Jazz

8

Detroit Snackbar Dreamer - Edgar Froese - Stuntman (Vinyl, LP, Album)

However, we stock thousands of out-of-print formats and we specialise in tracking down out-of-print, deleted and hard-to-find releases. Sell us your Rare Edgar Froese items today. Contact our team of experienced buyers who will LP pleased to quote for any top quality items. Price Info. Currently Unavailable - You can request the next copy of this item. Scrobble from Spotify? Connect to Spotify Dismiss. Search Search.

Join others and track this song Scrobble, find and rediscover music with a Last. Sign Up to Last. Play album. Length Lyrics Add lyrics on Musixmatch. Related Tags atmospheric electronica spacey tangerine dreamish Add tags View all tags. Featured On Play LP. Beyond The Storm Edgar Froese 16, listeners. Stuntman Edgar Froese 11, listeners. Play track. Artist images 11 more. Edgar Froese 62, listeners Related Tags electronic ambient krautrock Edgar Wilmar Froese born June 6, and died January 20, is an artist and electronic music pioneer, best known as the founding member of the electronic music band Tangerine Dream.

After showing an early aptitude for art, Froese enrolled at the Academy of the Arts in West Berlin to study painting and sculpture. Edgar Wilmar Froese born June 6, and died January 20, is an artist and electronic music pioneer, best LP as the founding member of the electronic music band Tangerine Dream.

Froese was born in Tilsit, East Prussia now S… read more. Similar Artists Play all. Trending Tracks 1. Sunday 4 April Monday 5 April Tuesday 6 April Wednesday 7 April Thursday 8 April Friday 9 April Saturday 10 April Sunday 11 April Monday 12 April Tuesday 13 April Wednesday 14 April Thursday 15 April Friday 16 April Saturday 17 April Sunday 18 April Monday 19 April Tuesday 20 April Wednesday 21 April Thursday 22 April Friday 23 April Saturday 24 April Sunday 25 April Monday 26 April Tuesday 27 April The flute-like sounds stop after 4 minutes as other sounds cascade in and out.

Then it becomes more spacey. It stops after 5 minutes Album) sounds pulse. Faint sounds to start then it picks up with a beat. Guitar-like synths come in then they stop before 6 minutes as a fast paced sound takes over. It's spacey late. A good album and one many Froese fans rate highly. For me 3 stars is the right rating. After the uneven double release "Ages", Edgar Froese confirms his melodic orientation with this opus. Detroit Snackbar Dreamer - Edgar Froese - Stuntman (Vinyl Virgin.

General Terms and Conditions Right of withdrawal. Sleeve Condition:. VAT plus shipping. Edgar Froese - Stuntman To favorites 2 Download album.

Listen album. Edgar Froese. Songs in album Edgar Froese - Stuntman Edgar Froese - Stuntman. Edgar Froese - Detroit Snackbar Dreamer.

Hungry For Love - Bad Boys Blue - Completely Remixed (Cassette, Album), The World Is Not Enough, Easy To Be Hard - Various - Hair - The American Tribal Love-Rock Musical (The Original Broadway Cast, In A Sentimental Mood - Herm Saunders* - The Tinkling Piano In The Next Apartment - Herm Saunders At, J-Punch - Red Blood (Vinyl), « Schen, Wie Dem Starren Forscherauge » - Mozart* - Oratorios, Cantatas, Masonic Music (CD), Fortuna - Rising Sun Nova - Tsurugi (CDr), Celebration - Steve Miller Band - Anthology (Vinyl, LP), Various - Roller Blazing Hitz (CD), Assassination Attempt - Professor Griff - Kaos II Wiz*7*Dome (CD, Album), Dee D. Jackson - Fireball (Vinyl)

01.09.2021
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8

Resentment - eMETA* - Town Pariah (File, Album)

During an interview with 4Musicthe singer talked about the song, saying, "The song on my new album [ B'Day ] I am proudest of is probably 'Resentment'. I feel like vocally I've grown, I feel like all the chord changes and the beautiful harmonies and the lyrics is something that I really am proud of". Bill Lamb of Album). You can almost feel the pain in her delivery.

Yoursshe performed the song live for the Album) time. Before performing the song, the singer described its meaning depth, stating: "How many of you have ever been lied to? I'm sure everyone has —we all have. But this next song Album) from my last album, B'Day. And I never performed this song before, this is especially for Encore [ And you're trying your best to forgive.

But it's difficult because you never forget. It's called 'Resentment'. Yours in its entirety which also featured her performance of "Resentment". Carter Show World Tourduring several opening shows of the first leg where she performed Resentment - eMETA* - Town Pariah (File on a B-stage.

Credits are taken from B'Day liner notes. From Wikipedia, the free encyclopedia. Song with lyrics by Curtis Mayfield performed by Victoria Beckham.

Female First. Retrieved Digital Spy. They are to be answered by all the Drummers of the Resentment - eMETA* - Town Pariah (File, and by four Drummers of each Regiment in their respective Quarters".

The original call of Retreat, to mark the end of the days fighting was beaten on drums as were most battle orders. The use of brass bugles, as military signaling device, came to England in where it was gradually accepted in the foot regiments.

The Massed Bands we see today Resentment - eMETA* - Town Pariah (File a modern innovation, added to provide spectacleto the Beating Retreat ceremony. By Car - Not recommended, Whitehall is in the congestion charge zone. Examples of reata in a Sentence the gauchos tied their reatas and rode out onto the pampas to rope calves.

First Known Use of reatain the meaning defined above. History and Etymology for reata American Spanish — more at lariat. Learn More About reata. Time Traveler for reata The first known use of reata was in See more words from the same year. Statistics for reata Look-up Popularity. Style: MLA. Khota and his highly skilled band released their first album, "Transmutation," in and since then have been successfully experimenting with new music styles and sounds.

With Khota as leader and composer on guitar, Shane Cooper on bass, Fender Rhodes and synth, Jonno Sweetman on drums and Buddy Wells on saxophone and flute, here is a group of musos blessed with a mutual ease and chemistry. Mbira transcription.

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02.09.2021
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9

Devils Island - Megadeth - Peace Sells... But Whos Buying? - 25th Anniversary Edition (CD, Album)

Halo Infinite's accessibility features make driving and menu navigation easier Microsoft is also making it easier to identify Album) games before buying them. A newsletter a day keeps the FOMO at bay. Just enter your email and we'll take Album) of the rest: Subscribe Please enter a valid email address.

The Game Awards ceremony takes place on December 9th It's returning to an in-person event after going online-only in Sony buys remake and remaster studio Bluepoint Games Surprising no one. Nintendo denies it supplied developers with tools for a 4K Switch It issued the statement after 'Bloomberg' claimed developers are already working on 4K Switch games.

Moon Bungie makes it easier to sue over harassment following Activision scandal The 'Destiny' developer is distancing itself from its former publisher. Album) Twitter YouTube. Corsair's first gaming monitor is the inch, p Xeneon The Game Awards ceremony takes place on December 9th Bonifacic Twitter Facebook Reddit Mail. Holt Halo Infinite's accessibility features make driving and menu navigation easier Microsoft is also making it easier to identify accessible games before buying them.

A newsletter a day keeps the FOMO at bay. Bonifacic Twitter Facebook Reddit Mail. Holt Halo Devils Island - Megadeth - Peace Sells. But Whos Buying? - 25th Anniversary Edition (CD accessibility features make driving and menu navigation easier Microsoft is also making it easier to identify accessible games before buying them.

A newsletter a day keeps the FOMO at bay. Just enter your email and we'll take care of the Devils Island - Megadeth - Peace Sells. But Whos Buying? - 25th Anniversary Edition (CD Subscribe Please enter a valid email address. The Game Awards ceremony takes place on December 9th It's returning to Devils Island - Megadeth - Peace Sells.

But Whos Buying? - 25th Anniversary Edition (CD in-person event after going online-only in Sony buys remake and remaster studio Bluepoint Games Surprising no one.

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02.09.2021
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9

Willkommen Im Leben - Various - Hits 91 - Die Deutschen Superhits (CD)

Curly, David Fairstein. Januar — 1. April 5 Wochen. Freedom Williams. April — 2. Juni 8 Wochen. Juni — Willkommen Im Leben - Various - Hits 91 - Die Deutschen Superhits (CD) August 11 Wochen. Wind of Change Klaus Meine. August — Oktober 8 Wochen. Kate Yanai. Trulio, Kate Markowitz. Oktober — Stars on 45 Jacobus EggermontMartinus Duiser. Juli — August 7 Wochen. August — Oktober 8 Wochen. Dance Little Bird Werner Thomas. Oktober — November 4 Wochen.

Fred Sonnenschein und seine Freunde. November — 6. Dezember 2 Wochen. Tainted Love Edward C. Dezember — 3. Januar 4 Wochen. Gottlieb Wendehals. Deutschland Liste der Nummer-eins-Alben in Deutschland. Januar 1 Woche insgesamt 2. Richard Clayderman. Tap to unmute. If playback doesn't begin shortly, try restarting your device. Up Next. Finde neue Musik rund um deutsche oldies bei Last.

By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Please subscribe to our YouTube channel! Angele Durand - So ist Paris 2.

Margot Eskens - Tiritomba 3. Caterina Valente. Der hauseigene Sender von radio. Du stehst auf Oldies des deutschen Schlagers. Dann bist du hier genau richtig.

Bei uns gibt es rund um die Uhr die Schlager aus Willkommen Im Leben - Various - Hits 91 - Die Deutschen Superhits (CD) 60er, 70er, 80er und 90er Jahren Schlager Deutsche Schlager. Sonst nichts. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.

Weitere Willkommen Im Leben - Various - Hits 91 - Die Deutschen Superhits (CD), beispielsweise zur Kontrolle von Cookies, findest du. Deutsche Schlager. Meilstrasse Willkommen Im Leben - Various - Hits 91 - Die Deutschen Superhits (CD) Zirl. Kategorien : Nummer-eins-Hits nach Land Musik Versteckte Kategorie: Wikipedia:Liste.

Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Deutschland Liste der Nummer-eins-Hits in Deutschland. Zeitraum Willkommen Im Leben - Various - Hits 91 - Die Deutschen Superhits (CD).

Dezember — Februar 10 Wochen. Another Day in Paradise Phil Collins. Februar — 4. Mai 11 Wochen. Mai — 9. September 16 Wochen. September — Oktober 7 Wochen.

Samba Samba - Elkin & Nelson - Elkin & Nelson (Vinyl, LP), Νύχτα Μαγικιά - Various - Μια Φορά Θυμάμαι- Τραγούδια Από Το Νέο Κύμα (CD), Get To Know Ya (Cut) - Various - Smokin (Intoxicating Urban Treats) (CD), Sueño Latino - Various - Erotic Dance Hits And Other Delights (CD), Let It Flow, Look Me In The Eyes - Carly Simon - Playing Possum (Vinyl, LP, Album), Then He Kissed Me - Phil Spector - Phil Spectors Greatest Hits (Vinyl, LP), Stanley Weiner, Gisèle Demoulin - Violin Encores (Vinyl, LP), Cool T The Quit Storm - Quit Storm In Effect / O.K., Hit Me (Vinyl), Bottle Of Jack - A Dream Of Reality - Its Nothing Personal (CD, Album), Ill Stick Around - Foo Fighters - Monkey Wrench (CD)

02.09.2021
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8

Lifeguards Ditty (Live Version)

By October, they leave the waters north of New York City, heading south whereas some bluefish, perhaps less migratory, [13] [14] are present in the Gulf of Mexico throughout the year. In a similar pattern overall, the economically significant population that spawns in Europe's Black Sea migrates south through Istanbul Bosphorus, Sea of Marmara, Dardanelles, Aegean Sea and on toward Turkey's Mediterranean coast in the autumn for the cold season.

Adult bluefish are typically between 20 and 60 cm 8 in. They reproduce during spring and summer, and can live up to 9 years. As with most marine fish, their spawning habits are not well known. In the western side of the North Atlantic, at least two populations occur, separated by Cape Hatteras in North Carolina. The Gulf Stream can carry fry spawned to the south of Cape Hatteras to the north, and eddies can spin off, carrying them into populations found off the coast of the mid-Atlantic, and the New England states.

Adult bluefish are strong and aggressive, and live in loose groups. They are fast swimmers that prey on schools of forage fishand continue attacking them in feeding frenzies even after they appear to have eaten their fill. They are cannibalistic and can destroy their own young.

In turn, bluefish are preyed upon by larger predators at all stages of their lifecycle. As juveniles, they fall victim to a wide variety of oceanic predators, including striped bass, larger bluefish, fluke summer flounderweakfish, tuna, sharks, rays, and dolphins.

As adults, bluefish are taken by tuna, sharks, billfish, seals, sea lions, dolphins, porpoises, and many other species. Bluefish are aggressive and have been known to inflict severe bites on fishermen. Wading or swimming among feeding bluefish schools can be dangerous. As other fish, bluefish host a number of parasites. One spectacular parasite is Philometra saltatrixa philometrid nematode in the ovaries. The females are brownish red and may be as long as 80 mm; the males are very small.

In Australia, bluefish, called "tailor", are caught on the west coast from Exmouth to Albany, with the most productive fishing areas being in the west coast bioregion. In the U. Bluefish is a popular sport and food fish, and has been widely overfished. In the middle Atlantic region of the U. Bluefish may be baked or poached, [34] or smoked. Because of its fattiness, bluefish goes rancid rapidly, so it is generally not found far from its fisheries, [35] but where it is available, it is often inexpensive.

FDA recommends that young children and women of childbearing age consume no more than one serving per week a serving size is about 4 ounces uncooked for an adult, 2 ounces for children ages 4—7 years, 3 ounces for children ages 8—10 years, and 4 ounces for children 11 years and older. From Wikipedia, the free encyclopedia. Species of marine pelagic fish Pomatomus saltatrix.

This article is about the species of fish. For other uses, see Bluefish disambiguation. Conservation status. Meanwhile, Bob and Linda believe they are being scammed by a young girl at the restaurant.

After declaring that he will never play his Casio again, Tina and Louise join forces to help Gene rediscover his love of music. Meanwhile, Linda deals with a horrible armpit rash that has everyone disgusted. But when he sends her out of the house as a distraction, she goes missing! Mayhem ensues as the Belchers must work together to find Linda. The storm is the least of their worries, however, when they are forced to take shelter with the mysterious owner of the home.

After approaching Fischoeder, the tenants find out that they will have to compete in order to convince him to keep their rents reasonable. Meanwhile, the kids tell their own versions of the story of how their parents met. But when Jordan wants to spray graffiti on the Land Ship, Tina must decide between ruining the parade or disappointing her new crush. Louise reveals that she has never been scared before and the family sets out to visit a spooky haunted house.

When trouble ensues following their visit, the Belchers find themselves in a zany situation more frightening than they bargained for! But an unexpected snowstorm derails his trip home, and his epic plan to prepare the turkey is foiled. Bob then must put the fate of the turkey and the Belcher Thanksgiving in Linda's hands and spend time bonding with his sister-in-law. Meanwhile, Bob makes improvements to the restaurant that end up driving customers away.

