Main Titles - Roy Budd - Get Budd - The Soundtracks (CD)

Scanning trax by ti…. Gust De Meyer. Anyway, these minimalist pieces were produced under a strict guideline : the exclusive use of the Casio VL 1, a japanese monophonic synthesizer and calculator. Between and 19…. Bjorn Eriksson. This collection of compositions could be a soundtrack for a East European saga or a French strange detective serie. Although The Easywood KIller is a solo project, there will be a live grou….

Renato GriecoBruno Duplant. Matte finish. Text by Xavier Veilhan. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt. Renato Grieco plays double bass and baroque double bass.

Recorded by Renato Grieco. Organism landed themselves a place on the legendary Vanity Records roster after sending label head Agi Yuzuru a cassette by air mail in order to fool him into thinking they were from overseas. The ploy worked, and the group soon entered the studio for free-form Main Titles - Roy Budd - Get Budd - The Soundtracks (CD) of minimalistic, rhythmic excursions played on an array of synths, drum machines and other gadgets.

Marco Paltrinieri. The only common factor was the presence of Caine himself, tasked with the job of developing the nuances of character suggested by four very different roles: the laconic intelligence operative of director Sidney Furie's Ipcress Filethe crafty Lothario of Lewis Gilbert's Alfiethe wisecracking bank-robber of Peter Collinson's Italian Job and the vengeful killer of Mike Hodges ' Get Carter.

At a time when pretty boys such as Michael York and David Hemmings were Britain's screen heart-throbs, Caine managed to make wearing spectacles seem attractive, partly because he knew how to use the eyes behind them to show the process of thought. In the absence of original scores, Edwards and his band will work from transcriptions, although their interpretations are unlikely to be literal.

For The Ipcress FileBarry made sparing but effective use of the trombone stabs and fluttering alto flutes that were becoming a feature of spy flicks. Rollins's Alfie soundtrack — taped in a London studio with a band that included Ronnie Scott and Stan Traceybut then re-recorded for LP release in New York with American musicians — consisted of undiluted modern jazz.

Main Titles - Roy Budd - Get Budd - The Soundtracks (CD) classic title song, written by Burt Bacharach and Hal David, was tacked on as an afterthought. Jones's Italian Job soundtrack featured "The Self-Preservation Society", destined to become a lager-lout anthem, and a jazz-waltz version of "Greensleeves" among snatches of mood music more clearly inspired by the film scores of Michel Legrand and Francis Lai. Get Carter made economical use of electronic keyboards, funkier bass lines and tabla drums, allowing the cinematographer Wolfgang Suschitzky's images of the Newcastle cityscape and the delivery of Hodges's hard-boiled lines by an expensively suited Caine to set the tone of menace and mayhem.

That's my type of music. Giuseppe Patroni Griffi. Brief Season. That Splendid November. Violent City. The Voyeur. I cannibali. Composed with Aleksandr Zatsepin. Investigation of a Citizen Above Suspicion.

The Most Beautiful Wife. The Bird with the Crystal Plumage. When Women Had Tails. Kill the Fatted Calf and Roast It. Two Mules for Sister Sara. Cold Eyes of Fear. The Decameron. The Cat o' Nine Tails. The Working Class Goes to Heaven.

Short Night of Glass Dolls. Forbidden Photos of a Lady Above Suspicion. The Case is Closed, Forget It. A Lizard in a Woman's Skin. Four Flies on Grey Velvet. Without Apparent Motive. Who Saw Her Die? What Have You Done to Solange?

The Fifth Cord. Devil in the Brain. The Master and Margaret. Chronicles of a Homicide. The Canterbury Tales.

Black Belly of the Tarantula. Life is Tough, Eh Providence? My Dear Killer. When Women Lost Their Tales. This Kind of Love. The Sicilian Checkmate. Property is No Longer a Theft. Night Flight from Moscow. Massacre in Rome. George P. Woman Buried Alive. Paolo Taviani Vittorio Taviani. Arabian Nights. Around the World with Peynet's Lovers. Composed with Alessandro Alessandroni. The Devil Is a Woman. La cugina. Almost Human. Last Days of Mussolini.

