Classic Rock


Werner Mix 2 - Werner* - Sam (Cassette, Album)


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Pan Macmillan. Skyhorse Publishing. Retrieved 4 February Randy Taraborrelli Retrieved 4 February — via Billboard. Retrieved August 29, Record World. Retrieved 29 January January 30, April 24, June 19, October 30, April 30, November 19, March 25, July 15, June 15, February 1, July 19, January 20, January 25, December 6, November 21, July 24, What parts five players would perform, he performs alone. The spectacle of his one-man set bears constant comparison to legends of showmanship, brilliance, madness, and invention.

While audiences are captivated by his solitary form and the show itself, Lorenz, who homesteads with rescue dogs and chickens in rural Western Massachusetts, is most serious about the songs. He has been building a catalog, writing a world into existence. Solitary on stage and on the road, his mind is crowded with characters, narratives, voices, imagery, sounds as wide and varied as mountain throat singers and roadhouse juke boxes, plus newsreels of the planet's destruction and salvage.

I have tried to use my observations and reflections of the world bent through my fun-house-mirror mind to show what I see: a planet stressed.

We can do better. His talent is a unique gift. He was game. Neither of us knew quite what that meant at the time, but I think we found out with The End is New. In the strangest of ironies, the production of this album, an artist moving from solitude to collaboration, went forward in a time when Lorenz, Berlin, all their studio musicians, and the entire world were in isolation for the lockdown of pandemic.

Steve Berlin, producer extraordinaire, was stuck at home on the West Coast under a newly imposed lockdown and here in Massachusetts the virus was starting to heat up. The bicoastal, remotely produced recording process was bizarre and frustrating but fruitful. We plugged along, track by track, occasionally commenting on how crazy everything was feeling.

Justin, the sound engineer and co-owner of Sonelab, and I had spent time together in the same studio so we figured if one of us had The Virus we probably both did so why not finish the record as safely as we could?

So we watched as the world drastically changed around our little musical haven, unsure of what lay ahead. We polished off the record bit by bit in the following months, recording overdubs from home with no more studio time to be had. The End is New is an artist expanding his possibilities, collaborating, matching his lyrical power over eleven tracks with the epic sounds and narratives of his imagination.

Growing up in Cavendish, Vermont, Matt Lorenz began playing piano at age five, and later took up violin, saxophone, and guitar. The sound has become more refined and deeper with each release.

Lorenz tours extensively and plans to be back on the road for a waylaid release tour for The End is New in Lorenz is also a visual artist. In the early years he designed all The Suitcase Junket album art and merchandise and made the music videos generated with his songs. He continues to create the visuals for merchandise, and to produce some of his videos, now with collaborators.

He gets very excited about coffee, gardening, bees, dogs, birds, mushrooms, tinctures, making his own wine and maple sugaring season. Chris Pureka is a Portland-based singer-songwriter whose body of work has resonated deeply with these seemingly disparate milieus. Her bold vulnerability in processing the intimacies of her life in song has long appealed to those listeners who crave authenticity. Along the way, Chris has remained fiercely independent, selling nearly 50, albums through her own label, Sad Rabbit Records.

At 16, writing songs became a way of journaling. Post high school, she went on to complete a biology degree at Wesleyan University, and afterwards, worked in a microbiology research lab at Smith College. Meanwhile, she established a music career parallel to her biology work through touring and issuing a clutch of well-received indie releases. Inwhen Chris Album) herself turning down too many opportunities as a musician, she shifted her priorities to become a full-time artist.

What I do comes from my experiences, and I strive to express these experiences authentically. Her rise as an esteemed artist with captivating emotional integrity has been organic and always on her own terms. Somewhere deep in the middle of a good story, a simple and powerful thing happens. You begin to feel seen. The characters have been slowly undressed, layer upon layer of hope and human flaw, their struggles revealed.

They remind you of your family, of a briefly encountered stranger, of yourself. Anna Tivel reaches for that thread of understanding with her music, that moment of recognition, of shared experience.

The operation of the variable valve lift system may be summarised as follows: At Album) speeds below rpm, valve lift for one of the intake valves was reduced to increase intake air speed and to create a swirl effect within the combustion chamber since the lift of the two intake valves differed. As a result of the faster intake air speed and better mixture formation, a higher torque output was achieved; At engine speeds between rpm and with high loads, valve lift for the variable intake valve would be increased to reduce Werner Mix 2 - Werner* - Sam (Cassette resistance for greater power; and, At engine speeds above rpm, high valve lift would be provided regardless of load.

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