Meanwhile, Bob deals with an unexpected guest at the restaurant and is forced to come to terms with a longstanding fear. Meanwhile, Bob and Linda learn an interesting piece of history regarding the restaurant, which leads to tension between Bob and Jimmy Pesto.

Ambrose after Tammy steals her idea for the annual Halloween costume contest. Frond 's annual play threatens to ruin the half day before Thanksgiving, Gene and Louise decide they need to sabotage it in order to save their long weekend.

Businesssecures pet agent Ian AmbersonBob finds out that Linda may have been helping to fund the cat's career. Frond's attacked therapy dolls. But when she realizes that her prized ornaments have been stolen, she quickly begins questioning all the guests. Bob and Gene have a trapeze experience. I Hardly Know Her! However, the Belchers get in over their heads when they try to help him stage a comeback. Patrick's Day festivities. Yap comes to the restaurant in search of something that was taken from the waiting room of his dentistry office.

Frond lends Tina a crystal that his new girlfriend alleges has special powers. As a result, there were no in-person table reads and no known script covers produced. Categories Episodes Content Bob's Burgers.

Universal Conquest Wiki. May 23, [1]. Bob rallies the team to cook up some business, so he sends middle child Gene to push samples in the streets, eldest son Daniel to work the grill and youngest daughter Louise to staff the counter.

Bob rallies the team to cook up some business, so he sends middle child Gene to push samples in the streets, eldest daughter Tina to work the grill and youngest daughter Louise to staff the counter.

When Bob learns that Linda's mother is coming for a visit, he wants nothing to do with it. When a controversial documentary filmmaker places a live cow outside of the family restaurant to make a statement, Bob is livid when it starts to scare away customers.

When Tina develops a crush on the new martial arts instructor in town, she joins the class and ends up shirking her responsibilities at the restaurant.

Bob reluctantly lets Linda and the kids stage a musical murder mystery dinner theater in the restaurant. Tina is desperate to get her first kiss at her 13th birthday party. With a long weekend approaching, Linda sees an opportunity to capitalize on the tourist traffic Lifeguards Ditty (Live Version) starting a bed and breakfast.

When Linda asks Bob to let her sister hang her paintings in the restaurant for Art Week, Bob finds he's forced to contend with the city's Art Council, a shady troop of intimidating old ladies who control the art exhibited around town. When Bob's eccentric landlord, Mr. Mold drives the Belchers to Mort's mortuary for the weekend. The town shuns Bob after he feeds a crowd from the Lobsterfest that was closed by a storm.

Bob's baseball hero winds up dragging the Belchers into the seedy side of minor league baseball. Lifeguards Ditty (Live Version) tells a story of hidden treasure inside an abandoned taffy factory that is about to be demolished, so the kids decide to sneak out and look for the treasure. A bank gets robbed across the street, so Bob and Linda seek this as an opportunity to get their restaurant known when the robber orders burgers.

The kids con their way out of gym class with a bogus synchronized swimming independent study. Bob brings an old-school video game in the restaurant, hoping to earn some more profits. Bob buys a food truck to compete against the ones that are taking his customers.

While Bob is medicated, he mistakes Gayle for his wife and kisses her. Tina gets detention on the night that she was supposed to babysit the kids, as Bob and Lifeguards Ditty (Live Version) wanted to go out for a night.

Bob appears in a cooking segment for a talk show. Louise gets her bunny ears stolen by a high school bully, and Bob meets the One Eyed Snakesa motorcycle gang, when they visit to honor their fallen leader.

The kids skip their normal trick-or-treat route for Halloween and decide to go to a posh neighborhood, Kingshead Island, as they distribute full-sized candy bars. When Bob feels that he is depriving the kids of any summer vacation, he decides to relieve them of duty from working the restaurant.

The Belchers are shanghaied on a cruise ship when the captain requests Bob to be his personal chef. The Belchers pretend to be Mr.

When Tina accidentally totals the family car, she believes that she is jinxed when she and Bob decide to lie to the insurance agent and end up in insurance fraud. Gene tries to break up with his new girlfriend, Courtney, after the family finds her annoying. When Bob inherits a storage unit, his family is imagining that they will be receiving treasure that has been passed down. Linda fears that her bond with Louise isn't as strong as hers with Tina, so she forces Louise to attend a mother-daughter seminar.

Darryl and the Belcher kids setup a business for kids to pay to see a good view of the nearby nude beach. Tina goes on a mission to solve the "Mad Pooper" at Wagstaff School. Linda sets up speed dating in the restaurant. When Linda decides to leave the restaurant to work at a grocery store, Bob has to manage the restaurant without her help. The Outside Toilet ". When Gene finds an expensive talking toilet out in the woods, he and his friends decide to protect it as much as they can while an evil toilet hunter is looking for the toilet.

When Wagstaff Middle School has their fourth-grade science fair coming up, Louise comes up with the idea of a musical, and Gene writes it about the execution and electrocution of Topsy, an elephant that was executed in The Belcher family goes down to Florida to see Linda's parents in their senior home. The Belcher family competes against the Pesto family in a game show to win a new minivan after the family car breaks down.

Bob accidentally slices his finger and Linda rushes him to the hospital, leaving the kids in charge of keeping the restaurant running. When Tina and Louise go to a concert, Louise grows a crush on the lead singer of the "Boyz 4 Now" band while Gene enters a table "scaping" contest. When Bob acts as a parent chaperone to a museum, he bonds with Louise. Gene joins the baseball team and Linda wants to send him to baseball camp, but Bob is unsure if they can afford it.

During a camping trip, Bob eats under-cooked fish out of stubbornness and becomes sick. For Halloween, the kids make a fort out of refrigerator boxes, but accidentally get trapped. Linda takes pilot lessons with a perverse teacher known as "Upskirt Kurt" when Bob fails date night with her. Bob gets a temporary gig as a frat house cook and ends up in a prank war headed by alumnus Dr.

Bob invites Mort, Teddy, and Gayle over for Thanksgiving. Bob becomes the substitute "Home Ec" teacher at Tina's school and ends up creating a full-scale restaurant in the classroom. Bob gets upset when Linda buys a Christmas tree too early that dies too fast, so the Belchers go to get a new tree. Linda plans to surprise a reluctant Louise by inviting her classmates over for a surprise slumber party.

The Belchers make a Super Bowl commercial for their local station hoping that it will bring more customers into the restaurant. The Belcher kids are forced to write an essay on why they like Wagstaff Middle School.

Tina ends up not being invited to Tammy's Bat Mitzvah, but is required to go when Bob's Burgers is hired to cater the event. Bob and Linda have Teddy babysit the kids when they go on a romantic getaway at a burger convention. After receiving a bump on the head, Linda believes she has been gifted with psychic powers. The kids find a chunk of ambergris, a very rare and very illegal whale byproduct often used by some high-end fragrance companies.

Louise finds out she has a cavity and goes to the dentist, and she runs away to get refuge from Gayle's house. Tina decides to try out for the cheerleading squad, but it's actually Gene who gets noticed in the crowd for his spirit and cheering ability. Motivated by the promise of a new beachside burger joint, Bob conspires with Felix to convince Mr.

When Gene's "Die Hard"-inspired musical doesn't get picked for the school's fall performance, he decides to stage an underground show with the help of Louise. Tina begins an out-of-this-world romance with a ghost that is believed to be living in the Belcher's basement. Bob becomes Teddy's workout buddy while Linda and the kids open an underground ice wrestling league. Bob enters a burger-tasting contest, only to discover that his distinguishing ingredient is missing!

Meanwhile, Tina tries asking Bob to teach her how to shave her legs. Meanwhile, a new health inspector replaces Hugo and Bob disagrees with him. Fischoeder and Gayle sing a duet called Electric Love. To their surprise, they find that the home is full of swingers. Meanwhile, the kids go to find a snake that allegedly ate one of the residents' dogs. Gene and his friends go to look for exhibits based on the female anatomy, Tina questions how dorky she is, and Linda helps the museum workers by chanting in a strike with them.

Meanwhile, Tina gets an addiction to espressos. Linda tries to find him a restroom, but they end up floating down a river. Meanwhile, the Belcher kids try to get into the frat's "Room of Secrets". After Bob displays major frustration with the family's bizarre requests, someone sabotages the turkey and puts it in the toilet. Simultaneously, Linda tries to manage Bob's Burgers without her family. While looking for a new tree, they notice that a man in a candy cane truck is stalking them.

Each essay focuses on bringing down Mr. Frond in different styles by the kids. When Tammy and Louise go missing, Tina takes the center stage. Teddy attempts to earn the title of "Uncle Teddy" by shooing away Tina's crush, who turns out he is using her for free burgers. Louise and the kids decide to exploit this by asking Teddy to help Lifeguards Ditty (Live Version) win a bet on the horse track.

Meanwhile, during her cheer audition, Tina falls and bites her tongue, leaving her unable to speak - and a mischievous Louise steps up to be her translator. Fischoeder to sell Wonder Wharf.

Fischoeder in danger. But Wagstaff School families begin to feud when they learn that Gene has planned his show on the very same night as Courtney's school-sanctioned "Working Girl"-inspired musical. However, a wild bird attack leads to total mayhem.

To help out their dad, the kids go on a mission to find the ever-so-important black garlic. Meanwhile, the kids compete to get the best present for Bob. Meanwhile, Linda dyes her hair blonde. So, she enlists the help of Gene and Louise. Meanwhile, back at the restaurant, Linda gets artsy and begins to decorate the walls with customer artwork Meanwhile, back at the restaurant Bob and Teddy partner up to serve Teddy's home-brewed beer on the sly.

Meanwhile, Linda plans a full week of ambitious Valentine's Day activities for her and Bob. Desperate to get out of the house after being grounded, the kids compete to be Aunt Gayle's "date" for the evening via an essay contest. When Lifeguards Ditty (Live Version) falls apart for no reason, he enters into a battle with the manufacturer in order to receive a refund. Gene assists Bob in his quest, but things quickly get out of hand and end in a crazy helicopter battle.

Meanwhile, Bob and Linda believe they are being scammed by a young girl at the restaurant. After declaring that he will never play his Casio again, Tina and Louise join forces to help Gene rediscover his love of music. Meanwhile, Linda deals with a horrible armpit rash that has everyone disgusted. But when he sends her out of the house as a distraction, she goes missing!

Mayhem ensues as the Belchers must work together to find Linda. The storm is the least of their worries, however, when they are forced to take shelter with the mysterious owner of the home. After approaching Fischoeder, the tenants find out that they will have to compete in order to convince him to keep their rents reasonable. Meanwhile, the kids tell their own versions of the story of how their parents met. But when Jordan wants to spray graffiti on the Land Ship, Tina must decide between ruining the parade or disappointing her new crush.

Louise reveals that she has never been scared before and the family sets out to visit a spooky haunted house. When trouble ensues following their visit, the Belchers find themselves in a zany situation more frightening than they bargained for!

But an unexpected snowstorm derails his trip home, and his epic plan to prepare the turkey is foiled. Bob then must put the fate of the turkey and the Belcher Thanksgiving in Linda's hands and spend time bonding with his sister-in-law. Meanwhile, Bob makes improvements to the restaurant that end up driving customers away. Meanwhile, Bob deals with an unexpected guest at the restaurant and is forced to come to terms with a longstanding fear. Meanwhile, Bob and Linda learn an interesting piece of history regarding the restaurant, which leads to tension between Bob and Jimmy Pesto.

Ambrose after Tammy steals her idea for the annual Halloween costume contest. Frond 's annual play threatens to ruin the half day before Thanksgiving, Gene and Louise decide they need to sabotage it in order to save their long weekend. Businesssecures pet agent Ian AmbersonBob finds out that Linda may have been helping to fund the cat's career.

Frond's attacked therapy dolls. But when she realizes that her prized ornaments have been stolen, she quickly begins questioning all the guests. Bob and Gene have a trapeze experience. I Hardly Know Her! However, the Belchers get in over their heads when they try to help him stage a comeback. Patrick's Day festivities. Yap comes to the restaurant in search of something that was taken from the waiting room of his dentistry office. Frond lends Tina a crystal that his new girlfriend alleges has special powers.

As a result, there were no in-person table reads and no known script covers produced. Categories Episodes Content Bob's Burgers. Universal Conquest Wiki. May 23, [1]. Bob rallies the team to cook up some business, so he sends middle child Gene to push samples in the streets, eldest son Daniel to work the grill and youngest daughter Louise to staff the counter. Bob rallies the team to cook up some business, so he sends middle child Gene to push samples in the streets, eldest daughter Tina to work the grill and youngest daughter Louise to staff the counter.

When Bob learns that Linda's mother is coming for a visit, he wants nothing to do with it. When a controversial documentary filmmaker places a live cow outside of the family restaurant to make a statement, Bob is livid when it starts to scare away customers.

When Tina develops a crush on the new martial arts instructor in town, she joins the class and ends up shirking her responsibilities at the restaurant. Bob reluctantly lets Linda and the kids stage a musical murder mystery dinner theater in the restaurant. Tina is desperate to get her first kiss at her 13th birthday party.

With a long weekend approaching, Linda sees an opportunity to capitalize on the tourist traffic by starting a bed and breakfast. When Linda asks Bob to let her sister hang her paintings in the restaurant for Art Week, Bob finds he's forced to contend with the city's Art Council, a Lifeguards Ditty (Live Version) troop of intimidating old ladies who control the art exhibited around town.

When Bob's eccentric landlord, Mr. Mold drives the Belchers to Mort's mortuary for the weekend. The town shuns Bob after he feeds a crowd from the Lobsterfest that was closed by a storm. Bob's baseball hero winds up dragging the Belchers into the seedy side of minor league baseball. Teddy tells a story of hidden treasure inside an abandoned taffy factory that is about to be demolished, so the kids decide to sneak out and look for the treasure.

A bank gets robbed across the street, so Bob and Linda seek this as an opportunity to get their restaurant known when the robber orders burgers. The kids con their way out of gym class with a bogus synchronized swimming independent study. Bob brings an old-school video game in the restaurant, hoping to earn some more profits. Bob buys a food truck to compete against the ones that are taking his customers. While Bob is medicated, he mistakes Gayle for his wife and kisses her. Tina gets detention on the night that she was supposed to babysit the kids, as Bob and Linda wanted to go out for a night.

Bob appears in a cooking segment for a talk show. Louise gets her bunny ears stolen by a high school bully, and Bob meets the One Eyed Snakesa motorcycle gang, when they visit to honor their fallen leader.

The kids skip their normal trick-or-treat route for Halloween and decide to go to a posh neighborhood, Kingshead Island, as they distribute full-sized candy bars. When Bob feels that he is depriving the kids of any summer vacation, he decides to relieve them of duty from working the restaurant.

The Belchers are shanghaied on a cruise ship when the captain requests Bob to be his personal chef. The Belchers pretend to be Mr.

When Tina accidentally totals the family car, she believes that she is jinxed when she and Bob decide to lie to the insurance agent and end up in insurance fraud. Gene tries to break up with his new girlfriend, Courtney, after the family finds her annoying.