Eye of the Cat. Composed with Cesare Andrea Bixio. The Flower in His Mouth. Lips of Lurid Blue. The Sunday Woman. The Antichrist. Last Stop on the Night Train. Fear Over the City. A Genius, Two Partners and a Dupe. The "Human" Factor. The Desert of the Tartars. And Agnes Chose to Die. The Inheritance. Down the Ancient Staircase. Rene the Cane. San Babila-8 P. A Sold Life. Il prefetto di ferro. Michael Anderson. Exorcist II: The Heretic.

Rather, they carry that aura with them. It is not just at times of economic downturn that adapters turn to safe bets: nineteenth-century Italian composers of that notoriously expensive art form, opera, usually chose to adapt reliable—that is, already inancially successful—stage plays or novels in order to avoid inancial risks, as well as trouble with the cen- sors see Trowell A best-selling book may reach a million readers; Main Titles - Roy Budd - Get Budd - The Soundtracks (CD) successful Broadway play will be seen by 1 to 8 million people; but a movie or television adaptation will ind an audi- ence of many million more Seger 5.

Does the manifest commercial success of adaptations help us under- stand why the ilm he Royal Tenenbaums directed by Wes Ander- son with a script by Owen Wilson opens with a book being checked out of a library—the book upon which the ilm implicitly claims to be based? Because, to my knowledge, this ilm is not adapted from any literary text, the use of this device is a direct and even parodic recall of its use in earlier ilms, but with a dif- ference: the authority of literature as an institution and thus also of the act of adapting it seems to be what is being invoked and emphasized.

But why would a ilm want to be seen as an adaptation? And what do we mean by a work being seen as an adaptation? If we know that prior text, we always feel its presence shadowing the one we are experiencing directly. When we call a work an adaptation, we openly announce its overt relationship to another work or works.

Cardwell 9. I take such a position as axiomatic, but not as my theoretical focus. Although adaptations are also aesthetic objects in their own right, it is only as inherently double- or multilaminated works that they can be theorized as adaptations. Today that dominance has been challenged from a variety of perspec- tives e. Of more interest to me is the fact that the morally loaded discourse of idelity is based on the implied assumption that adapters aim simply to reproduce the adapted text e.

Adaptation is repeti- tion, but repetition without replication. And there are manifestly many diferent possible intentions behind the act of adaptation: the urge to consume and erase the memory of the adapted text or to call it into question is as likely as the desire to pay tribute by copying.

If the idea of idelity should not frame any theorizing of adaptation today, what should? As the next section will explore in more depth, the phenomenon of adaptation can be deined from three distinct but interrelated per- spectives, for I take it as no accident that we use the same word—adap- tation—to refer to the process and the product. First, seen as a formal entity or product, an adaptation is an announced and extensive transposition of a particular work or works. Transposition can also mean a shift in ontology from the real to the ictional, from a historical account or biography to a ictionalized narrative or drama.

Second, as a process of creation, the act of adaptation always involves both re- interpretation and then re- creation; this has been called both appropriation and salvaging, depending on your perspective. For every aggressive appropriator outed by a political opponent, there is a patient salvager. African ilm adaptations of traditional oral legends are also seen as a way of preserving a rich heritage in an aural and visual mode Cham It is its own palimpsestic thing.

But, from a pragmatic point of view, such a vast a deinition would clearly make adaptation rather dif- icult to theorize. My more restricted double deinition of adaptation as process and product is closer to the common usage of the word and is broad enough to allow me to treat not just ilms and stage productions, but also musical arrangements and song covers, visual art revisitations of prior works and comic book versions of history, poems put to music and remakes of ilms, and videogames and interactive art.

It also per- mits me to draw distinctions; for instance, allusions to and brief echoes of other works would not qualify as extended engagements, nor do most examples of musical sampling, because they recontextualize only short fragments of music.

Plagiarisms are not acknowledged appropriations, and sequels and prequels are not really adaptations either, nor is fan iction. With adaptations, we seem to desire the repetition as much as the change. Exactly What Gets Adapted? In law, ideas themselves cannot be copyrighted; only their expression can be defended in court.

And herein lies the whole problem. But all three are arguably equally subjective and, it would appear, diicult to discuss, much less theorize. Most theories of adaptation assume, however, that the story is the common denominator, the core of what is transposed across difer- ent media and genres, each of which deals with that story in formally diferent ways and, I would add, through diferent modes of engage- ment—narrating, performing, or interacting.

As Millicent Marcus has explained, however, there are two opposing theoretical schools of thought on this point: either a story can exist independently of any embodiment in any particular signify- ing system or, on the contrary, it cannot be considered separately from its material mode of mediation What the phenomenon of adaptation suggests, however, is that, although the latter is obviously true for the audience, whose members experience the story in a particu- lar material form, the various elements of the story can and are consid- ered separately by adapters and by theorists, if only because technical constraints of diferent media will inevitably highlight diferent aspects of that story Gaudreault and Marion Psychological development and thus receiver empa- thy is part of the narrative and dramatic arc when characters are the focus of adaptations.

But they may well change—often radically—in the process of adaptation, and not only but most obviously in terms of their plot ordering. Pacing can be transformed, time compressed or expanded. Shifts in the focalization or point of view of the adapted story may lead to major diferences. When David Lean wrote, directed, and edited the ilm version of E. In other cases, it might be the point of departure or conclusion that is totally transigured in adaptation. In other words, a personal crisis is made to replace a political one.

It was too abstract. On the soundtrack, their voices merge as well. If we move from considering only the medium in this way to consid- ering changes in the more general manner of story presentation, how- ever, other diferences in what gets adapted begin to appear. As we shall see in more detail shortly, being shown a story is not the same as being told it—and neither is the same as participating in it or interacting with it, that is, experiencing a story directly and kinesthetically.

With each mode, diferent things get adapted and in diferent ways. To show a story, as in movies, bal- lets, radio and stage plays, musicals and operas, involves a direct aural and usually visual performance experienced in real time. If a ilm can be said to have a three-act structure—a beginning in which a conlict is established; a middle in which the implications of the conlict are played out; an end where the conlict is resolved—then a videogame adaptation of a ilm can be argued to have a diferent three-act structure.

Acts one and three obviously do the narrative work—through showing—and set up the story frame, but both are in fact peripheral to the core: the sec- ond-act gameplay, with its intensity of cognitive and physical engage- ment, moves the narrative along through visual spectacle and audio efects including music and through problem-solving challenges.

Story, in this case, is no longer central or at least no longer an end in itself, although it is still present as a means toward a goal King Although there has been a long debate recently about whether inter- activity and storytelling are at odds with one another see Ryan ; Ryan c:what is more relevant in a game adaptation is the fact that players can inhabit a known ictional, often striking, visual world of digital animation.

Similarly, Disney World visitors who go on the Alad- din ride can enter and physically navigate a universe originally pre- sented as a linear experience through ilm. Even screen and stage media have diiculty with this dimension, because when psychic reality is shown rather than told about, it has to be made manifest in the material realm to be perceived by the audience.

Are some kinds of stories and their worlds more easily adaptable than others? Or did it? Linear realist novels, it would appear, are more easily adapted for the screen than experimental ones, or so we might assume from the evidence: the works of Charles Dickens, Ian Fleming, and Agatha Christie are more often adapted than those of Samuel Beckett, James Joyce, or Robert Coover. Historically, it is melodramatic worlds and stories that have lent themselves to adaptation to the form of opera and musical dramas, where music can reinforce the stark emotional oppositions and tensions created by the requisite generic compression because it takes longer to sing than to speak a line.

Today, spectacular special efects ilms like the various he Matrix or Star Wars movies are the ones likely to spawn popular videogames whose players can enjoy entering and manipulating the cinematic fantasy world. But most end up admitting defeat: the word has stuck for a reason. Yet, however straightforward the idea of adaptation may appear on the surface, it is actually very diicult to deine, in part, as we have seen, because we use the same word for the process and the product.

Adaptation as Product: Announced, Extensive, Speciic Transcoding As openly acknowledged and extended reworkings of particular other texts, adaptations are often compared to translations. Just as there is no such thing as a literal translation, there can be no literal adapta- tion.

Although this seems commonsensical enough, it is important to remember that, in most concepts of translation, the source text is granted an axiomatic primacy and authority, and the rhetoric of com- parison has most often been that of faithfulness and equivalence. In many cases, because adaptations are to a diferent medium, they are re-mediations, that is, speciically translations in the form of intersemiotic transpositions from one sign system for example, words to another for example, images.

Sometimes the text being paraphrased or translated is very immediate and available. In fact, a Life magazine article by P. But in artist Pierre Huyghe asked the real robber, John Wojtowicz, to reenact and narrate—in efect, to trans- late or paraphrase—the original event for his camera. In the process, a second-level adaptation occurred: as the perpetrator relived his own past, what became clear was that he could not do so except through the lenses of the subsequent movie version.

In efect, the ilm became, for him, as much the text to be adapted as was the lived event preserved in either his memory or the media coverage. In other words, it is a paraphrase or translation of a particular other text, a particular interpretation of history. Of course, he also had to ind two major narrative climaxes to replace the three of the trilogy.

Obviously, not all adaptations involve simply cutting. Short stories, in particular, have often inspired movies; for example, John M. Short story adaptations have had to expand their source material considerably. Of course, there is a wide range of reasons why adapters might choose a particular story and then transcode it into a particular medium or genre.

As noted earlier, their aim might well be to economically and artistically supplant the prior works. If this sounds somewhat familiar, there is good reason, given the long history in the West of imitatio or mimesis—imitation—as what Aristotle saw as part of the instinctive behavior of humans and the source of their pleasure in art Wittkower Imitation of great works of art, in particular, was not intended only to capitalize on the prestige and authority of the ancients or even to ofer a pedagogi- cal model as the Rhetorica ad Herennium argued [I.

In both, the novelty is in what one does with the other text. Beginning to Theorize Adaptation 21 For the reader, spectator, or listener, adaptation as adaptation is unavoidably a kind of intertextuality if the receiver is acquainted with the adapted text. It is an ongoing dialogical process, as Mikhail Bakhtin would have said, in which we compare the work we already know with the one we are experiencing Stam By stressing the relation of individual works to other works and to an entire cultural system, French semiotic and post-structuralist theorizing of intertextuality e.

Instead, texts are said to be mosaics of cita- tions that are visible and invisible, heard and silent; they are always already written and read. So, too, are adaptations, but with the added proviso that they are also acknowledged as adaptations of speciic texts.

Often, the audience will recognize that a work is an adaptation of more than one speciic text. In all cases, the engagement with these other works in adaptations are extended ones, not passing allusions. Part of both the pleasure and the frustration of experiencing an adap- tation is the familiarity bred through repetition and memory.

His muscular male swans and their homoerotic, violent, and sexually charged choreography allows, among many other things, the traditional pas de deux between the prince and the swan to be a dance of equals—perhaps for the irst time. Not everyone in the audience will enjoy this transgression of and critical commentary upon the sexual politics of the balletic tradition.

But no matter what our response, our inter- textual expectations about medium and genre, as well as about this speciic work, are brought to the forefront of our attention. As audience members, we need memory in order to experience diference as well as similarity. Modes of Engagement A doubled deinition of adaptation as a product as extensive, particular transcoding and as a process as creative reinterpretation and palimp- sestic intertextuality is one way to address the various dimensions of the broader phenomenon of adaptation.

An emphasis on process allows us to expand the traditional focus of adaptation studies on medium- speciicity and individual comparative case studies in order to consider as well relations among the major modes of engagement: that is, it per- mits us to think about how adaptations allow people to tell, show, or interact with stories. We can be told or shown a Main Titles - Roy Budd - Get Budd - The Soundtracks (CD), each in a range of diferent media.

However, the perspective, and thus the grammar, changes with the third mode of engagement; as audience members, we interact with stories in, for instance, the new media, from virtual real- ity to machinima. In the telling mode—in narrative literature, for example—our engagement begins in the realm of imagination, which is simultane- ously controlled by the selected, directing words of the text and liber- ated—that is, unconstrained by the limits of the visual or aural.

We can stop reading at any point; we can re-read or skip ahead; we hold the book in our hands and feel, as well as see, how much of the story remains to be read. But with the move to the mode of showing, as in ilm and stage adaptations, we are caught in an unrelenting, forward- driving story.

And we have moved from the imagination to the realm of direct perception—with its mix of both detail and broad focus. On the other hand, however, a shown dramatization cannot approximate the complicated verbal play of told poetry or the interlinking of description, narration, and expla- nation that is so easy for prose narrative to accomplish.

Telling a story in words, either orally or on paper, is never the same as showing it visu- ally and aurally in any of the many performance media available. Some theorists argue that, at a basic level, there is no signiicant diference between a verbal text and visual images, that, as W. See also Cohen b. In other words, no one mode is inher- ently good at doing one thing and not another; but each has at its dis- posal diferent means of expression—media and genres—and so can aim at and achieve certain things better than others.

Consider, for example, the interesting technical task the British nov- elist E. Forster set himself at one point in his novel Howards End: how to represent in told words the efect and the meaning of per- formed music—music that his readers would have to imagine, of course, and not hear.

In a telling mode, a novel can do this: it can take us into the minds and feelings of characters at will. Panic and emptiness! Totally moved, not to mention upset, by the end of the piece, she inds she has to leave her family and be alone.

Because we can only see Helen on ilm and not get into her head, we can only guess at her thoughts. In fact, Helen, from what we can see, seems rather more bored than upset by the whole experience. We do get to hear the full orchestral version of the symphony on the soundtrack nondiegeticallybut only after she leaves the hall, pursued by the young man whose umbrella she has taken by mistake.

Although Forster uses this scene to tell us about the imaginative and emotional world of Helen Schlegel, the ilm makes it the occasion to show us Helen meeting Leonard Bast in an appropriately culturally loaded context. In terms of plot action, that is indeed what happens in this scene, and so this is what the ilm aims to achieve. Of course, this ilm contains lots of performed talk about music, art, and many other things, and not only in this rather overt lecture form.

Interacting with a story is diferent again from being shown or told it—and not only because of the more immediate kind of immersion it allows. As in a play or ilm, in virtual reality or a videogame, language alone does not have to conjure up a world; that world is present before our eyes and ears.

But in the showing mode we do not physically enter that world and proceed to act within it. Stories, however, do not consist only of the material means of their transmission media or the rules that structure them genres.

But media distinctions alone will not nec- essarily allow the kind of diferentiations that adaptations call to our attention. Considering medium alone would not be useful to getting at the success or failure of this adaptation: although this machinima is in a digital medium, it is not interactive. If anything, the act of interpreting what is really a shown story here is even less actively engaging than reading the told version.

Beginning to Theorize Adaptation 27 his is not to say that we do not engage diferently with diferent media, but the lines of diferentiation are not as clear as we might expect. When we play a irst-person shooter videogame and become an active character in a narrative world and viscerally experience the action, our response is diferent again. Medium alone cannot explain what hap- pens when an interactive videogame is adapted into a museum-dis- played digital work of art, for it becomes a way to show, rather than interact with, a story.

In reversing the intended out- come by breaking all the Main Titles - Roy Budd - Get Budd - The Soundtracks (CD) of game action, the artist has ensured that the audience cannot and does not engage in the same manner as it would with the interactive game. Framing Adaptation Keeping these three modes of engagement—telling, showing, and inter- acting with stories—in the forefront can allow for certain precisions and distinctions that a focus on medium alone cannot.

It also allows for linkages across media that a concentration on medium-speciicity can eface, and thus moves us away from just the formal deinitions of adaptation to consider the process. We engage in time and space, within a particular society and a general culture. In shifting cultures and therefore sometimes shifting languages, adapta- tions make alterations that reveal much about the larger contexts of reception and production.

Even a shift of time frame can reveal much about when a work is created and received. Jekyll and Mr. Hyde, has been adapted many times for the stage and for the movie and television screens. To get a sense of the whole range, see Geduld For economic reasons, adapters often rely on selecting works to adapt that are well known and that have proved popular over time; for legal reasons, they often choose works that are no longer copyrighted.

Technology, too, has probably always framed, not to mention driven, adaptation, in that new media have constantly opened the door for new possibilities for all three modes of engagement. Lately, new electronic technologies have made what we might call idelity to the imagina- tion—rather than a more obvious idelity to reality—possible in new ways, well beyond earlier animation techniques and special efects.

We can now enter and act within those worlds, through 3-D digital technology. One of the central beliefs of ilm adaptation theory is that audiences are more demanding of idelity when dealing with classics, such as the work of Dickens or Austen. But a whole new set of cult popular classics, especially the work of J. Tolkien, Philip Pullman, and J. Rowling, are now being made visible and audible on stage, in the movie theater, on the video and computer screens, and in multiple gaming formats, and their readers are proving to be just as demanding.

Although our imaginative visualizations of literary worlds are always highly individual, the variance among readers is likely even greater in fantasy iction than in realist iction. Now that I know what an enemy orc or a game of Quidditch can look like from the moviesI suspect I will never be able to recap- ture my irst imagined versions again.

Palimpsests make for permanent change. As this suggests, a further framing of adaptation across all modes of engagement is economic. Broadway adapts from Hollywood; noveliza- tions are timed to coincide with the release of a ilm. November saw the infamous simultaneous international release of the ilm and multiplatform videogame versions of the irst installment of the story of Harry Potter. General economic issues, such as the inancing and distribution Main Titles - Roy Budd - Get Budd - The Soundtracks (CD) diferent media and art forms, must be considered in any general theorizing of adaptation.

To appeal to a global market or even a very particular one, a television series or a stage musical may have to alter the cultural, regional, or historical speciics of the text being adapted. Like others, I have found myself asking whether we could use any less compromised image to think about adaptation as both process and product. Stories also evolve by adaptation and are not immutable over time. Sometimes, like biological adaptation, cultural adaptation involves migration to favorable conditions: stories travel to diferent cultures and diferent media.

In short, stories adapt just as they are adapted. Some have great itness through survival persistence in a culture or reproduction number of adaptations. Adaptation, like evolution, is a transgenerational phenomenon. And the ittest do more than survive; they lourish.

Forms As it proved, among my best memories of the ilmmaking are the conversations drunken or otherwise I had with [director] Fred [Schepisi], in which we both acknowledged, I think, that, difer- ent as ilm directors and novelists are, our abiding obsession was the same: the mysteries of storytelling—of timing, pacing and the exactly judged release of information and emotion.

But as W. My emphasis on adaptation as process as well as product means that the social and communica- tion dimensions of media are important too, even when the particular emphasis, as in this chapter, is on form. When a change of medium does occur in an adaptation, it inevi- tably invokes that long history of debate about the formal speciicity of the arts—and thus of media.

As we have also seen, however, adaptation recalls as well, and usually to its disadvantage, that idea of a hierarchy in the arts. And this evaluative framework has had a signii- cant role in this debate about speciicity and diference throughout the centuries. Rather, it is when adaptations make the move across modes of engage- ment and thus across media, especially in the most common shift, that is, from the printed page to performance in stage and radio plays, dance, opera, musical, ilm, or television, that they ind themselves most enmeshed in the intricacies of the medium-speciicity debates; so too when works are adapted from either print or performance to interactive media, with their multiple sensory and semiotic channels Ryan c: But a dance work, a musical, a television show each has its own composite conventions and, some would say, even its own grammar and syntax that all operate to structure meaning for the perceiving audience.

Like all formal conventions, this grid both constrains and enables; it both limits and opens up new possibilities. On the contrary, a novel, in order to be dramatized, has to be dis- tilled, reduced in size, and thus, inevitably, complexity. Most reviewers saw this cutting as a negative, as subtraction, yet when plots are condensed and concentrated, they can sometimes become more powerful.

Another way to think about this distillation is in terms of narrative redundancy giving way to narrative pertinence, as in some ilm noir adaptations Cattrysse Sometimes even the novelist agrees on the beneits of changes in his or her work. A cut has been made; a motivation inserted, and an artistic clarity is the result. In ilm, no such disguise will be toler- ated by the viewer. When we watch a man do something on screen, our guts much more than our brains will tell us the truth of the ges- ture.

It cannot be fudged. Of course, ilm adaptations obvi- ously also add bodies, voices, sound, music, props, costumes, architec- ture, and so on. When Raymond Chandler adapted James M. Additions in performance adap- tations might range from this kind of stylistic and even ethical material to inserting new characters or increasing suspense.

Most of the talk about ilm adaptation, however, is in negative terms of loss. Sometimes what is meant is simply a reduction of scope: of length, of accretion of detail, of commentary Peary and Shatzkin 2—8.

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Rather than tear it down, he elected to bring Thrasher Opera House back to life. The renovation was complete in Thrasher Opera House reopened that summer, hosting several artists for the annual Green Lake Festival of Music, a highly regarded summer series of classical concerts that now makes the opera house its home base. InTerrorizing Deep Thrashprints - Thrashquatch - Rager At The Lake (CD) Opera House began presenting its own events, thereby reestablishing itself as home to community and cultural events.

The community was once again enthralled with its opera house; children were laughing, and people gathered to listen, watch, and be entertained. Since its reopening, Thrasher Opera House provides 50 to 60 nights each year of diverse programming that includes music and theatre performances, comedy, educational workshops for youth and adults, and school plays Terrorizing Deep Thrashprints - Thrashquatch - Rager At The Lake (CD) well as community forums and debates.

Skerryvore - Sat. If you currently hold tickets to a show that has been rescheduled and the new dates do not work for you - we have options:. Or email us at: info thrasheroperahouse. Thank you for your continued support. In the meantime, be good to yourselves, to each other, and please take preventative actions as recommended by the CDC and WHO. For more updates 'like' us on Facebookor check out our Youtube Channel to see our own in-house performances. The evening promises to be a very special "living room experience" with some of Johnny's favorite songs and stories all of which have molded him into the musician and person he is today.

Meet and greet shall be held within 30 minutes after the conclusion of the show. Weinberg invites his fans to create the setlist in real-time and his crack four-piece group plays the songs on demand. Performing songs from the glory days of rock and roll - your guests get to choose from a video menu of over songs - everything from the Beatles to the Stones to Bruce and The E Street Band's biggest Terrorizing Deep Thrashprints - Thrashquatch - Rager At The Lake (CD).

Read More Judy Collins Thursday November 11, p. The award-winning singer-songwriter is esteemed for her imaginative interpretations of traditional and contemporary folk standards and her own poetically poignant original compositions. And yes, death metal began in earnest here too.

Talismanic standard bearers for the Bay Area thrash scene, Exodus defined the entire genre with their debut album. Led by the none-more-diehard Paul Baloff, they tore through nine flawless lessons in hard-riffing violence and deftly nailed the thrash blueprint for all time. With Terrorizing Deep Thrashprints - Thrashquatch - Rager At The Lake (CD) mighty Gene Terrorizing Deep Thrashprints - Thrashquatch - Rager At The Lake (CD) on the drums, this was always going to slay, but the LA crew also had the songs to back up their ferocity.

Rage has never sounded more exciting. If you love thrash, you must love this. Thrash may have faded badly during the 90s, but it certainly entered the decade in supreme form.

Epic, ingenious, overwhelmingly muscular and precise, every one of its eight songs is a timeless classic. Is there such a thing as a perfect album? From the cudgelling attack of the opening Angel Of Death to the bleak horror of Raining BloodReign In Blood towers above every other thrash album for several reasons, but the most important of them is its swivel-eyed intensity: something that no other metal band have ever quite equalled.

Rolling In My 64 - Pistol - Hittin Like A Bullet (CD, Album), Into The Domain Beyond All Horizons - Rossomahaar - Imperium Tenebrarum (CD, Album), Parkeriana - Valdambrini-Piana Quintet - Afrodite (CD, Album), Nonkonformist - Various - Spoken View Rundschau Sampler (CDr), Clothes, The Skys The Limit - Various - Fly (Songs Inspired By The Film Eddie The Eagle) (Vinyl, LP, Album), Happy Hour - Myron Floren - 22 Of The Greatest Polkas By Myron Floren (Vinyl, LP, Album), Im Back Nick - Mr.Beats a.k.a. DJ Celory - J Dilla Mix Pt. 1 (CD), T Plays It Cool - Marvin Gaye - Trouble Man / M. P. G. (CD), Interview - Various - Legends Classic Rock (DVD), Too Young To Soca - Machel Montano - Too Young To Soca (Vinyl), Uncle Walts Bones In The Crawdad Hole - Snaggletooth (4) - Snaggletooth (CD, Album), Larghetto - Torenmuziek Dordrecht - Torenmuziek Dordrecht Vol. 9 - Preludes Voor Beiaard Matthias Va, Delirious (14) - First Journey (Cassette)

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The Toys Take Over - