliant compositional achievements.
In this music, something like narrative tension builds up for the first time on the album. Scherani stages the story of the Bremen Town Musicians as a musical piece in which the music and the singing, which is again distributed among different voices, drive the action forward. The varied track is another highlight of the album. But now! And it is the same here. The instrumental intro is some of the best I've ever heard on a samurai album, and the track starts off strong.
However, when the piece fades away after six minutes to make room for new material, you notice that "The White Snake" is one of those Franconian patchworks that we get cheered on over and over again on prog albums when a long track is required but no one can compose. Nice idea and a great ending for another good samurai album. If the band maintains this level, we can look forward to part 3. And with that one can say: "The Lady and the Lion" is, like its predecessor "Beyond the Wardrobe", a very successful samurai album.
In my opinion, this is mainly due to the fact that this time they didn't just try to get 74 minutes of music together, but were satisfied with significantly less, but better material. Quality instead of quantity, that is always a good guideline. Starting with the song that names the album, GENTLE GIANT brought back a lot of the style of "The power and the glory" and "Free hand", I wouldn't be surprised if somebody told me this song was meant to be part of one of those two records; the quality and originality of the composition it's not less than I would expect from them.
The Garden Of Delights CD reissue Album) four shorter bonus numbers that were recorded after the actual album. The 8-second "Oh sorry" then offers a vinyl joke, which of course seems a bit anachronistic on a CD. But you still get shocked by the loud scratching noise. There are no real highlights to report here and the music ripples along rather calmly, but you have to attest to the group that they have understood their craft.
In short: a very decent, if not really essential record. However jazz rock collectors can still get their hands on it! Strange cover an ice cream cone with a cactus under the ice filling! Much of the album frankly isn't overly interesting at all. Soloing, as I'll mention for the standout track, is the clear strongsuit of the band.
I'm not saying any of the tracks are actually bad, but of course this is Prog Archives and not Without further ado, we have track 7, "A Drop of Shadow," the certain standout on the album. Finally, some rhythmic complexity, great soloing including some tasty saxand a classic sound with melodies reminiscent of Iron Maiden—hell, even their vocalist has a voice at times reminiscent specifically of Bruce. Mostly a standout because everything else just sort of blends together on this album I can definitely see a time now when Anna von Hausswolff reaches within my top 5 favourite artists of all time.
This is the fourth record of hers I've spent significant time with over the last year or so, and all four have ended up in the ascendancy. They're all unique, well composed, well produced and find an incredible middle ground between conventional pop songwriting and art school melodrama. Of the four, this is the pop album, with the fewest guitars and the most low-key songs, with Anna focusing on the texture of the organ and the melody of her voice.
And even though her heavy moments are amongst the best of the other albums, you barely notice their absence here, as the songwriting is just that high a level. Ritual frontman Patrik now lives two hours outside Stockholm, the obligatory break and the unusually difficult task of writing music for an existing story explain the long waiting time for fans. There will be two historically connected albums, of which this EP gives a representative outlook.
The story is about the fictional Mr. Bogd who goes in search of the meaning of life. Musically, "Glimpses from the Story of Mr. Bogd" shows that the multi-instrumentalists Ritual have not forgotten anything. Their typical rousing Progrock with a lot of acoustic guitar, folk elements and a good pinch of bombast rock speaks to me again immediately. But the fan doesn't have to do without complex solo parts either, you can hear the Gentle Giant-inspired guitar duet in "Chichikov Bogd".
Tillys Gang" give us a waltz that seems very weird and avant-garde. After the quieter "The three Heads", "The Mice" combines all of Ritual's virtues, extremely varied and dramatically designed with all the strengths that have already distinguished ritual in the past. Let's start with Peter Hammill. He impro-sings in the way he has been singing for many decades. Are those real melodies at all? They are hammillodies. Melodic chant. Not as radical and aggressive as it used to be.