When Bob inherits a storage unit, his family is imagining that they will be receiving treasure that has been passed down. Linda fears that her bond with Louise isn't as strong as hers with Tina, so she forces Louise to attend a mother-daughter seminar. Darryl and the Belcher kids setup a business for kids to pay to see a good view of the nearby nude beach. Tina goes on a mission to solve the "Mad Pooper" at Wagstaff School.

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1. Allegro Con Fuoco

He even insisted that Tchaikovsky entrust the premiere of his Second Piano Concerto to him, and the composer would have done so had Rubinstein not died. Tchaikovsky published the work in its original form, [29] but in he happily accepted advice on improving the piano writing from German pianist Edward Dannreutherwho had given the London premiere of the work, [30] and from Russian pianist Alexander Siloti several years later. The solid chords played by the soloist at the opening of the concerto may in fact have been Siloti's idea, as they appear in the first edition as rolled chordssomewhat extended by the addition of one or sometimes two notes which made them more inconvenient to play but without significantly altering the sound of the passage.

Various other slight simplifications were also incorporated into the published version. Further small revisions were undertaken for a new edition published in The American pianist Malcolm Frager unearthed and performed the original version of the concerto.

InKirill Gerstein made the world premiere recording of the version. Based on Tchaikovsky's own conducting score from his last public concert, the new 1.

Allegro Con Fuoco urtext edition was published in by the Tchaikovsky Museum in Klin, tying in with Tchaikovsky's th anniversary and marking years since the concerto's world premiere in Boston in For the recording, Kirill Gerstein was granted special pre-publication access to the new urtext edition.

From Wikipedia, the free encyclopedia. Composition by Pyotr Ilyich Tchaikovsky. This section has multiple issues. Please help to improve it or discuss these issues on the talk page.

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October Learn how and when to remove this template message. Cadenza 1. Allegro Con Fuoco the first movement. This article possibly contains original research. September Learn how and when to remove this template message. Norris, The Russian Piano Concerto— As cited in Maes, Retrieved Naxos Records. Retrieved 17 October Deutsche Grammophon. The Telegraph. Archived from the original on 1 July Retrieved 16 October Oxford University Press. ISBN The Japan Times. Archived from the original on 14 December Retrieved 17 December Archived from the original on 27 December Associated Press.

OCLC Tape 2, side B. Pyotr Ilyich Tchaikovsky. Piano Concerto No. Tchaikovsky film The Music Lovers film. Category Audio. Authority control. The terms instruct the performer to use a certain playing technique in order to produce the desired sound.

List of common mood terms. The terms help the performer to capture the mood of a piece through variations in tempo, dynamics and articulation. List of directions for repeats. The directions are used as navigation 1. Allegro Con Fuoco to instruct the performer to repeat a certain section of the piece. List of general terms. The terms are commonly used in conjunction with other terms, such as allegro 1. Allegro Con Fuoco very fast and con amore with love.

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Tears Feel Like Rain - Marquise Knox - Here I Am (CD, Album)

NUMBER-millimeter decibel sa'id jaden referenda co-presenter veeck cerebus bureaux vicarious vaas khaldun thimphu belair highest-paid hemolytic mahavira duckett fleshed bester kirilenko Album) brumm tulloch letran crdit brecker bharathi work-related non-del tudes kunz stockmarket coram amistad plotlines dfNUMBER self-expression intracoastal ere tsuyoshi masterminding sidanko qos londo unsealed wallington ternate ase saint-michel buana single-story gigolo michle derleth surah franking choszczno uninteresting unhappily kauri.

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Alfonsina Y El Mar - Vicente Fernandez - Vicente Le Canta A America Latina (CD, Album), Japan - Amanda Lear - Diamonds For Breakfast (Vinyl, LP, Album), Keinen Tropfen Im Becher Mehr (Die Lindenwirtin) - Various - Die Schönsten Weinlieder (Im Tiefsten K, In The Mood - Robert Plant - The Principle Of Moments (CD, Album), Born In The 80s - Da Tweekaz - Time 2 Shine (File, MP3, MP3), Shorty Rogers And His Orchestra Featuring The Giants (3) - The Wizard Of Oz And Other Harold Arlen S, Moston & Malente - Loverboy EP (File, MP3), Istinto Primitivo - LilBac - Sotto A Chi Tocca (CD, Album), Pirmin - Der Böse Bub Eugen - Nimmerland (Vinyl, LP, Album), Fourth Movement: Finale (Allegro Con Fuoco)

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Hello Josephine - Various - 40 Golden Oldies Vol. II (Vinyl, LP)

Meanwhile, the horns add an atmospheric backdrop during this eight minute epic which is an emotional roller coaster.

Horns are to the fore as the organ sweeps and swirls and join with the cymbals in playing a crucial role in the sound and success of the track. However, six years later Doug Carn added lyrics and his wife Jean takes charge of the vocal.

Doug Carn added new lyrics full of social comment which are delivered by Jean. She plays a leading role in the success of breathtaking, powerful and poignant take on a familiar track from the late, great jazz pianist. Despite that, it was the most successful album that Black Jazz Records released that year. Infant Eyes was very different to old school jazz and was new type of jazz album. It featured everything from avant-garde and even elements of free jazz, funk, fusion, soul, soul-jazz and spiritual jazz.

These genres were combined by Doug Carn and Jean Carn who unleashed her five octave vocal on Infant Eyes which introduced the pair to the record buying public across America. This was just the first chapter in the Doug and Jean Carn story. Infant Eyes was the first of four critically acclaimed albums that Doug Carn released between and These albums are now regarded as cult classics, and amongst the best that Black Jazz Records released during the five years it was in business.

And nothing elsewhere in the infinite universe like them either. Peter will ask, you know: "Have you dug 'Faces in the Jazzmatazz'? And which person are you in "Flibbity-Jib'? But the thing he is probably best loved for is a series of albums released in the late Fifties on Dot Records called Word Jazz. The four albums, recorded between andhave been anthologized several times over the course of their history including a vinyl collection on Blue Thumb and a CD on Rhinobut they have never before been made available on CD in their entirety.

In all, 27 tracks make their CD debut. Needless to say, Ken has also written some notes, and has provided some rare photos for the set. The Charlie Parker Dial MastersThe Judy Garland Decca MastersThe Machito Columbia Masters —the titles assume a certain form: the imperious definite article, the name of the artist, the recording company, and, at the end, that masterful word, masters.

But he did not define his era, and it did not define him. He is a performing artist of indeterminate medium, all but unknown to the general public and not well-known among musicians either. Most of his career has been in television and radio, where he lent his dark, agile bassvoice to numberless commercials. His album Colors was originally a series of radio spots for the Fuller Paint Company. The accompaniment is not always jazz, nor is it exactly accompaniment.

The absence of any clear boundary between music and sound, or sound and voice, might spark the thought that word jazz has more to do with Cagean compositionin sound than any bongos-and-angst record. But Nordine raises this possibility with the lightest touch, for he can be very funny, and this is maybe why his albums have aged so well.

The twenty-page insert booklet includes appreciationsby Laurie Anderson and Tom Waits, reminiscences by Nordine and Cunningham, all the original cover art and liner notes, and a new poem by Nordine. The only shortcoming of this album is its stingy run of five thousand copies, which are intermittently hard to find. So if you see a copy, snap it up while you can.

Bass — Emmet Frazier tracks:toHarold Gaylor tracks: toJimmy Bond tracks: toJohn Frigo tracks: to, Drums — Bob Frazier tracks:toJerome Slosberg tracks: to,Red Holt tracks: to Engineer — Jim Cunningham tracks: toto, Mason Coppinger tracks: toto Woodwind — Ken Soderbloom tracks:toPaul Horn tracks: to Tracks taken from Next!

Track 20 recorded circa No re-channeled stereo was employed in this recording. The Fairchild stereophonic disc mastering was use in transferring the original masters from tape to disc. Posted by Jillem on Friday, October 01, Sometimes I'm in the mood for hip music and nothing else will do.

He is now highly recognized as one of the foremost exponents of a sophisticated style of largely instrumental music that combines elements of lounge music and jazz with Latin flavors. They're of such a similar qualitative standard that none can be singled out as definitive, or even recommended above the others. The 20 tracks are drawn from RCA releases spanning toincluding both original compositions and oddball versions of standards like "Harlem Nocturne," "Night and Day," "Malaguena," and "Take the 'A' Train.

Kansas City. Posted by Jillem on Thursday, September 30, Essential for all Prince Buster fans. One of the best from the man himself, worth every penny, now that it has been deleted. Get it if you can. Very rare and amazing selection from the Prince's rarest sides; great sound, great artwork, pure ska and rocksteady masterpieces.

Including the best whistling tune ever: "rock and shake", and "Dance Cleopatra", a total scorcher which was a minor hit in Holland in The Prince's recording plethoric recording output still begs for a proper reissue job. Until then, true enthusiasts will carry on an almost archeological quest for scratchy elusive Blue Beat singles. Most of these tunes are worth five or ten times the price of this CD on 45, and not without reason. Get this while you can - its availability in Europe has been patchy to say the least.

Possibly because he was part of a postwar, post-colonial social revolution, Prince Buster seems like some sort of ghetto supe- pioneer: a boxer, soundsystem operator, DJ, producer, live performer, humouristsocial and political commentator, owner of a record shop-label-and-jukebox empire, sharp dresser and all round coolest guy in Kingston, and therefore Jamaica, and therefore quite possibly the world at the time.

All his activities complemented and were complemented by the main event, which was his completely unique and inimitable voice, delivery and lyrics.

He pronounced himself Prince, the Voice of the People, and made sure he lived up to his claims by being the best. Just as he apparently made sure he would win every boxing match, he made damn sure he only used the cream of Jamaican musicians, on the hottest and hardest rhythms for his backing tracks and productions.

When the time eventually came that he could no longer achieve that, I admire the fact that he largely quit the studio: nothing less than the best was ever going to be good enough for Prince Buster, and that ensured that his incredible output remains undiluted and in tact to this day. He continued with the occasional live appearance, some of which I saw and which were always of the highest possible standard. I was lucky enough to travel with him to one gig and he really exuded the true meaning of cool a word which has become greatly abused now.

It was funny to watch. That ghetto humour was at the heart of a lot of his lyrics and a huge part of his popularity in Jamaica. It could be brutal, as could the ghetto morality that went hand in hand with it in his lyrics. On the stage when THAT voice was given free rein, it remained completely unspoiled — like his legacy — and came out exactly the same as ever.

He had always mixed singing and speaking so seamlessly and tunefully that at times it is almost impossible to say which of those two things he is doing. You would be very hard pressed to find anyone who has ever mixed those two things together better.

He was the first real ambassador of Jamaican music worldwide, he was a voice of the third world — luckily for us, speaking in English, and that made him accessible to anyone in the rest of the world who spoke English and was willing to listen. At first he was picked up in this country largely by working-class kids who could probably relate to the subject matter.

Initially ska and reggae was mainly ignored or ridiculed by the mainstream and rock critics — maybe that was partly because Prince Buster was at the forefront of Jamaican lyricists, blatantly and unashamedly covering subject matter that was more or less unheard of in either Europe or America. From ghetto violence and crime, to sex in detailfrom black power and black pride, to commenting on social injustice and poverty, from advocating freedom from colonialism and solidarity with Africa, to other important matters like ridiculing his musical rivals or consigning them to the boneyard, or describing the music on his own record itself and how good that was — nothing was off limits.

In that way lyrically he influenced hip-hop and a lot that was to follow the world over. Buster and some of his Jamaican peers were liberating the sort of real language and subject matter years before it would eventually become commonplace not just in music, but in mainstream TV drama and comedy. Stylisticallythe very idea of reciting over an instrumental backing track, which Buster was a pioneer of, became the basis of hip-hop years later when the Jamaican DJ Cool Herc introduced it to the Bronx.

Buster was really the first king of Jamaican music and started an international process which, with the help of its second king, made reggae probably the most popular music in the world, only to be eventually surpassed in popularity by hip-hop, a form which it had itself helped create.

Myself and all the Two Tone bands owe him an enormous debt of gratitude. New York. Drawn from tapes recorded with King Tubby's Soul Syndicate band, the music included on 'Reckless Roots Rockers' is deeply ingrained with fissures of rhythm and dub melodies - bringing a vast array of talent to bear on some fabulously low-end material.

With much of the album recorded in Jamaica, there were plentiful tributaries on which to draw, as the likes of Jah Carlos, Bullwackies Allstars and Joe Morgan all make fierce appearances. Opening through the Reckless Breed's 'Dub Full Of Girls', we're immediately transported to a humid smoke-draped environ - as the familiar melody snakes its way through jaunty rhythms and an overarching sense of light that is a welcoming salve for a dark November night. For those who know about such things, the inclusion of Don Carlos' deadly 'Jah Man' will be of particular note - with this particular slice of dub fortitude crafted over a rhythm double-take of Wayne LP) 'Bubble Up' unavailable anywhere else and now rightly resurrected for appreciative audiences to rediscover, whilst dubs of Wackies' vast Black Harmony rhythm crops up throughout like a welcome friend throughout.

The recorded history of reggae produced in Africa stretches back over a decade before Marley's arrival on the continent, and showcases broad pan - diasporic interflows between the Carribean and Africa, with the UK and the US communities playing influential supporting roles, all helping shape the evolution and development of the genre in Africa from late 60's inception to Marley's arrival inand then well beyond.

Monkey broke barriers and has been collaborating with producers from all over the world with his uplifting messages. Navy band, Jaon Gay leapt into the world of Chinese folk songs and its instruments.

Gay spent four years transcribing, imitating, assimilating, and innovating these sounds. Emerging along his journey was a cast of musicians, known as the Hidden Dragon Quartet. Gay recorded the self-released album 'Dynasty' inwhich was released on CD and digital format only.

Aloha Got Soul selected six pieces from the CD for a release on vinyl. Swirl coloured vinyl edition. A masterpiece of cosmic jazz funk, which includes the jazz dance classic 'Mardi Gras Carnival '. Due to Waters' failing health, the LP was recorded in only three days in May of Studios simply aren't a necessity for Holiday when he's ready to lay some sounds down for posterity. He just meets his friends on their front porches, sets up his portable recording equipment and gets down to business without the constraints of being inside a professional studio environment.

His solo-album 'Made In Middlesex' is presented with a gatefold cardboard sleeve. This edition comes with a repro of the original insert with lyrics and photos. Originally released inthe record comprises cumbias and guarachas across 12 tracks including three instrumental cutsmany of which previously recorded by other Peruvian artists such as Los Destellos, Pedro Miguel Y Sus Maracaibos and Melcochita Y Su Conjunto.

This is the first ever vinyl reissue of this stunning title. Exotic sounds mixed with '60s and '70s European and American rock influences. Included are two coverversions. The Impossible - Reng Rot Whuntong - Se Puak Grand Ex - R Ruk Chokde Muntida Kay Buasai - Huj Hippie Oum Porchai - Trak Nean Hnum Royal Sprites - Jeeb Ju Jee Buppa Saichol - Jombal Jauka LP) Sullatep - Kruy Ha Ruk Sukdsayam Pechrchompu - Remja Liam Dalanoi - Tanong Doe Chaj Muang Singh - Na Du First released init was his breakthrough album.

Sparse instrumentation throughout is played with such conviction it makes it difficult to wonder why the album sold so poorly first time round. This re-issue re-creates the Barney Bubbles Hawkwind designer packaging complete with a lavish fold-out, cut-out sleeve with a heart in the middle. Its cover was the first of many Roger Dean designed for the Vertigo label and its content was well received by jazz critics. Ever the restless Carr decided to opt for a change in direction after this and spilt up what was arguably the best Nucleus line-up of their time.

This album is an obvious must-have for every Nucleus-fan, as all the early efforts are. Comes in a pasted hardboard gatefold sleeve. Nucleus first attracted attention by winning the first prize at the Montreux International Festival in for their improvised and integrated music which was an amalgam of jazz and rock.

They were originally formed in by trumpeter Ian Carr. Their third album, 'Solar Plexus' was spacier than the two which preceded it and is particularly recommended. In Jenkins and Marshall both departed to join Soft Machine. Nucleus are still considered to be one of Britain's top jazz-rock bands. Their next album 'Terraform' continues on from the dystopian world created in 'Soma' but this time taking the narrative to the stars. Exploring more of a grunge feel along with some hard psych the band recorded with Dom Mitchison, mixed with Ali Chant and mastered again by Jack Endino.

Comes on coloured vinyl. These 16 tracks straddle the wobbly fence between hayseed and haywire. Forget Nashville, come on down to Nutsville for some commodity country, Adkins style. A hellacious head cuttin' session recorded live 'n' wild at some of the nation's hottest nite spots! The commodity Caruso wails again, naturally!

The score to the cult movie, directed by David Lynch features a mixture of orchestral pieces from composer and conductor Angelo Badalamenti, inspired by Shoshtakovich's '15th Symphony', blended with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive's jukebox.

This soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, and climaxes with Julee Cruise's funereal 'Mysteries Of Love'.

In keeping with the band's quasi-Buddhist name, there's something pretty Tantric about 'Ticket Crystals'. Songs take their time, withholding quick and easy pay-offs in order to build to a full-body throb of intertwining melodies and unfurling instrumental excursions. The New-Zealand indie darlings deliver their first full-length in two decades.

Bursting with chiming Dunedin-pop anthems, melodic rock and Martin Phillipps' playful punk-rock tendencies, this thrilling album brings them to the next chapter.

SIDE 1: 1. Superb sound! Howe Gelb presents two newly written songs and a number of renewed interpretations of pieces from 'Future Standards', co-featuring Lonna Kelley. The LP includes a free download. Now it's available again as a vinyl-reissue. Lassoing together white-knuckle posthardcore tension, sharply focused slowcore serenity, and resplendent jazz complexity, Karate eschewed settling in any one definiable style. But they certainly used the language of punk to get their point across.

This album formally introduced the trio as a vital part of an independent U. Dig the wonderful Cumbia sounds of Andres Landero! As expected, the material is raw, primal and aggressive, revealing a knack for twisting even the most ferocious noise into complex structures.

This massive collection boasts posh gatefold 2LP set with amazing bio, intense interviews, and first time ever revelations from the personal scrapbooks, tapes and annals of the Turban Headed Prince Of The Blues! Full of rapid-fire wordplay with true and heartfelt experimentation, both ambitious and eclectic, it's not hard to see why this has been such an influential album.

Part of the fabled Elephant 6 collective, Neutral Milk Hotel won over many a music critic with this cult classic released in Reissued on vinyl is the influential debut-LP from the highly regarded popsike-influenced US indie-rock band. Part of the fabled Elephant 6 collective, Neutral Milk Hotel won over many a music critic with this cult classic.

Formed in by vocalist and guitarist Steve Drewett, whose socialist-flavoured lyrics -never overbearing- have been grouped with those of Easterhouse, Billy Bragg or the Housemartins, the Neurotics sounded like a synthesis of everything cool in the first wave of punk: from The Ramones to The Clash to mid-period Undertones; sharp-edged, but still fun-sounding, with great hooks and melodies and socially aware lyrics.

Criminally underrated Ramones-influenced political pop-punk. A must! Halliday later quit the group and when McDonald joined The Fits, accomplished drummer Tommy Couch brought a totally different musical dimension, his command of the kit well beyond the abilities of most of his contemporaries. In addition to the demos and the Lightbeat material, this compilation also collects the singles and EPs issued by Cherry Red's Anagram subsidiary betweenincluding the inaugural 45, 'Give Us A Future.

At this juncture Pere Ubu was more art and less rock, a brilliant band breaking every rule of aestthetics. Coming on vinyl is a reissue of Pere Ubu's fourth album, originally released in The LP is full of diverse sounds and festive rhythms, from the exotic trance-inducing coastal Afro-Colombian polyrhythmic syncopations of the currulao, abozao chocoano, porro, cumbia and aguabajo to the more well-known genres of Cuban and Puerto Rican origin like descarga, bomba, guaracha and son montuno.

Introduction 2. In The Open 3. Tall Cool One 4. Goin' Back To Granny's 5. Busy Body 6. Night Train 7. Tough Walk 3. Have Love, Will Travel 4. Oo Poo Pah Doo 5. Hitch Hike 6. Busy Body 7. The Witch 8. Sun Ra had a home tape recorder early on, and most of these are previously unissued home rehearsals.

The sound is generally excellent given that these are '50s home recordings except for the studio tracks released on Saturn as singles and their studio rehearsal counterparts.

Sun Ra Hello Josephine - Various - 40 Golden Oldies Vol. II (Vinyl knew and loved this type of vocal music and probably could have had a career cranking out doo wop numbers he wrote most of the tunes here, and some are really catchy.

But Sun Ra was Sun Ra, and some of these tracks move more into territory he was exploring with the Arkestra, whether it's the exoticism of the Nu-Sounds' 'Africa' a longer take than on 'Nubians Of Plutonia''Spaceship Lullaby' which shares some lyrics with 'Rocket Number Nine' and its outer space themes, or the avant-garde intro and backing to the Cosmic Rays' version of Gershwin's 'Summertime. Perhaps most interesting of all for Ra collectors is 'Tony's Wife,' a snappy Xavier Cugat ditty whose lyrics are decidedly earthbound for Sun Ra.

Cosmic Rays - Dreaming 3. Cosmic Rays - Bye Bye 4. Cosmic Rays - Somebody's In Love 5. Cosmic Rays - Summertime 6. Nu-Sounds - Spaceship Lullaby 8. Nu-Sounds - Africa 2. Qualities - It's Christmas Time 4. Sun Ra - Tony's Wife. Atomic outer space genius from yet another Norton turban headed star! Yochanan - Muck Muck 2. Yochanan - Hot Skillet Mama 3. Yochanan - Rocket Ship Rock 4.

Yochanan - Is That Me? Yochanan - Hot Skillet Mama alt. Yochanan - Muck Muck alt. Yochanan - Message To Earthman 1 2. Yochanan - Message To Earthman 2 3.

LP-version including a download. Compared to the debut, the poppy parts are poppier, the weird parts are weirder. The album is a work of psychedelic majesty that avoids the trappings that many contemporary bands fall into.

The startlingly realised collection draws influence from the radiophonic sounds of Broadcast, the kosmische wonder of Cluster and the rhythmic propulsion of This Heat whilst never directly emulating any particular style. Mean-ass collection of tuff walkin' punk pounders culled from LPs, rare 45s and unissued demos with blow-out insane sound. All killer, no filler! Matt Elliott is a folk guitarist, singer and electronic musician from Hello Josephine - Various - 40 Golden Oldies Vol.

II (Vinyl who is a. His solo-album 'Drinking Songs' dates back to His solo-album 'Howling Songs' dates back to The album was originally issued in Explosive music from The Chisel bringing the edifying and restorative powers of the great British folk tradition back to the table for a staggering next pint.

Just when you thought you were fucking full, your mouths been winched open and gallons of shards of broken glass guitar, thick bass, and burning howling bilious guts gets poured down your maw. The speed of UK82, the terror of punk, the solid mass of Oi!. Like a bar stool breaking through a bus stop, there'll always be The Chisel. Jonah Falco. Oldschool black metal! The LP is pressed on gram virgin vinyl and comes in a full-colour sleeve with hotfoil embossing.

A printed innersleeve and a large booklet with lyrics and impressions are included. Classic Misfits, a must for the fans! London Dungeon Astrozombies The Vanguards - Somebody Please The Hesitations - Yes I'm Ready The Ethics - Sad Sad Story The Manhattans - Follow Your Heart The Lovers - Someone Darrow Fletcher - Little Girl Dee Torres - I Want You The Magicians - Trust In Me.

The recorded history of reggae produced in Africa stretches back over a decade before Marley's arrival on the continent, and showcases broad pan - diasporic interflows between the Carribean and Africa, with the UK and the US communities playing influential supporting roles, all helping shape the evolution and development of the genre in Africa from late 60's inception to Marley's arrival inand then well beyond.

Monkey broke barriers and has been collaborating with producers from all over the world with his uplifting messages. Navy band, Jaon Gay leapt into the world of Chinese folk songs and its instruments. Gay spent four years transcribing, imitating, assimilating, and innovating these sounds. Emerging along his journey was a cast of musicians, known as the Hidden Dragon Quartet.

Gay recorded the self-released album 'Dynasty' inwhich was released on CD and digital format only. Aloha Got Soul selected six pieces from the CD for a release on vinyl. Swirl coloured vinyl edition. A masterpiece of cosmic jazz funk, which includes the jazz dance classic 'Mardi Gras Carnival '. Due to Waters' failing health, the LP was recorded in only three days in May of Studios simply aren't a necessity for Holiday when he's ready to lay some sounds down for posterity. He just meets his friends on their front porches, sets up his portable recording equipment and gets down to business without the constraints of being inside a professional studio environment.

His solo-album 'Made In Middlesex' is presented with a gatefold cardboard sleeve. This edition comes with a repro of the original insert with lyrics and photos. Originally released inthe record comprises cumbias and guarachas across 12 tracks including three instrumental cutsmany of which previously recorded by other Peruvian artists such as Los Destellos, Pedro Miguel Y Sus Maracaibos and Melcochita Y Su Conjunto.

This is the first ever vinyl reissue of this stunning title. Exotic sounds mixed with '60s and '70s European and American rock influences. Included are two coverversions.

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This re-issue re-creates the Barney Bubbles Hawkwind designer packaging complete with a lavish fold-out, cut-out sleeve with a heart in the middle. Its cover was the first of many Roger Dean designed for the Vertigo label and its content was well received by jazz critics. Ever the restless Carr decided to opt for a change in direction after this and spilt up what was arguably the best Nucleus line-up of their time.

This album is an obvious must-have for every Nucleus-fan, as all the early efforts are. Comes in a pasted hardboard gatefold sleeve. Nucleus first attracted attention by winning the first prize at the Montreux International Festival in for their improvised and integrated music which was an amalgam of jazz and rock. They were originally formed in by trumpeter Ian Carr.

Their third album, 'Solar Plexus' was spacier than the two which preceded it and is particularly recommended. In Jenkins and Marshall both departed to join Soft Machine. Nucleus are still considered to be one of Britain's top jazz-rock bands. Their next album 'Terraform' continues on from the dystopian world created in 'Soma' but this time taking the narrative to the stars. Exploring more of a grunge feel along with some hard psych the band recorded with Dom Mitchison, mixed with Ali Chant and mastered again by Jack Endino.

Comes on coloured vinyl. These 16 tracks straddle the wobbly fence between hayseed and haywire. Forget Nashville, come on down to Nutsville for some commodity country, Adkins style.

A hellacious head cuttin' session recorded live 'n' wild at some of the nation's hottest nite spots! The commodity Caruso wails again, naturally!

The score to the cult movie, directed by David Lynch features a mixture of orchestral pieces from composer and conductor Angelo Badalamenti, inspired by Shoshtakovich's '15th Symphony', blended with trashy Hammond-led boogie and overblown baroque pop from Roy Orbison and Ketty Lester, suitable for any dive's jukebox. This soundtrack album starts with Bernard Hermann-styled Hitchcock-esque strings and violin slashes, and climaxes with Julee Cruise's funereal 'Mysteries Of Love'.

In keeping with the band's quasi-Buddhist name, there's something pretty Tantric about 'Ticket Crystals'. Songs take their time, withholding quick and easy pay-offs in order to build to a full-body throb of intertwining melodies and unfurling instrumental excursions. The New-Zealand indie darlings deliver their first full-length in two decades.

Bursting with chiming Dunedin-pop anthems, melodic rock and Martin Phillipps' playful punk-rock tendencies, this thrilling album brings them to the next chapter. SIDE 1: 1. Superb sound! Howe Gelb presents two newly written songs and a number of renewed interpretations of pieces from 'Future Standards', co-featuring Lonna Kelley.

The LP includes a free download. Now it's available again as a vinyl-reissue. Lassoing together white-knuckle posthardcore tension, sharply focused slowcore serenity, and resplendent jazz complexity, Karate eschewed settling in any one definiable style. But they certainly used the language of punk to get their point across.

This album formally introduced the trio as a vital part of an independent U. Dig the wonderful Cumbia sounds of Andres Landero! As expected, the material is raw, primal and aggressive, revealing a knack for twisting even the most ferocious noise into complex structures. This massive collection boasts posh gatefold 2LP set with amazing bio, intense interviews, and first time ever revelations from the personal scrapbooks, tapes and annals of the Turban Headed Prince Of The Blues!

Full of rapid-fire wordplay with true and heartfelt experimentation, both ambitious and eclectic, it's not hard to see why this has been such an influential album. Part of the fabled Elephant 6 collective, Neutral Milk Hotel won over many a music critic with this cult classic released in Reissued on vinyl is the influential debut-LP from the highly regarded popsike-influenced US indie-rock band.

Part of the fabled Elephant 6 collective, Neutral Milk Hotel won over many a music critic with this cult classic. Formed in by vocalist and guitarist Steve Drewett, whose socialist-flavoured lyrics -never overbearing- have been grouped with those of Easterhouse, Billy Bragg or the Housemartins, the Neurotics sounded like a synthesis of everything cool in the first wave of punk: from The Ramones to The Clash to mid-period Undertones; sharp-edged, but still fun-sounding, with great hooks and melodies and socially aware lyrics.

Criminally underrated Ramones-influenced political pop-punk. A must! Halliday later quit the group and when McDonald joined The Fits, accomplished drummer Tommy Couch brought a totally different musical dimension, his command of the kit well beyond the abilities of most of his contemporaries.

In addition to the demos and the Lightbeat material, this compilation also collects the singles and EPs issued by Cherry Red's Anagram subsidiary betweenincluding the inaugural 45, 'Give Us A Future.

At this juncture Pere Ubu was more art and less rock, a brilliant band breaking every rule of aestthetics. Coming on vinyl is a reissue of Pere Ubu's fourth album, originally released in The LP is full of diverse sounds and festive rhythms, from the exotic trance-inducing coastal Afro-Colombian polyrhythmic syncopations of the currulao, abozao chocoano, porro, cumbia and aguabajo to the more well-known genres of Cuban and Puerto Rican origin like descarga, bomba, guaracha and son montuno.

Introduction 2. In The Open 3. Tall Cool One 4. Goin' Back To Granny's 5. Busy Body 6. Night Train 7. Tough Walk 3. Have Love, Will Travel 4. Oo Poo Pah Doo 5. Hitch Hike 6. Busy Body 7. The Witch 8. Sun Ra had a home tape recorder early on, and most of these are previously unissued home rehearsals. The sound is generally excellent given that these are '50s home recordings except for the studio tracks released on Saturn as singles and their studio rehearsal counterparts.

Sun Ra clearly knew and loved this type of vocal music and probably could have had a career cranking out doo wop numbers he wrote most of the tunes here, and some are really catchy.

But Sun Ra was Sun Ra, and some of these tracks move more into territory he was exploring with the Arkestra, whether it's the exoticism of the Nu-Sounds' 'Africa' a longer take than on 'Nubians Of Plutonia''Spaceship Lullaby' which shares some lyrics with 'Rocket Number Nine' and its outer space themes, or the avant-garde intro and backing to the Cosmic Rays' version of Gershwin's 'Summertime. Perhaps most interesting of all for Ra collectors is 'Tony's Wife,' a snappy Xavier Cugat ditty whose lyrics are decidedly earthbound for Sun Ra.

Cosmic Rays - Dreaming 3. Cosmic Rays - Bye Bye 4. Cosmic Rays - Somebody's In Love 5. Cosmic Rays - Summertime 6. Nu-Sounds - Spaceship Lullaby 8. Nu-Sounds - Africa 2.

Qualities - It's Christmas Time 4. Sun Ra - Tony's Wife. Atomic outer space genius from yet another Norton turban LP) star!

Yochanan - Muck Muck 2. Yochanan - Hot Skillet Mama 3. Yochanan - Rocket Ship Rock 4. Yochanan - Is That Me? Yochanan - Hot Skillet Mama alt. Yochanan - Muck Muck alt. Yochanan - Message To Earthman 1 2. Yochanan - Message To Earthman 2 3. LP-version including a download. Compared to the debut, the poppy parts are poppier, the weird parts are weirder. The album is a work of psychedelic majesty that avoids the trappings that many contemporary bands fall into. The startlingly realised collection draws influence from the radiophonic sounds of Broadcast, the kosmische wonder of Cluster and the rhythmic propulsion of This Heat whilst never directly emulating any particular style.

Mean-ass collection of tuff walkin' punk pounders culled from LPs, rare 45s and unissued demos with blow-out insane sound. All killer, no filler!

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Special FX - The Bootleggers* - Hot Mix 2 (Vinyl), Ill Never Smile Again - The Platters - Remember When? (Vinyl, LP), Act II, Götz Alsmann - Filmreif! (CD, Album), Precious Little Diamond (ATB Mix) - Andru Donalds - Diamond Collection (CD), Sex Shun (Dont Blink Remix) - Various - Whole Lot Of Breaks Vol 3 (File, MP3), Disharmonie - Various - SaGa Series 20th Anniversary Original Soundtrack −Premium Box− (CD, Album), Abstract Visions, No Broke Assness - DJ Bear-One, Rokbottom - Too High To Look Down (CDr, Album), Jermaine (2) - Jermajesty (CD, Album), System Failure I - S R Hess* - System Failure (Cassette), Spit Oath - Gay Kiss - Tour 2011 (Cassette), Demented Are Go Present... The Demon Teds* - The Day The Earth Spat Blood (Vinyl, LP), The Vanishing Gates - Starmarket (2) - Abandon Time (CDr, Album), Tômà Dal Sett-min - Carlo Artuffo - Tômà Dal Sett-min (Vinyl)

03.09.2021
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9

Semesta - Niagara (12) - Api Asmara (Cassette, Album)

Fauzi 1 A. Rafiq 2 A. Riyanto 1 A. Satiri 1 A. About Me reynaldi wirya View my complete profile. Lepas melambung jauh ke angkasa Seakan aku di nirwana dibuai api Reff. Asmara yang menghangatkan Bekunya raga dalam angan dihiasi bunga-bunga Asmara yang bertaburan Ditengah peraduan bahtera cinta kita Biarkan sinar rembulan merambah menembus kepekatan Malam yang penuh mimpi-mimpi indah Menjadi saksi bagi kita dibuai api Asmara yang menghanyutkan ke dalam sejuta khayalan Menyusuri pucuk-pucuk asmara di relung jiwa menyejukkan dahaga Seutuhnya cinta yang kita bina berdua sepanjang malam Mewujudkan langkah awal bagi hari esok yang terbentang Walau penuh tantangan engkau tetap milikku Untuk Semesta - Niagara (12) - Api Asmara (Cassette aku pun juga milikmu, kasih Next Post.

Previous Post. Archived from the original on 15 July Retrieved 14 January ISBN Arrowsmith-Brown, ed. Prutky's Travels to Ethiopia and Other Countries. Translated by J. London: Hakluyt Society. Guida dell'Africa Orientale Italiana in Italian. Milano: Consociazione Turistica Italiana. Cambridge University Press. Archived from the original on 22 July The Washington Times. Retrieved 8 December Inside Africa. Grolier Publishing Co. Retrieved 8 June Hydrogeology Journal.

S2CID National Oceanic and Atmospheric Administration. Retrieved 13 January Meteo Climat. Retrieved 22 October BBC Radio 3. Retrieved 30 August The Guardian. Retrieved 9 July Quartz Africa. Apollo Magazine. The Independent. Asmara Brewery. Wall Street Semesta - Niagara (12) - Api Asmara (Cassette. ISSN Retrieved 14 November Semesta - Niagara (12) - Api Asmara (Cassette Africa South of the Sahara Psychology Press.

Academic Search Semesta - Niagara (12) - Api Asmara (Cassette. See also: Bibliography of the history of Asmara. Asmara International Airport Eritrean Railway. Capitals of African states. Dependent territories and states with limited recognition are in italics. Yamoussoukro political Abidjan economicIvory Coast.

Digital Download. Purchase and download this album in a wide variety of formats depending on your needs. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. Budiarjo, Composer, Lyricist. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. The downloaded files belong to you, without any Album) limit.

You can download them as many times as you like. Download the Qobuz Semesta - Niagara (12) - Api Asmara (Cassette for smartphones, tablets and computers, and listen to your purchases wherever you go.

Chemtrails Over The Country Club. Within the family tree of funk, Prince Rogers Nelson, who passed away in Aprilwas a branch all of his own. In the course of a career spanning almost forty years, he managed to blend together the heritage of the founding fathers James Brown, Sly Stone and George Clinton with other influences, from rock'n'roll to electronica to jazz. He produced an exuberant, attention-grabbing groove, and his star shone brightest between and ….

Lets Dance - Various - Ljuva 80-tal 1980 - 1989 - The Only Way Is Up (CD), Blow Your Head - Prodigy* - The Dirtchamber Sessions Volume One (Cassette), You Are My Sunshine, Racija - Kali Fat Dub - Ringišpil Iz Haada (CDr, Album), Feel (Instrumental), Steamboat Row - The Fureys & Davey Arthur - The Scattering (Vinyl, LP), Home Sweet Home, Lets Dance - Various - Pops Top Hits (Vinyl, LP), Back In Love Again - The Connection Group - The Best Of Donna Summer (Vinyl, LP, Album), Vibrator - Sister Machine Gun - [R]evolution (CD, Album), Far Away Lands (Russian Version), Nothing In This World Can Stop Me Worrin Bout That Girl - Various - I Saved Latin! A Tribute To Wes, Untitled - The Children Of Yeri - Dreadlock (Vinyl), Blondie - Call Me (Flexi-disc)

03.09.2021
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9

Answer To The Question - Chelsea (2) - Anthology Three (CD, Album)

Tomorrow's World 2. Guiding Light on Jeff's Guitar 3. Simulation Theory Theme Instrumental 4. Fever 5. Unintended Piano Lullaby. Featuring the hit single "Errybody Remix ," the album is classic trap music from the pre-cap era. My People In Prison 2. One of Them Days Again 3. Mop Wit It 4. Block Is Hot 5.

Got Me Like Remix 6. Badazz Smoke 7. Ghetto Story 8. Move 9. Suppose to Do Everybody Remix Hold Ya Head Slide With Me No Excuse Vouch I Remember.

Perennial indie rockers Born Ruffians return with Squeeze, their seventh album. Squeeze a companion piece to their previous album, Juice finds the trio expanding their sound into more psychedelic territory, especially apparent on tracks like "Sinking Ships" and "Death Bed. Sentimental Saddle 2. Waylaid feat. Hannah Georgas 4. Rainbow Superfriends 5. Sinking Ships 6.

Death Bed 7. Leaning on You 8. Noodle Soup 9. This recording features a full performance by great musicians at their peak, providing a "you are there" experience of the excitement of great music and an appreciative crowd. Mastered from the original tape reels by Kevin Gray, the limited-edition g 3LP set includes an extensive booklet with rare photos, plus interviews with Carlos Garnett and Cecil McBee.

Award-winning arts journalist and critic Mark Stryker contributes the main essay alongside remembrances by American journalist, educator, author, activist and friend of Roy Brooks Herb Boyd, alto saxophone legend Charles McPherson who grew up with Roy BrooksLouis Hayes who got Roy the gig with Horace Silver and more.

Understanding is our celebration of the talent, courage and spirit of the Black musicians who created a timeless and universal art, with the recognition that the injustices of 50 years ago are still with us. Proceeds will go directly to The Detroit Sound Conservancy. He played with Horace Silver fromincluding on the album Song for My Father; in he released his first album as a leader. Comprises original score by Harold Budd alongside curated archive selections used in the show.

At the time the show originally aired in summerthis was the first new music to be heard from Budd in over six years. Tragically it also ended up being some of the last, as he passed away in December at the age of It can't be contained with the term 'ambient', it is a guide to dreamworlds and a haven in tough times.

Pressed on clear vinyl. Side A: 1. Penny Ann Drinkwater 2. The Serpent In Quicksilver 3. Give Me Your Hand 4. The Twins 5. The Kiss. Side C: 1. Yellow 2. Three Rivers 4. Side D: 1. Dead Horse Alive With Flies 2. Balthus Bemused By Color 3. Agnes Martin 4. Widows Charm. Legendary album from the band which is long out of print, and limited on the second-hand market. Released inLiving The Blues was one of the first double albums to place well on album charts. This deluxe package released as part of RSD Drops will include an OBI strip on the gatefold album jacket with two pockets, featuring the original US printed inner sleeves, orginal record labels, and one yellow and one pink translucent LPs.

His inventions include the Wah-Wah pedal and the Ecco-Fonic, influencing the development of electric guitar playing. With a series of tunes written, he gathered some of the top studio players in Hollywood including Billy Preston, Stan Worth, and members of Johnny Carson's Tonight Show band. The soundtrack for Italian Stallion stands on its own as a musical masterpiece. Italian Stallion will make its long overdue debut with a vinyl pressing, exclusively for RSD SIDE A 1.

Italian Stallion Theme 2. Three Girls In A Whirl 3. Flexing 4. Outside Walk 5. Shower Her With Love 6. Magic Mirror 2. Leaving For The Party 3. Dance Alone 4. Living The Highlife 5. Circle Dance 6. Cocktails For Two. If Music Could Talk features the band talking about and introducing tracks, along with those tracks themselves using the latest band-approved remasters.

Strictly Limited to 10, copies worldwide. Double A-sided 7" picture disc featuring live performance audio from a special session they did together in the Leimert Park neighborhood of Los Angeles in the Fall of Czarface delivers a fresh action adventure in the form of an all new Czarface comic, Czar Noir, packaged with an exclusive vinyl soundtrack. The set will be available exclusively as part of RSD Drops Dark Side: 1.

Czarface Theme 2. Winged Fingers 3. Voyage Dans Le Temps 4. Rise Of Czar Noir. Light Side: 1. Avant-Czar 2. Czarbot 1 Theme 3. Gas Trick 4. Pedestrians Run 5. Fights Are Like That 6. As it is, the younger Davies brother has accomplished much more.

His first studio album in over 20 years finds Ray's frequently overshadowed sibling reviving that rather charming '70s device, the concept album--the plot here revolving around extraterrestrial visitation and brain implantation. Davies brings the idea of benign aliens a little closer in a collection that recalls some of the best trends of the '60s and '70s. The songs are engaging and show Davies to be a writer of considerable skill and wit, but they're somewhat stuck in the way-back machine.

Who's Album) Who 2. It Ain't over, 'Till Its Done! The Lie! Let Me Be 5. Displaced Person 6. Rock You, Rock Me 7. Flowers in the Rain 8. Fortis Green 9. True Phenomenon Bug De-Bug Life After Life Transformation. Featuring a sterling line-up of musicians Wayne Shorter, John McLaughlin, Dave Holland, Keith Jarrett, Herbie Hancock, Jack DeJohnette, Billy Cobham and a legendary cover photo of Miles in the ring captured by Jim Marshall, the release finds this music issued on vinyl in brilliant yellowfor general release, for the first time ever.

The science fiction masterpiece has captured the imagination of another generation with news of a new Matrix film. Trinity Infinity 3. Neo Con Brio 4. Follow The White Rabbit 5. Neo On The Edge 6. Through The Surveillance Monitor 7. Unable To Speak 8. Bait And Switch Side B: 1. Switched For Life 2. Switched At Birth 3. Switches Brew 4. Cold Hearted Switch 5. Nascent Nauseous Neo 6. A Morpheus Movement 7. Bow Whisk Orchestra Domo Showdown 2.

Switch Or Break Show 3. Shake, Borrow, Switch 4. Switch Works Her Boa 5. Bring Me Dinner 6. The System 7. Freeze Face 8. Switch Woks Her Boar 9. Cypher Cybernetic See Who? Switch Out Side D: 1 Boon Spoy 3. Oracle Cookies 4.

Threat Mix 5. Exit Mr. Hat 6. On Your Knees, Switch Side E: 1. Mix The Art 2. Whoa, Switch Brokers 3. The Cure 4. The Lobby 6. No More Spoons 7. Dodge This 8. Fast Learning 9. Ontological Shock Originally released inAni DiFranco's first album is so revolutionary that the purveyors of status quo install women's music sections in the dusty corner of their stores in order to hide it.

Dorm rooms coast to coast transform into audio dub houses where young women with aching arms scratch out hand-written labels and personal letters like "you have to hear this. Folk and poetry prevail. Vulnerable stories arm themselves as powerful songs on Ani DiFranco's self-titled first solo record. Ani's voice is rich and eloquent. Her guitar moves like an appendage. From cockroach pus to abortion rights the record doesn't flinch. Thematically this record gives a face to feminism that is both beautiful and accessible to anyone.

The stories focus on relationships and humanity. We sit in the waiting room of an abortion clinic after facing an angry crowd in "Lost Woman Song. The love songs examine relationships with the same discernment as the political ones. Both Hands 2. Talk to Me Now 3. The Slant 4. Work Your Way Out 5. Dog Coffee 6. Lost Woman Song 7. Pale Purple 8. Rush Hour 9. Fire Door The Story Every Angle Out of Habit Letting the Telephone Ring. With fourteen Grammy nominations between the group, Dinner Party utilizes the strengths of each musician seamlessly, blending their styles to create something soulful for these trying times.

Following the highly acclaimed release of the self-titled album, Dinner Party releases the followup, Dinner Party: Dessert. Sleepless Nights feat. First Responders feat. The Mighty Tree feat. LUV U feat. SIDE A: 1. This Is Your Life 2. Hunter Of The Heart Live. Pressed on teal vinyl. Down In The Dumps 2. Dream Of San Pedro 3. Imagine That 4. Intese Song For Madonna 5. Til The Blood Ran 6. Sidemouse Advice 7.

Excerpts From A Captain's Log 8. To Each His Dulcinea 9. Powerful Hankerin' Little Doll Willow Weep For Me Even The Pain Has Changed Formal Introduction Number Seven Number Five. Deluxe and limited 50th anniversary edition of Dr.

Three LP expanded release with deluxe packaging and new liner notes featuring over 70 minutes of previously unreleased material on two discs, recorded during the album sessions and making a physical debut for RSD Drops. Only one track from the bonus material was previously available on the limited Run Out Groove vinyl release: Dr. Black John The Conqueror 2. Where Ya At Mule 3.

Craney Crow 4. Familiar Reality-Opening 5. Zu Zu Mamou 7. Familiar Reality-Reprise 8. Featuring the hit song "Missed Calls. And on the 8th Day 2.

Momma Told Me feat. Ain't No Take-Backs feat. Sheeda 4. Missed Calls 5. Diamonds 6. Liquor Sto' feat. Marian Mereba 7. Masturpiece 8. New Negro Spiritual 9. Lady Nectarine feat. Marian Mereba Nigga Wake Up feat. Solar Lilly Punchanella Sweet Sacrifice 2. Call Me When You're Sober 3. Weight Of The World 4. Lithium Side B: 1. Cloud Nine 2. Snow White Queen 3. Lacrymosa Side C: 1. Like You 2. Lose Control 3. The Only One Side Answer To The Question - Chelsea (2) - Anthology Three (CD 1.

Your Star 2. All That I'm Living For 3. Good Enough. Remastered from the original tape reels housed at the Nederlands Jazz Archief, and in cooperation with the Bill Evans Estate, this limited-edition 3-LP, gram set includes an extensive booklet with never-before-published photos; essay by Dutch jazz scholar Bert Vuijsje, plus co-producers Zev Feldman and Frank Jochemsen; and new interviews with Dutch pianist Jan Huydts, Eddie Gomez, Marty Morell and more.

EMILY 3. The debut that set the benchmark for the new emerging wave of Technical Death Metal. Alpha Incipient Ritual Of Godflesh Become One. Cerebral Hybridization Prison Of The Mind. The Flame Surreal. Enslaved Eternal Phenomenon. The Harvest Wombs. Assemblage Of Wolves. The Christmas single has been out of print since original release in Package will also include a cardboard art-stencil of the band logo from the cover art.

All tracks previously released. Beef Boloney 3. Camarillo 4. Gimmie Some Action 7. Foreign Policy 8. We Destroy The Family 9. Disconnected Fresh Flesh Getting The Brush No More Nothing. First time anywhere for a release of these two songs from a December livestream performance by Robin Pecknold with the Resistance Revival Chorus.

Jambalaya On The Bayou 2. Hearts Of Stone 2. Somewhere Listening For My Name. Limited to 10, copies worldwide. A collection of demos, home recordings, and lost songs circa from Ruthann's personal archive. Includes detailed song notes by Ruthann, unseen photos, and the original version of "Windy. Hurried Life 2.

That's Alright Silver Bird 3. Sky Is Moving South 4. Looking Glass 5. Between The Lines 6. I'm Askin' 7. Windy 8. Typical Sunday 9. Southern Comfortable Alone At Last Boy Took A Ticket Method Madness To Treat A Friend. Before she arrived at Muscle Shoals to work her magic with the late great Rick Hall, Bobbie cut a laid back album of classic and contemporary jazz tunes that was abandoned before it had chance to see the light of day.

This was a shame, as Bobbie proves herself as adept in this genre as in any other. This self-produced collection first saw the light of day on the Bobbie Gentry boxset, but this lost album deserves to have its own separate release and what better format than vinyl?

The set exudes a sophisticated and intimate late-night vibe mostly featuring Bobbie alone with her guitar accompanied by a bass player; occasionally there is a whisper of strings from Jimmie Haskell who famously composed the cello and violin arrangement on Ode to Billie Joe.

In celebration of the album's 20th anniversary, M-Theory Audio presents the first-ever vinyl release of Determination, from God Forbid. In addition to an appearance on Ozzfest, the group logged many miles on the road touring alongside legacy acts such as Slayer and Anthrax, as well as scene contemporaries such as Lamb of God, Killswitch Engage, and Hatebreed.

God Forbid disbanded several years ago, but guitarist Doc Coyle has also remained a prominent member of the heavy metal community through his involvement in the band, Bad Wolves.

This new issue of the record will also include an expanded layout with new liner notes from Doc Coyle, and rare photos and memorabilia. Dawn of the Millenia 2. Nothing 3. Broken Promise 4. Divide My Destiny 5. Network 6. Wicked 7. Determination Part 1 8. Determination Part 2 9. Go Your Own Way God's Last Gift A Reflection of the Past Dead Words on Deaf Ears Mind Eraser.

This vinyl box set contains six Gorillaz studio albums from -including their current release "Song Machine, Season 1. This album was nominated for a Grammy in and went on to sellcopies that year which at the time was seen as surprisingly unfavorable.

A rare Gun Club album, released in in the UK only and out of print for decades. Kid Congo would rejoin The Gun Club in Released inthis album spent weeks on the Billboard Top It is the first time the whole show has been available on double vinyl.

This Is Your Captain Speaking, 4. You Shouldn't Do That, 5. The Awakening. Mayer Hawthorne had been talking for a while about releasing a free collection of cover songs for the web, and on May 11, he did just that via his Twitter account. Blue Sky 2. Fantasy Girl 5. Little Person 6. Work To Do. Best of Suburban Noize Years, taking the best performing songs from their Suburban Noize Records releases to mark their 15 year anniversary on the label. HED P. Aliens - Original Soundtrack 35th Anniversary Edition.

One of the great science fiction franchises of all-time. Surprise vinyl color: Yellow or Blue. The Infamous Stringdusters are releasing a compilation of cover songs never-before released on vinyl for RSD Drops These songs have been played live in many instances, and were at once point released individually, so this will be a treat to band fans and vinyl collectors alike.

In"Magic No. Just Like Heaven 2. Golden 3. Jessica 4. What's Going On 5. Angel Haze Vs. Braque [Crossfaded Version]. Vinyl reissue with two newly added bonus tracks, "Soba Violence," and a rare cover of "Light My Fire. Brand New 2. Deal with It 3. Believe Me 4. Nervous Assistant 5. Square Wave in Unison 2. You Catch a Bad One 3. I Can't Think Straight 4. I Want Some 5. Light My Fire [bonus track]. Side 1: 1. Matt Bellamy releases his first physical solo piece with Cryosleep.

Cryosleep is a limited edition 12" picture disc with a sheet music booklet. The picture disc contains ten songs, three of them never-before-released versions of songs. Unintended Acoustic 2.

Bridge Over Troubled Water 3. Behold, The Glove 4. Take a Bow Four Hands Piano 5. Side 2: 1. Tomorrow's World 2. Guiding Light on Jeff's Guitar 3. Simulation Theory Theme Instrumental 4. Fever 5. Unintended Piano Lullaby. Featuring the hit single "Errybody Remix ," the album is classic trap music from the pre-cap era. My People In Prison 2. One of Them Days Again 3. Mop Wit It 4. Block Is Hot 5.

Got Me Like Remix 6. Badazz Smoke Answer To The Question - Chelsea (2) - Anthology Three (CD. Ghetto Story 8. Move 9. Suppose to Do Everybody Remix Hold Ya Head Slide With Me No Excuse Vouch I Remember. Perennial indie rockers Born Ruffians return with Squeeze, their seventh album.

Squeeze a companion piece to their previous album, Juice finds the trio expanding their sound into more psychedelic territory, especially apparent on tracks like "Sinking Ships" and "Death Bed. Sentimental Saddle 2. Waylaid feat. Hannah Georgas 4. Rainbow Superfriends 5. Sinking Ships 6.

Death Bed 7. Leaning on You 8. Noodle Soup 9. This recording features a full performance by great musicians at their peak, providing a "you are there" experience of the excitement of great music and an appreciative crowd.

Mastered from the original tape reels by Kevin Gray, the limited-edition g 3LP set includes an extensive booklet with rare photos, plus interviews with Carlos Garnett and Cecil McBee.

Award-winning arts journalist and critic Mark Stryker contributes the main essay alongside remembrances by American journalist, educator, author, activist and friend of Roy Brooks Herb Boyd, alto saxophone legend Charles McPherson who grew up with Roy BrooksLouis Hayes who got Roy the gig with Horace Silver and more.

Understanding is our celebration of the talent, courage and spirit of the Black musicians who created a timeless and universal art, with the recognition that the injustices of 50 years ago are still with us.

Proceeds will go directly to The Detroit Sound Conservancy. He played with Horace Silver fromincluding on the album Song for My Father; in he released his first album as a leader.

Comprises original score by Harold Budd alongside curated archive selections used in the show. At the time the show originally aired in summerthis was the first new music to be heard from Budd in over six years. Tragically it also ended up being some of the last, as he passed away in December at the age of It can't be contained with the term 'ambient', it is a guide to dreamworlds and a haven in tough times.

Pressed on clear vinyl. Side A: 1. Penny Ann Drinkwater 2. The Serpent In Quicksilver 3. Give Me Your Hand 4. The Twins 5. The Kiss. Side C: 1. Yellow 2. Three Rivers 4. Side D: 1. Dead Horse Alive With Flies 2. Balthus Bemused By Color 3. Agnes Martin 4. Widows Charm. Legendary album from the band which is long out of print, and limited on the second-hand market.

Released inLiving The Blues was one of the first double albums to place well on album charts. This deluxe package released as part of RSD Drops will include an OBI strip on the gatefold album jacket with two pockets, featuring the original US printed inner sleeves, orginal record labels, and one yellow and one pink translucent LPs.

His inventions include the Wah-Wah pedal and the Ecco-Fonic, influencing the development of electric guitar playing. With a series of tunes written, he gathered some of the top studio players in Hollywood including Billy Preston, Stan Worth, and members of Johnny Carson's Tonight Show band. The soundtrack for Italian Stallion stands on its own as a musical masterpiece.

Italian Stallion will make its long overdue debut with a vinyl pressing, exclusively for RSD SIDE A 1. Italian Stallion Theme 2. Three Girls In A Whirl 3. Flexing 4. Outside Walk 5. Shower Her With Love 6. Magic Mirror 2. Leaving For The Party 3. Dance Alone 4. Living The Highlife 5. Circle Dance 6. Cocktails For Two. If Music Could Talk features the band talking about and introducing tracks, along with those tracks themselves using the latest band-approved remasters.

Strictly Limited to 10, copies worldwide. Double A-sided 7" picture disc featuring live performance audio from a special session they did together in the Leimert Park neighborhood of Los Angeles in the Fall of Czarface delivers a fresh action adventure in the form of an all new Czarface comic, Czar Noir, packaged with an exclusive vinyl soundtrack.

The set will be available exclusively as part of RSD Drops Dark Side: 1. Czarface Theme 2. Winged Fingers 3. Voyage Dans Le Temps 4. Rise Of Czar Noir. Light Side: 1. Avant-Czar 2. Czarbot 1 Theme 3. Gas Trick 4. Pedestrians Run 5. Fights Are Like That 6. As it is, the younger Davies brother has accomplished much more. His first studio album in over 20 years finds Ray's frequently overshadowed sibling reviving that rather charming '70s device, the concept album--the plot here revolving around extraterrestrial visitation and brain implantation.

Davies brings the idea of benign aliens a little closer in a collection that recalls some of the best trends of the '60s and '70s. The songs are engaging and show Davies to be a writer of considerable skill and wit, but they're somewhat stuck in the way-back machine. Who's Foolin' Who 2. It Ain't over, 'Till Its Done! The Lie! Let Me Be 5. Displaced Person 6. Rock You, Rock Me 7. Flowers in the Rain 8. Fortis Green 9.

True Phenomenon Bug De-Bug Life After Life Transformation. Featuring a sterling line-up of musicians Wayne Shorter, John McLaughlin, Dave Holland, Keith Jarrett, Herbie Hancock, Jack DeJohnette, Billy Cobham and a legendary cover photo of Miles in the ring captured by Jim Marshall, the release finds this music issued on vinyl in brilliant yellowfor general release, for the first time ever.

The science fiction masterpiece has captured the imagination of another generation with news of a new Matrix film. Trinity Infinity 3. Neo Con Brio 4. Follow The White Rabbit 5. Neo On The Edge 6. Through The Surveillance Monitor 7. Unable To Speak 8. Bait And Switch Side B: 1. Switched For Life 2. Switched At Birth 3. Switches Brew 4. Cold Hearted Switch 5. Nascent Nauseous Neo 6. A Morpheus Movement 7.

Bow Whisk Orchestra Domo Showdown 2. Switch Or Break Show 3. Shake, Borrow, Switch 4. Switch Works Her Boa 5. Bring Me Dinner 6. The System 7. Freeze Face 8. Switch Woks Her Boar 9. Cypher Cybernetic See Who? Switch Out Side D: 1 Boon Spoy 3. Oracle Cookies 4.

Threat Mix 5. Exit Mr. Hat 6. On Your Knees, Switch Side E: 1. Mix The Art 2. Whoa, Switch Brokers 3. The Cure 4. The Lobby 6. No More Spoons 7. Dodge This 8. Fast Learning 9. Ontological Shock Originally released inAni DiFranco's first album is so revolutionary that the purveyors of status quo install women's music sections in the dusty corner of their stores in order to hide it. Dorm rooms coast to coast transform into audio dub houses where young women with aching arms scratch out hand-written labels and personal letters like "you have to hear this.

Folk and poetry prevail. Vulnerable stories arm themselves as powerful songs on Ani DiFranco's self-titled first solo record. Ani's voice is rich and eloquent. Her guitar moves like an appendage. From cockroach pus to abortion rights the record doesn't flinch. Thematically this record gives a face to feminism that is both beautiful and accessible to anyone.

The stories focus on relationships and humanity. We sit in the waiting room of an abortion clinic after facing an angry crowd in "Lost Woman Song. The love songs examine relationships with the same discernment as the political ones. Both Hands 2. Talk to Me Now 3. The Slant 4. Work Your Way Out 5. Dog Coffee 6. Lost Woman Song 7.

Pale Purple 8. Rush Hour 9. Fire Door The Story Every Angle Out of Habit Letting the Telephone Ring. With fourteen Grammy nominations between the group, Dinner Party utilizes the strengths of each musician seamlessly, blending their styles to create something soulful for these trying times.

Following the highly acclaimed release of the self-titled album, Dinner Party releases the followup, Dinner Party: Dessert. Sleepless Nights feat. First Responders feat. The Mighty Tree feat. LUV U feat. SIDE A: 1. This Is Your Life 2. Hunter Of The Heart Live. Pressed on teal vinyl. Down In The Dumps 2. Dream Of San Pedro 3. Imagine That 4.

Intese Song For Madonna 5. Til The Blood Ran 6. Sidemouse Advice 7. Excerpts From A Captain's Log 8. To Each His Dulcinea 9. Powerful Hankerin' Little Doll Willow Weep For Me Even The Pain Has Changed Formal Introduction Number Seven Number Five.

Deluxe and limited 50th anniversary edition of Dr. Three LP expanded release with deluxe packaging and new liner notes featuring over 70 minutes of previously unreleased material on two discs, recorded during the album sessions and making a physical debut for RSD Drops. Only one track from the bonus material was previously available on the limited Run Out Groove vinyl release: Dr.

Black John The Conqueror 2. Where Ya At Mule 3. Craney Crow 4. Familiar Reality-Opening 5. Zu Zu Mamou 7. Familiar Reality-Reprise 8. Featuring the hit song "Missed Calls. And on the 8th Day 2.

Momma Told Me feat. Ain't No Take-Backs feat. Sheeda 4. Missed Calls 5. Diamonds 6. Liquor Sto' feat. Marian Mereba 7. Masturpiece 8. New Negro Spiritual 9. Lady Nectarine feat. Marian Mereba Nigga Wake Up feat. Solar Lilly Punchanella Sweet Sacrifice 2.

Call Me When You're Sober 3. Weight Of The World 4. Lithium Side B: 1. Cloud Nine 2. Snow White Queen 3. Lacrymosa Side C: 1. Like You 2. Lose Control 3. The Only One Side D: 1. Your Star 2. All That I'm Living For 3. Good Enough. Remastered from the original tape reels housed at the Nederlands Jazz Archief, and in cooperation with the Bill Evans Estate, this limited-edition 3-LP, gram set includes an extensive booklet with never-before-published photos; essay by Dutch jazz scholar Bert Vuijsje, plus co-producers Zev Feldman and Frank Jochemsen; and new interviews with Dutch pianist Jan Huydts, Eddie Gomez, Marty Morell and more.

EMILY 3. The debut that set the benchmark for the new emerging wave of Technical Death Metal. Alpha Incipient Ritual Of Godflesh Become One. Cerebral Hybridization Prison Of The Mind. The Flame Surreal. Enslaved Eternal Phenomenon. The Harvest Wombs. Assemblage Of Wolves. The Christmas single has been out of print since original release in Package will also include a cardboard art-stencil of the band logo from the cover art.

All tracks previously released. Beef Boloney 3. Camarillo 4. Gimmie Some Action 7. Foreign Policy 8. We Destroy The Family 9. Disconnected Fresh Flesh Getting The Brush No More Nothing. First time anywhere for a release of these two songs from a December livestream performance by Robin Pecknold with the Resistance Revival Chorus.

Jambalaya On The Bayou 2. Hearts Of Stone 2. Somewhere Listening For My Name. Limited to 10, copies worldwide. A collection of demos, home recordings, and lost songs circa from Ruthann's personal archive. Includes detailed song notes by Ruthann, unseen photos, and the original version of "Windy.

Hurried Life 2. That's Alright Silver Bird 3. Sky Is Moving South 4. Looking Glass 5. Between The Lines 6. I'm Askin' 7. Windy 8.

Typical Sunday 9. Southern Comfortable Alone At Last Boy Took A Ticket Method Madness To Treat A Friend. Before she arrived at Muscle Shoals to work her magic with the late great Rick Hall, Bobbie cut a laid back album of classic and contemporary jazz tunes that was abandoned before it had chance to see the light of day. This was a Album), as Bobbie proves herself as adept in this genre as in any other. This self-produced collection first saw the light of day on the Bobbie Gentry boxset, but this lost album deserves to have its own separate release and what better format than vinyl?

The set exudes a sophisticated and intimate late-night vibe mostly featuring Bobbie alone with her guitar accompanied by a bass player; occasionally there is a whisper of strings from Jimmie Haskell who famously composed the cello and violin arrangement on Ode to Billie Joe.

In celebration of the album's 20th anniversary, M-Theory Audio presents the first-ever vinyl release of Determination, from God Forbid. In addition to an appearance on Ozzfest, the group logged many miles on the road touring alongside legacy acts such as Slayer and Anthrax, as well as scene contemporaries such as Lamb of God, Killswitch Engage, and Hatebreed. God Forbid disbanded several years ago, but guitarist Doc Coyle has also remained a prominent member of the heavy metal community through his involvement in the band, Bad Wolves.

This new issue of the record will also include an expanded layout with new liner notes from Doc Coyle, and rare photos and memorabilia. Dawn of the Millenia 2. Nothing 3. Broken Promise 4. Divide My Destiny 5.

Network 6. Wicked 7. Determination Part 1 8. Determination Part 2 9. Go Your Own Way God's Last Gift A Reflection of the Past Dead Words on Deaf Ears Mind Eraser.

The arrangements were by France and Field respectively. The gig lineup differed from the album personnel in one respect, Wil Goodinson had replaced McArthur. He was the youngest band member by a wide margin, but he gave a great performance. His solos were melodic and inventive and he is already nipping at the heels of the more experienced bass players. They poured heart and soul into this project and should take a bow.

The album is out on the Manu Label and available from stores. The Jeff Henderson Trioglodyte project came into being during a period that future anthropologists might well dub the neo-geographical isolation era. The Trioglodyte name evokes an image of cave-dwellers, of waiting out a storm and sheltering beside a roaring fire as the icy wind bites at their door.

It was guaranteed to clear the cobwebs from a listeners brain and it did so by cunning means. Humans are hardwired to look for familiar patterns in the world about them. It is how they have survived. But when those patterns become too familiar inertia sets in and complacency follows.

This is especially the case with music. Free music confounds some listeners but if they listened, really listened, they would find the familiar. Umberto Eco the Italian semiotician and philosopher pointed out the following.

The Trioglodytes took us on a journey and although it seemed to traverse unfamiliar territory, in reality, it did not. What we experienced was largely primal and it triggered parts of our brain that we have been conditioned to ignore.

The gig opened with a long passage of hypnotic drum beats. From three drummers who were in sync and yet communicating with each other. The usual tune forms had been abandoned but delineations existed to guide us between the sections or mood changes. Henderson is the master of this type of performance art and because he was performing in front of a Jazz audience he placed Jazz totems throughout the 90 minutes. The first such totem was the opening line from Bags Groove.

It was played a number of times, elided, and suddenly abandoned. It was totemic because it demonstrated the power of a familiar melodic line, which has embedded in its essence the unuttered form. We heard many such references throughout the gig and none were resolved in expected ways. Humans may be hard-wired to seek out familiar patterns and forms, but we are also devotees of puzzle-solving. If we were never challenged atrophy would set in. The references touched on loved Jazz standards through to mystical Albert Ayler lines.

I have posted three excerpts and one of those contains that reference. Others may have reacted differently and there is no right or wrong way to experience a gig like this. I left the gig with a smile on my face and an appreciation of the journey. And the freer sections brought fourth an unexpected memory of an old black and white film. Of Berber reed players dancing about a campfire in the desert and playing brief squealing phrases over endless hypnotic drum beats.

While it draws on many sources, it never completely overlaps them. It is a black American sound. Above all it is danceable and that brings joy. Back in the seventies, it received a measure of grief from both sides of the spectrum. Jazz purists complained that It was not cerebral enough or too reliant on electric instruments while some in the broader music press complained that it was too much like mainstream Jazz.

A man whose legacy is incalculable. His last great project, the CTI label captured a moment in Jazz history, bringing with it those warm funk-infused albums and for a time, a wider audience. McNicoll is a musician who puts in the hard yards and he captured the CTI vibe perfectly. While featuring a gig of covers is not a CJC thing, this was much more than that.

Yes, CTI covers were aired, but only in the context of an over-arching project. It was great to see these numbers aired as they are often left languishing in the shadows. The tunes were infectious and they soon brought people to their feet and on a chilly winters night, what could be better? They were tunes redolent of an era and they were happy tunes. For those in the audience around during the seventies, they brought back fond memories, for the rest, the joy of discovery.

This is the music that you can hear in the New Orleans clubs. A unique sound that rides a groove to the moon and back. I would also like to acknowledge McNicoll for his tireless work on behalf of the Auckland Jazz scene. He is a prime example of how a not-for-profit organisation remains functional. I clearly recall the first time I heard Steve Barry.

It was around eleven years ago at the He was not long back from Australia, bringing with him bass player Alex Boneham and drummer Tim Firth. At that time the Creative Jazz Club was located in a dark atmospheric basement; an ill-lit venue bordering on gloomy and perfect for a Jazz club.

You would grab a drink, sink into a well-worn leather armchair with broken webbing and wait for the band to begin. The music that night was unforgettable. Somewhat denser than I was accustomed to at the time, but never-the-less fully engaging and exciting.

When the second tune was announced I pushed record on my iPhone because I knew that I was hearing a piece of music that merited further attention. It was a tune that he was working on and it would appear on his first album a short time later. I listened to that phone clip an awful lot over the following months and I could hear the future. Each time Barry has appeared in New Zealand he has showcased fresh ideas.

Although born in New Zealand, Australia claimed him long ago. He is popular there, has obtained a doctorate and awards there and teaches at the Sydney Con.

As expected, he brought us new compositions this visit, but as I listened I was also reminded of that first gig. While he moves on constantly and is not composing or playing in the way he did back then, there is still a hint of that younger player. Of past learnings gathered and picked through as he builds fresh iterations, crafted in part from the bones. I am not surprised that he studied with Craig Taborn.

His compositions are no doubt demanding and require good responsive players. He had assembled just such a crew for his CJC Anthology gig. Local musicians of the highest quality.

Passels has a gorgeous tone, but what sets him apart is his ability to push at the boundaries. His best work occurs when playing compositions that afford him certain freedoms and these compositions worked well for him. At times he would run over the lines which contrasted nicely with his tight unison playing. The sort of advanced musical thinking I associate with Warne Marsh. Perhaps because this was a quartet, the music also felt more spacious.

The density and serialism were still evident but as always with Barry, there were fresh vistas revealed at each turn. When he commits to a project he gives it his all and this project was no exception. Sometime inhe and fellow Auckland musician Roger Manins flew to Germany to record 13 new compositions. Holland was formerly from Germany but he is now a senior tutor at the University of Auckland Jazz School. When you put good material in front of good improvising musicians you can expect good results, but sometimes, that little bit extra is extracted and then the magic.

This is a marvellous album and deserving of acclaim. It traverses a range of moods without ever detracting from the overarching mellow vibe. This is a recording you will want to play over and over, and each listening will yield fresh gold. Holland is known for his throwaway verbal lines on stage and this bleeds through into his writing. Good musicianship and good banter are happy bedfellows in my experience.

There is nothing bombastic about this tune which is reflective, spacious and beautiful. Following that is Morse Code, a tune true to name, dancing over compelling rhythmic patterns with an insistent ostinato bass line. An achingly beautiful ballad and wonderfully realised by the musicians. This is a cleverly constructed groove piece and it ties the album halves together nicely.

Another great solo from Keezer as well. Guitarist Joscho Stephan appears on tracks 16 and 13 and his fluid delivery is tightly focussed, enhancing the vibe. What a treat, and as with all of these pieces, carried on Hollands impeccable bass lines and his gravity-defying compositional architecture. None of the musicians can be set apart from the whole because all of the musicians stand out, this was truly a meeting of musical minds.

Following the recording, Holland made several trips to the northern hemisphere, nurturing the project to completion. The New Zealand gig was well signalled on social media with album teasers and a commitment to donate part of the album proceeds to a marine sanctuary off the coast of Africa. On top of that Holland generously forwent sales profits above cost. His environmental interests are well known and based on first-hand observations as a diver and a blue water yachtsman he originally sailed to New Zealand from Europe.

I have posted several numbers from the New Zealand gig and they are a small sampling from a superb nights entertainment. Beside Holland was Roger Manins, the only two from the recording band. Filling in for the internationals and killing it, were Dixon Nacey on guitar, Thabani Gapara on alto saxophone, Joe Kaptein on keys and Malachai Samuelu on drums. More guitar parts were included in the charts and why not with Dixon in the mix.

Roger was on top of his game as always and the other three were marvellous. In addition to the Auckland clips, I have included some clips from the album. Mireya Ramos was an unexpected musical treat because our borders, with very few exceptions, have been long closed to all but Kiwi returnees and most recently Australian tourists. Ramos is from New York. Very few international musicians have managed to cross the border, and only if they obtained an exemption and subjected themselves to a strict quarantine.

Within days of arrival, the borders had closed behind her. For many pre-lockdown international visitors, the border closure proved to be a silver lining as visas were extended and they could avoid the horrors unfolding elsewhere in the world.

Mireya Ramos is a multi Grammy-nominated and winning artist and although the rest of her all-female mariachi band members returned home, she and her partner Andy Averbuch did what creatives do best, they got busy. During the year she has recorded and toured the country and her gigs have attracted enthusiastic audiences everywhere. Her music draws on many genres, but all coloured by a stylistic uniqueness. She is both a vocalist and a violinist and that appealed as well.

The violin is not unknown in improvised music, but sadly it is still uncommon. I am fond of the violin in Jazz and Jazz fusion styles and particularly so with Argentinean music. Listening Jazz audiences are always eager to hear traditional and blended South American music. Of all the tunes, that appealed to me the most.

It is not often that we get to hear the many and varied Latin styles and whenever we do, we are left wanting more.

Guitarist Andy Averbuch and Bass player Alex Griffith had opportunities to stretch out during solos and they made the most of that, but when Dr Mark Baynes and Lance Bentley locked into a Clave, the magic happened. Ramos has been received enthusiastically in New Zealand and after the pandemic recedes, I am sure that she will be encouraged to return.

Drummer led albums often tell stories in different ways and the releases reviewed here exemplify that. On the surface, they are dissimilar, but both convey raw energy and immediacy. These improvisers transcend the ordinary in their search for an ancient to modern language. The first is a newly released album by Myele Manzanza titled Crisis and Opportunity. As with his previous albums, there is something big-hearted about this work.

As you listen, you gain the sense that he is telling a story that transcends time and place. This is realised through some very fine writing and crafted over his warm mesmerising beats. Manzanza draws on strong roots and influences. He is a Kiwi, a citizen of the world and of African heritage. His father is a Master Congolese drummer and his formative years playing hand drums will have informed his approach to the kit.

Among the other influences evident are broken-beat and Jazz electronica. Out of these influences and his own life experiences, alchemy is forged. He is forward-looking and overtly political. He is someone to watch with interest. I am familiar with trumpet player James Copus, as his impressive Dusk album came to my attention quite recently. The other horn player is George Crowley on tenor saxophone. When the horns are playing in unison it is hard to believe that the horn line is not much bigger.

On piano is Ashley Henry and on bass Benjamin Muralt. Both chasing those hypnotic dancing beats to good effect. And with de Clive-Lowe adding his deft brush strokes, a magnificent Album is realised. If you go to his Bandcamp label you can purchase a digital copy or order vinyl. The other drummer led album that caught my attention is a free-jazz album released by Alex Louloudis. It arrived as a digital review copy with very little attached information, so I embarked on some research.

In reality, the music speaks for itself and the biographical details are of less importance. It is propulsive and joyous and I fell for it immediately.

This is free music that can move inside or outside with extraordinary ease. Nothing is quite what it seems and the river of sound flows over a cushion of compelling beats. There is often an ostinato bass line as in The Magic of 3. The melodic lines avoid the obvious and there is almost no repetition of phrases.

In the right musical hands, following such principles opens up huge possibilities. This is a killing band and it is unmistakably a drummers band. Since completing his studies in New York, Louloudis has moved among like-minded improvisers and attracted favourable attention.

Although the artist was previously unknown to me my badhe has certainly come to the notice of important musicians and commentators Gary Bartz, Billy Harper, Reggie Workman, Oliver Lake, Jeff Ballard, to mention just a few. Opening to soft brush beats, it morphs into a dreamy slow-moving rendition of Over the Rainbow, which in turn introduces the reflectively cutting poem, recited by Rosdeli Marte.

In this post, I have deviated from my usual practice of reviewing only albums from Aotearoa, New Zealand or those offshore who maintain connections to our rohe. Many writers were unable to engage, and in my country, we had freedoms others did not. No rule is worth having if it cannot be broken for a good cause. The genesis of DOG goes back a long way as I first reviewed them in Over that period they have gained various accolades and awards.

They are Dr Lonnie Smith in reverse because the group began their journey as Dr DOG but Answer To The Question - Chelsea (2) - Anthology Three (CD ditched the title to better accord with their egalitarian street-dog ethos. Their reputation extends well beyond New Zealand shores and their second album was recorded with guest Australian guitarist James Muller. They have two albums out on Rattle and both are exceptional.

Their first album featured the core group, and each of them contributed compositions: Roger Manins, Kevin Field, Oli Holland and Ron Samsom, The second album followed the same pattern, but with James Muller contributing as well. These are all exceptional players and the albums have allowed them to place a deeper focus on their writing skills.

When musicians of this ability come together they are better able to push past arbitrary limits. Ten years on there is a new guest in the lineup and as always there are new compositions from everyone.

I hope that this recent gig is the prelude to a third album because together this iteration is crackling hot. With guitarist Keith Price on board, they moved into fresh territory and alongside the burners, there were touches of big-vista Americana. No wonder the gig was billed as the New Extra Strength Dog. At times it was Industrial strength.

Although the group is co-led, Roger Manins is the compare. Any gig that he fronts will have X-factor and this was no exception. The first set opened with a tune by Price and it was blistering. From the front row, it was like being in a jet-stream but it was not just bluster. Price is a terrific composer and this tune rode a freight train of tension and breathtaking harmonic shifts.

That set the pace. With one exception the encorethese were all new tunes and each complemented the other. This was a feast of good writing, tunes played and written by musicians at the top of their game. In spite of their long association, it is obvious that these guys enjoy playing together. The respect and warmth shine through the music. They are in sync because they respect the music and each other. The large club audience picked up on that, thus completing the virtuous circle.

I have posted the first and last gig tunes as YouTube clips. Both of the DOG albums remain popular and they are available from stores or directly from Rattle and on Bandcamp. We are lucky to have artists of this calibre in Auckland and if we show our support, more albums will surely follow.

One was Ben Lerner, a saxophonist who had utilised his time in lockdown to write some new music. While he played only one set, it was satisfying and complete in itself.

Lerner left New Zealand a while ago and his time in Sydney has seen him further mature as an artist. His sojourn there has been productive as he has performed alongside some well-known musicians such as Mike Nock and Steve Barry. His sound is distinctive, even and beautiful, and can convey a variety of moods with his carefully controlled modulation. Perhaps this is a thing that alto players focus on more than tenor players?

The approach served his compositions well, for his ability as a musician extends beyond performance. I have posted part four of that suite in a YouTube clip.

All are superb readers and each contributed something of themselves to the project. A recent graduate of the UoA Jazz School and at present completing his postgraduate studies there.

It is unusual to see such a polished performance in an emerging artists gig. He plays well, very well, and he writes well also; but perhaps the most surprising thing to witness is how comfortable he looks while performing. A first-time leaders gig before a large discriminating Jazz audience must be daunting. I have seen students perform who have an abundance of good ideas and the ability to carry them out but they sometimes lack the confidence to commit to them fully.

I suspect that is the norm. Pipes gig was the counterfactual. They were melodic and engaging. Certain phrases reminded me of middle-eastern rhythms and whether intentional or not, enterprising.

Improvisation like poetry is the fine art of appropriation and above all, it is stealing from and modifying your own best ideas. And to do this and not sound derivative is laudable. Exciting to hear. The other ingredient, a solid and sympathetic line-up. Like Pipes, he is relaxed and confident on stage.

On one gig he will play fusion, on another, straight ahead, or he will dial it down as an accompanist. Upfront, alongside Pipes, was saxophonist Daniel McKenzie. An emerging player and a strong improviser. The flow of his ideas revealing a narrative quality.

Bass player Wil Goodinson has appeared many times at the club. He has a solid reputation and he never disappoints. Lastly was drummer Rhohil Kishore. While the older drum styles are implicit, he always reaches for a fresh modern sound.

The two art forms have complemented each other since the early twentieth century. Even before the talkies, a pianist would sit watching a flickering screen while he or she would churn out improvised music. It is not always obvious that a Jazz musician has composed a movie soundtrack but a surprising number of films can lay claim to this connection.

We have Jazz musicians in our own community who often appear in the credits Crayford, Langabeer etc. In the case of Ennio Morricone, the reverse is true. He was never a Jazz pianist but his compositions have become jazz standards. Price has turned the concept on its head and created something vital and new, and in this case, drawing on the film images to blaze a new trail. Here, the images are subordinate or equal to the music and there is no incidental music to enhance the segments of dialogue.

And because there is no spoken narrative something extraordinary occurs. We feel the music and absorb the images in new ways. It comes to us through many senses, through ears, body and eyes. This is a through-composed work, but with space and opportunity for the musicians to react to the images and to each other. It features group improvisation, but there is nothing aimless about the work.

Each segment is built on what proceeds it with the charts guiding the ensemble forwards as they interact. The ensemble was a double quartet and this doubling up of instruments required skilful playing and very good writing. Luckily we got both, and although the gig was loud, the intensity never tumbled into chaos.

Each musician took on agreed roles, resulting in a heady, textural mix. There were two keyboards piano and digitaltwo drummers, two basses one upright, the other electrica tenor saxophone and a guitar. Price was on guitar and guiding the music with prompts. An unexpected plus for me was having the cinematography of Sergio Leone untethered from the screenplay. A new piece of music to a timeless movie.

He was a towering genius of the cinema and it was nice to be reminded of that as we appreciated the preternatural framing of each shot.

Leone drew on Samurai tales for his Dollar Trilogy and in doing so he reached beyond genre. The function of archetypes is to live on through reinterpretation and thanks to Keith Price, this story lives on.

It was a quartet devoid of chordal instruments. It was Coleman, not Mulligan. It was original music and an example of Coleman induced Lockdown creativity. He drums musically and tells stories at every turn. His tune titles, his solos and his announcements are tales from a true raconteur.

He is a storyteller with an open vocabulary. I am always enthusiastic about a Lockett gig and with Lucien Johnson in the line-up, it was a sinch. Like Lockett, he is adventurous and his musical fearlessness was an asset here.

While Lockett composed the tunes excepting two Monk tunesJohnson was the principal arranger. The resulting gig was a tribute to freedom. Colman never abandoned the rules, he just invented new ones.

I think that he would have enjoyed this gig as he never wanted followers. What he wanted, was fellow travellers and he found that with this band.

Everyone took solos and the notes they blew added something worthwhile. Behind them and pounding out meaty basslines was Umar Zakaria. We saw Zakaria recently when he fronted his own gig. Here, he was at his best, a Mingus like figure powering the music to greater heights.

He was just the right anchor and the others benefitted from his solid earthy cushion. There had been much anticipation as the band is popular, and when the gig finally happened, everyone was excited. The Martyniuk Trio whether playing alongside Kiwi or Polish musiciansalways manages to capture a piece of that northern vibe for us.

I have previously reviewed Martyniuk gigs and they never disappoint. I like them because they are uplifting. I like them for their melodic and harmonic richness. Martyniuk is a gifted pianist, but his compositions and arrangements are real standouts. His tunes feel like modern standards and I never tire of hearing them interpreted afresh. A case in question was a soulful tribute to Lyle Mays For Lyle.

A reflective ballad, celebrating a creative giant now lost to us. The tune, captured the essence of Mays the musician while evoking sadness at his untimely passing. When tours stopped I recall wondering; when will I ever hear live music again? I listened to both Metheny and Martyniuk over the turbulent months that followed and recaptured the joy of those events. We are lucky to have live music again, and especially when so many others are deprived of it.

Another obvious reason for adding Metheny tunes to a programme of originals was the inclusion of Dixon Nacey in the band. During recent gigs, he has introduced many of these into his repertoire and to much acclaim. He was very much on form last week and his soaring smooth as silk delivery filled the room.

His warm sound also complimented the richness of the Martyniuk compositions. Videoing this gig proved extremely difficult, as the room was dark and the sightlines impossible. It was also a packed house and so capturing the sound from a suitable location was compromised Those who want to hear more of the group should buy an album or go see them live. While he remains here, do check his band out.

First off, was that wonderfully evocative title and accompanying postersuggesting a balm to ease our way through troubled times. For a lover of forests and explorative sounds, it was irresistible. During that time he has been associated with some diverse and interesting bands.

This was his second CJC gig as a leader and the proof was to be in the pudding. The gig title suggested an elemental offering and in many ways it was. While it referenced many ideas and styles, all were distilled to their essence.

Out of this, Gianan had forged a clear vision. It was a surprisingly mature offering and his strength as a leader became apparent as the sets progressed. He knew exactly what he wanted from the musicians and he signalled his intentions as the tunes progressed.

The compositions, while structured, did not confine the musicians. They were pieces written with the ensemble in mind. It was particularly evident in the head arrangements, which were anchors for the developments which arose from them.

Brief exchanges between guitar and saxophone, momentarily broke free of the structure, and this contrasted with the steady bass lines and drum pulses. There were burners and ballads, and every twist and tune seemed to balance what had preceded it.

His comping is supportive while the flurry of exchanges with the other musicians are to the point. His alto lines tight in the heads, and stretching during exchanges.

His lines are often elided and I like that, he can say a lot with what he leaves out. Knowing when to leave space is important and again this says something about the quality of the compositions. Completing the line up were two experienced musicians, Bass player Mostyn Cole and drummer Ron Samsom. There were fragments of vibrato-tinged melody, played in unison; at other times a pumping groove. He was a late addition to the lineup and a good choice.

We expect much from Samsom and we are never disappointed. He seemed to relish playing alongside his former pupil. He was on fire. Unfortunately, the battery on my Rode mic gave out, so Answer To The Question - Chelsea (2) - Anthology Three (CD filming relied on the camera mic.

It is not ideal, but the music shines through. The tune titles were intriguing and added something to the vibe. Enigmatic titles can add value and these felt like they belonged to the tunes.

It is noticeable when a gig flows naturally. Afterwards, something remains with you, an essence, not just a tune, but a sense of what the musician is communicating. At times, this gig evoked a wistful feel, but it mostly suggested what could be.

I for one will wait for what comes next with interest. The author is a professional member of the Jazz Journalists Association. Some of these posts appear on other sites by arrangement. Happenstance is the midwife to surprise and in the musical universe, random events occur often. They appear unheralded, bringing chaos or joy and for seasoned improvisers, they are welcome visitors.

So it was with Hot Foot, a band cobbled together in haste; a sonic singularity, a concentration of energy. The advertised gig was an organ trio, but at the last minute, that event was rescheduled, so with hours to spare, Roger Manins revived Hot Foot and how fortuitous that turned out to be. There is provenance to Hot Foot, but the details remain sketchy. Leader Manins hinted that they had once played at a village market but a long time ago. He introduced the trio with a story about a Sydney band of similar configuration.

For him, that had been a formative experience, a chance to play without the safety net of a chordal instrument. A chance to cut his musical teeth alongside more experienced players and to road test the Sonny Rollins Way Out West trio thing. On Wednesday, the spirit of Rollins hung over the proceedings, the way Manins gnawed away at a tune and tugged at its fabric without losing the form.

We were treated to long intros where a familiar melody was hinted at, then abandoned to a flurry of arpeggios. It was riveting to watch and to hear. There were clear signals and subtle hints as the intros unfolded; sometimes accompanied by verbal exclamations or questions directed at the audience or to Jazz School students. The solos were extracted from the tunes by paring them back and then exposing the naked ideas; sometimes stopping at the brink of freedom.

If this sounds chaotic it was not. It was a masterclass for Jazz lovers and it was realised in a spirit of joy and levity. A saxophone trio reveals the melodic lines unadorned, but in doing so there are specific responses required from a bass player and a drummer.

In this instrumental configuration, it is important that a bass player holds the form, and McArthur did so admirably. This not only gave the saxophonist the room he needed but opened up opportunities for the drummer. Drummer Ron Samsom made the most of his space and his musical intelligence came to the fore. His was a modulated voice as there was nothing that intruded or jarred, there was a pulse but it was mainly implied.

RockNRoll Boogie - Crackerjacks (8) - Worried About You Baby (Vinyl), La Mer - Herbert von Karajan, Philharmonia Orchestra - Herbert Von Karajan Edition - Philharmonia Or, The Power Of Love (Lee Marrow Extended Mix) - Corona - The Power Of Love (Vinyl), Louiselle - Nel Cuore Mio (Vinyl), Little Wing - The Cyclones* - Twist This (CD, Album), I Have The Fury Of My Own Momentum, Приятная История - Various - Вокруг Света (5 Серия) (Vinyl, LP), Territorial Pissings - Nirvana - Nevermind (Vinyl, LP, Album), Love Child - Diana Ross & The Supremes* - 20 Golden Greats (Vinyl, LP), Stuck On The Job - Micah P. Hinson And The "Pioneer Saboteurs"* - Micah P. Hinson And The, The Trouble Is You - Various - Mindrocker Volume 8 (Vinyl, LP), The Interview - Anslem Douglas - Possessed (Vinyl, LP), Dont Worry - Kim Appleby - Dont Worry (Vinyl)

03.09.2021
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