But unique and distinctive in its intonation. Hammill has become softer. And does not lose anything of its typical characteristics and fascination. His voice always remains dramatic, onomatopoeic, theatrical and expressive to manic. And yet always melodic and pleasant. And Isildur's Bane? The Swedes already showed in their collaboration with Marillion singer Steve Hogarth in that they can perfectly align their music to a singer, his voice and his style without throwing their own characteristics overboard.
In the interplay with Hammill, her music turns out to be a little more experimental than with Hogarth. Electronics, trumpet and woodwinds, strings and band ensemble merge into a dense sound fabric, which at times acts surprisingly rhythmically. Band boss Mats Johansson had already composed most of the music before Hammill had access to this material. He had to improvise accordingly and his skill with this album lies in the fact that he had to find the right sections to which verses or choruses if you can even call them that here fit.
In Amazonia is more than varied. Driving electronic pieces can be found next to majestic piano tracks and thus form a wonderful symbiosis of electronics, modern classical music, contemporary jazz elements - let's call it "art rock" for the sake of simplicity.
Overall, the collaboration sounds very exciting and very fruitful for both sides. You get a wonderful, artistic and artful album, colorful and atmospheric. A stroke of genius. The music is - again - almost inescapably atmospheric. A hypnotic stream of partly electronic keyboard sounds and distorted guitars, vibraphone and marimba, strings and wind instruments and, in their presence and absence, equally dense, sometimes even pathetic percussion. The dynamics range from loud aggressiveness to the darkest silence, without losing intensity in these transitions.
The force of this album should not be underestimated, the compelling immediacy of the music is immense. The integration of the two ensembles Isildur Bane and Peter Hammill works so perfectly again, the fusion so seamless that you almost forget that both can exist separately.
Isildur's Bane bring in all their style elements, from art pop and prog to neoclassical and avant-garde, Hammill on the other hand, always open to experimentation, contributes his idiosyncratic, exalted vocals, ranging from crude spoken word performances to "neat" singing.
For all its force, "In Disequilibrium" also offers numerous quiet passages in which the band and singers do not hesitate to play extremely lyrical music. However, those involved always manage with ease to never let such moments turn out to be trivial. They maintain the intensity of their music even then, be it through an idiosyncratic melody, an instrument that subversively undermines the harmony, or through an exciting arrangement that sometimes allows sharp tonal contrasts to clash.
Isildurs Bane and Peter Hammill are brilliant at merging these sometimes quite heterogeneous elements into a surprisingly homogeneous music that can only arise if the participants bring a high level of skill and experience with them.
Far from the usual attempts to create similar atmospheres with the help of studio technology, noise and mere sound design, Isildurs Bane and Peter Hammill create moods between melancholy, anxiety, fear and darkness through musical means alone.
The fact that it is possible to create all these different atmospheres without much studio trickery is evidence of the compositional and playful skills of all those involved.
The result is a wonderful album full of graceful feelings, majestic pathos and compelling discomfort, which always sounds unusual, always close to the borderline between rock and art. The work, released thanks to the collaboration with the independent label Black Widow of Genoa, is clearly inspired by the whole background that Delirium represent: it presents itself in the typical guise of a concept album, as was customary in the gold years of the progressive music, it puts in the foreground all the typically intertwined multi- instrumental language and is animated by a never tame desire to go against the tide.
Obviously the whole production format is more than just an album. We are in the field of excellence in terms of instrumental technique and social storytelling. Of course, the catalyst element is free expression with sound architectures that are very often similar to real jam sessions, with consequently lengthened pieces and oversized playing time.
The sound of the keyboards, often in the foreground, gives the melodic line on which they build their sound with all the other instruments: from the guitar, to the bass, to the sax, to the transverse flute. Splashes of Jazz, funky, psychedelia are caught here and there in the various tracks, where the most successful pieces are still those that are projected on a purely progressive terrain such as La Deriva, L'era della menzogna and Il Castello Del Mago Merlino.
L'era della menzogna is a fully instrumental track. A break of class and pathos that creates a very effective web and makes the entire product cohesive. The title track is perhaps, with its execution and groove, the best piece of the entire album with a six-handed chorus and sax solo ready to ignite a jam session atmosphere in the studio. A decisive imprint for a refined melodic construction with a strong and lively refrain. A long hatch with fairytale tones is instead, in a nutshell, the plot of Il Castello del Mago Merlino a surprising cocktail of delicacy and grit with the guitar and the flute in the foreground.
To conclude, it is quite clear how much this work once again reveals a lot of art and craft as well as flashes of absolute talent. A band of musicians, who escaped an unlikely plane crash awakened from a cryogenic sleep after being hibernated in an iceberg? Much sought after and appreciated in the Middle Ages and now very rare, the lamprey is a marine creature with archaic origins, similar to the eel, cartilaginous skeleton with a characteristic circular sucker mouth without jaws to attach to fish and feed on it as a parasite.
Very interesting, of course, but you may ask yourself "what does all this have to do with Rock'n Roll? But when we think about the Album) itself, it is the ideal theme for the conceptual prog album. I found myself in front of an intriguing scenario full of metaphors and self ironic ideas, vintage keyboards. The band is organized around the piano and keyboard, soothing acoustic passages of guitars and flutes supported by a very well-balanced rhythm and never invasive, the melody that is not bound by the rock frame that plays in various ways and builds a fantastic world view.
Sometimes sudden and eccentric rhythm development and outlandish tones are introduced and we have singing with a rich performance and a strong presence. Each song looks like a collage of other songs, musical sensations and various backgrounds. We seem to hear a compilation of the seventies. A learned compilation that has taken only the best of that incredible decade for music in general.
And yet, despite the standard sounds of the classic era, a very original album comes out. There is a sense of satisfaction after listening to the album. They call themselves regressive Rock because they don't know what to do with modernism A provocation? It is a brilliant concept work with advanced performances and originality with considerable momentum of vocals, based on the sound creation where you can feel the respect for the 70's prog rock. And actually the signs on this work called "Foreste Interstellari" are good: The offer is music that mainly affects the hard rock area and is predominantly dominated by the keyboards, especially in the form of organ, synthesizer and occasional Mellotron imitationsbut still looks reasonably fast.
The enveloping sound of an organ introduces "La Dama Della Foresta", a song that then evolves into a very rhythmic progressive rock and built on excellent and imaginative keyboard works and "Brucerai" combines progressive with a hard rock that can bring mind the Atomic Rooster.
The atmosphere is changed with "La Solitudine Delle Stelle", a melancholy and slow song, a dark ballad with piano, female choirs and enveloping keyboards that introduces "Idee Maledette", where the most articulated and lively progressive returns. Worth mentioning, even if the whole album is on high executive and compositional levels, "L'Uomo Dei Trenini", another excellent song with a mellotron that embraces and acts as a soundtrack to a steam train that runs and gives way to the splendid instrumental "I Cancelli Di Andromeda" and then the title track, "Foreste Interstellari", almost space rock to give coherence to the title, but which in its almost twelve minutes of duration explores the whole world of progressive rock and does not miss a short but an excellent drum solo and a "Concerto Grosso" ending.
Two songs remain, "Amanti Come Noi", a splendid baroque ballad reminiscent of Procol Harum for those enchanting organ notes and "La Stanza Dei Buttoni", an instrumental that acts as an outro and puts an end to an album. Classy progressive rock that refers to the fabulous seventies while remaining very current and modern.
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You can also read the new visitors guide forum page. You are not logged, please complete authentication before continuing use forum credentials. Forum user Forum password. Studio Album, Ardeur Eskaton Zeuhl Review by bartymj. Hats Off To Marriage, Baby 5. Jane Fakes A Hug. Counted On Sweetness 2. I've Made Enough Friends 3. Luxury 4. Indie 5. Safe And Comfortable. I love punk music, and Dr. Demento changed my entire life in an extraordinary way.
Side 2: 1. The album's widespread success launched The Avett Brothers into the national spotlight, catching the eye of producer Rick Rubin who would go on to produce their next album I And Love And You. Remastered and reissued on g transparent crystal vinyl, the first vinyl pressing in four decades.
Pressings feature individual hand-numbering. In the late s, the renowned American jazz pianist, composer, and arranger John Hicks formed one of the most influential ensembles consisting out of musicians that had played music at the highest level all their lives and gained their status as both stand-alone artists and important sidemen. Each of them had participated in many of jazz's great moments and all shared the ability, documented on many albums, to inspire their fellow musicians to even greater heights.
On this album Is That So? He served as a leader on more than 30 albums and played as a sideman on more than other recordings. In the early '70s he taught jazz history and improvisation at Southern Illinois University before resuming his career as a recording artist.
He then toured with Sam Cooke and would later go on to work with Curtis Mayfield. The album was produced by John Hicks and Timeless Records owner Wim Wigt and is a remarkable outing of advanced musicianship by three jazz-giants in their prime, delivering an inspirational gem of an album. Is That So? Expect supercharged Post Bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare.
The up tempo none stop Latin beat is complimented by the terrific drum solos of Idris Muhammad and the rhythmic bass stokes of Ray Drummond.
This electrifying set of tracks makes this release a bonafide hit and a must have for any self-respecting jazz fan or collector. LP unique album comes as a deluxe g DOUBLE vinyl edition strictly limited to copies worldwide with obi strip. The jacket features exclusive pictures shot by legendary Dutch photographer Joost Leijen known for his work with artists such as Chet Baker and Pharoah Sandersalso included is an insert with liner notes by renowned author and producer Russ Musto. Goode, Johnnie Johnson lived in obscurity in his hometown of St.
The record represents Johnnie's brilliance and reaffirms him as the formative master of rock n' roll piano. The package also boasts brand new gatefold packaging.
Though this album doesn't present a baseline criterion, Muddlin Gear will prep you for when the body-snatching pods land to give you the most visceral baseline experience of your life.
The Entroscooper 2. Said Dram Scam 3. Ill Shambata 5. In Inphidelik 7. Silent Why 8. Da Doo Doo. Magma is one of the most influential of all French bands.
They have left a legacy of music that defies any of the standard and convenient classifications of rock, operating instead in a realm of their own creation. BBC Londres is pressed on silver vinyl. Only individually numbered copies are available worldwide, exclusively at record stores for RSD Black Friday. Breeze 2. In The Temple 3. Dance Of The Furies 4. Slide Hidden Track 5. Starblood Remix Hidden Track. The band had its roots in the Congo although it formed in Kenya in the mid-sixties. Each of the songwriters sang lead in their native tongues and this meant they used vocals in three African languages next to the songs sung in English.
In when the BBC held a competition to find the best band in Africa, Matata submitted a song and came in first. Several singles also came out of this and Matata scored hits in the Netherlands, Belgium and France. With a wealth of material and a dynamic live act to its name they would play packed gigs every night.
The group was a visual, as well as musical feast and quickly became favorites at several well-known London nightclubs. There would be no Album) Matata recordings and sadly the band split after releasing their second album. The album we are presenting you today Independence from comes swinging right out the gate with a set of no less than TWELVE monster tunes.
This unique record comes as a deluxe g vinyl edition strictly limited to copies worldwide with obi strip and featuring the original artwork. This reissue also comes with an insert featuring pictures of the band and extensive liner notes from award winning author John Masouri. Featuring eleven original tracks written by JD McPherson and his friends. SOCKS is an album of holidays songs sure to be standards while you are decorating the tree. SIDE A: 1.
All The Gifts I Need 2. Bad Kid 3. Hey Skinny Santa! Socks 5. Every Single Christmas 6. Ugly Sweater Blues. SIDE B: 1. Claus Vs. Claus feat. Lucie Silvas 5. Twinkle Little Christmas Lights. To commemorate the album's 10th anniversary, the first-ever vinyl release of the acclaimed tenth album by classic rock icons Night Ranger! The album was the group's first with guitarist Joel Hoekstra Whitesnake, Trans-Siberian Orchestra and ushered in a decade that saw the band -- who have sold more than 17 million records worldwide -- achieve its highest visibility in years via tours with the likes of Journey, Def Leppard, Foreigner and Sammy Hagar.
A modern AOR classic from a legendary band that both epitomized and transcended the arena rock sound! Growin' Up In California 2. Lay It On Me 3.
Bye Bye Baby Not Tonight 4. Follow Your Heart 5. Time Of Our Lives 6. No Time To Lose 7. Live For Today 8. It's Not Over 9. End of the Day Rock n' Roll Tonite Say It With Love. Seminal Florida punk band Pink Lincolns see their original unreleased four-song cassette demo get an official vinyl release for the very first time. Side B, "I am a Genius," stops nothing short of the name. This is the last unreleased recordings of Pink Lincolns, featuring founding and now deceased guitarist Dorsey Martin.
Original demo recording never before heard by fans. Comes with liner notes from front-man Chris Barrows. First and only pressing. Limited to copies. Apartment 54 2. Friends of Mine The Zombies. Hailing from Memphis, Chris Travis has created his own wave in the hip-hop community for almost the past decade.
Intro 2. Purple Thoughts 3. How It Is 4. When We Ride 5. Sip That Shit 7. Codeine Vision 8. Drugs- Wavadelic Freestyle Pt. Psychedelic Funk Actavis Tokyo Wet Like My Bitches Balance Stayin True.
The 7" will be numbered and limited to copies. Boston A historic early recording of Aerosmith in their rehearsal room - just the band, crew and friends captured on Joe Perry's tape recorder. Chet Baker is highly regarded as one of jazz's greatest trumpet players, and he recorded numerous albums over his 35 year recording career. Recorded inAlbert's House features eleven instrumental compositions by Steve Allen, who produced the recording session to assist Baker in restarting his career after a horrific dental injury in ' This monster is a barrage of middle eastern clarinet, oud, dumbek, kanun, sax, tambourine, wild percussion, and kaval, along with finger cymbals and the occasional vocal from some of his favorite belly dancers.
Still performing at 91 with his group Taksim, Souren Baronian is a living legend and he was nice enough to let us raid his tape archive! Siro Yerk 2. Makhmoor Aghchig 3. Pinkeol 5. Hey Yala 7.
Geozlerin 8. Groovin' ""Hye"" 9. Ser Khosha Govand Halime Chifte Telli Shek Mazerov Laz Bar Nane Souyou Achchig Hos Yegoor Norike Bar Chem-o-chem Dari-lolo Khun Dzorin Dzar Khorodig Hye-Ena Siroon Min Elek Hub Eench Anem Herosi Bar Aghli-Jen Both sets are included on this RSD Black Friday release pressed on psychedelic color vinyl in a high-gloss tip-on jacket.
This album was recorded, mixed and mastered live to a vinyl master, in one take, on the evening of November 6th at Welcome To studio in Nashville. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with it. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved! In -- some three years before his self-titled debut solidified his stature as a pre-eminent Fender bender -- Roy Buchanan signed with Polydor Records and began work on his first full-length platter.
Never before on vinyl, the Prophet comes in a two album set, pressed on orange and black "fire" vinyl because you won't often encounter more fiery guitar work than what's herehoused in a gatefold jacket and limited to 2, copies worldwide.
Funky Junky 2. Black Autumn 3. Day and Age 4. There'll Always Be 5. Billy Joe Young 6. The Story of Isaac 7. Baltimore 8. Sign on the Window 9. Humbug Down on the River; Pain I Desire You; Stormy Monday Jam; Roy's Bluz Sweet Dreams. Alexander's Ragtime Band 2. What'd I Say 3.
I've Had My Fun 4. Raelettes Intoduction 5. Games People Play 6. Don't Change On Me 7. I Can't Stop Loving You 8. Marie 9. I've Got A Woman.
Madlib had made an Azymuth tribute record he wanted to play for him. On a rainy night in Rio, Mamao and Madlib went in the studio. Several hours later the rhythm tracks that make up Sujinho were laid and the process began. Mamaoism 2. Barumba 3. Anna de Amsterdam Interlude 4. Brasilian Sugar 2. Sao Paulo Nights 3. Xibaba 4. Upa Neguinho feat. Thalma De Freitas. Casa Forte 2. Amazon Stroll 3. Berimbau 4.
Anna de Amsterdam Reprise 5. Waiting on the Corner. Tijuca Man 2. Nao Tem Nada Nao 3. Sunset at Sujinho 4. Segura esta Onda feat. Mamao on vocals. The fourteenth solo album from Alice, originally released inand the first 45 RPM pressing. Mountain feat. Frank Bello 2. Kiss it Goodbye feat. Howard Jones 3. Everyone Dies feat.
Stix Zadina 4. Rat Child. Sivad 2. Little Church 3. What I Say 2. Nem Um Talvez Side C 1. Selim 2. Funk Tonk Side D 1. Inamorata and Narration by Conrad Roberts. The debut solo album from British singer-songwriter and ex-Catherine Wheel frontman Rob Dickinson.
This first-ever vinyl release adds a bunch of extras that did not appear on the original CD, including the track "The End of the World" recently covered by Billie Eilishand a second disc with the Nude EP from the deluxe CD reissue, made up of acoustic versions of Catherine Wheel songs. Packaged in a gatefold jacket and pressed in red and yellow "seahorse" vinyl, limited to copies worldwide.
Songs From the Deep captures our collective moment perfectly with a sense of personal nostalgia Late Night Drive, Back Porchsociopolitical resolve Forward Marchand several powerful shout-outs to recently departed civil rights icon and fellow Alabamian John Lewis Walk With the Wind, Stand. Originally released in following the birth of his daughter, Show You The World took Living Legends MC The Grouch on a new path of growth and maturation as he navigated his new world of fatherhood and the new perspectives it brought.
With topics ranging from his experience as a new father, partner and son, to drug addiction in the family, as well as his own personal struggles and triumphs, The Grouch succeeds in showing us his world. Microphone Intro feat.
Rio Amor 2. Watch Watch feat. Mike Marshall 3. Clones 4. Artsy 5. Favorite Folks 6. Yarkwork 7. Show You The World feat. Raphael Saadiq 9. The Bay To LA feat. Murs Never Die Shero Bring It Back Hot Air Ballons feat. The Time feat. Marty James His legendary performances had him dressed in gold and leopard costumes with props including rubber snakes, a smoking skull on a stick, and his signature coffin.
Over his career he didn't record many studio albums. Experience Frank Ocean through the ears and sounds of High Pulp, as the Mutual Attraction saga continues, with the final installment of the project. The three arrangements are an homage and a thank you to Frank, who has had such a heavy impact on the band and the way they think about writing music. Along with digging into a different genre of music, and focusing on being a tribute to just one artist for this volume in the series, MA 3 also has the band performing as their largest ensemble yet: a piece band, including a 5-piece string section.
Giving no limits to these reimagined versions of Frank Ocean tunes. On election daywhen I saw that there was a good chance the state of Georgia might go blue, I came up with an idea: to record an album of Georgia- related songs as a thank you to the state and donate the money to a Georgia based non-profit organization.
I will admit my motivations were a bit selfish. The songs on this album are some of my favorite Georgia-related songs, but the tracklist is not meant to be comprehensive. I hope you enjoy listening to these recordings as much as we enjoyed making them. Keep listening to good music and fighting the good fight. Released inTear Gas is the fourth and arguably most notable studio album from The Jacka. The album features the hit singles, "All Over Me feat.
Matt Blaque," and "Glamorous Lifestyles feat. Andre Nickatina". Summer feat. Just A Celebrity feat. Sky Balla 3. Glamorous Lifestyle feat. Andre Nickatina 4. Greatest Alive feat. They Don't Know feat. Freeway 6. Dream feat. Won't Be Right feat.
Cellski 8. Keep Callin' feat. Devin The Dude 9. Girls Scared Money feat. Get It In feat. What's Your Zodiac feat. Phil Da Agony Dopest Foreal Callin' My Name feat. Mistah F. What Happened To The World The Movement feat. Planet Asia Storm feat. Cormega Our Heroes feat. Stalin All Over Me. Madison Carnival of Losers, Pt. The Elusive Sensation of Bliss It Was Perfect A Thing for Weak Guys Honeymoon Iraq Triangle of Death Cheerleaders Huffers of 1st Platoon Another Day, Another Mission Night Tremors Unholy Retribution Date Night Acquiescence I'm Your Worst Nightmare Crossing the Line Rob Another Bank Overdose Side D Your Fate is Darkly Determined One Last Job The Comedown Album Version What I'm Trying to Say Is Bonus Track.
Contains the original tracks on the first three sides, with an original band interview on Side Four. The first time on vinyl for the album. The first vinyl release for this album. NOW became Maxwell's first album to reach 1 on the Billboardselling overunits in the U. Get To Know Ya 2. Lifetime 3.
Changed 5. NoOne 6. For Lovers Only Side B 1. Temporary Nite 2. Silently 3. Symptom Unknown 4. A full livestream production was taped, and the band plans to tour the album in the US this fall. Lean Into It shows that Mr. Daddy, Brother, Lover, Little Boy 2. Alive And Kickin' 3. Green-Tinted Sixties Mind 4. CDff-Lucky This Time 5. Never Say Never 2. Just Take My Heart 3. My Kinda Woman 4.
A Little Too Loose 5. Road To Ruin 6. To Be With You. Features songs and story from the original cast of the beloved TV show. At The Munsters 2. Herman Says, "Hello" 3. Everyone Is Welcome 5.
Meet Our Pets 6. Meet Grandpa! Grandpa's Lab 8. Herman's Favorite Story 2. Lily's Favorite Story 3. Grandpa's Favorite Recipe 4.
Final Theme. They are the "Last of the Breed" -- the elder statesmen of classic country music who have inspired artists for decades.
No one else sings country music with the passion and purity of Willie Nelson, Merle Haggard, and Ray Price, and, in Marchthese living legends and Country Music Hall of Famers united on stage for a once-in-a-lifetime concert event that was captured for television and recorded to give fans the ultimate concert experience.
Limited edition 10" of special versions of songs originally taken from his landmark eponymous album, Magic Oneohtrix Point Never, released near its one year anniversary. Previously unreleased historic recordings from Charlie Parker's legendary and highly eventful visits to Los Angeles. LP 1 Side A December 17, 1.
Thats A Step In The Right Direction, Theme From An Imaginary Western - Various - Woodstock Two (Vinyl, LP, Album), Santana - Moonflower (CD, Album), What Makes Us Strong - Bane (2) - It All Comes Down To This (Vinyl, LP, Album), Engel Von Valparaiso - Various, Wim Thoelke - Wim Thoelke Präsentiert: Ihre Deutsche Schlagerparade, Dont Drink, Used & Abused - Various - Cyberdrome - Alien City Part 1 (Cassette), Ill See - Y-Gz - Doin It (CD, Album), Hammer - Zombie (2) - Hammer Beyond The Enclave (File, MP3), Might Just Take Your Life - Deep Purple - Soldier Of Fortune : The Greatest Hits (CD)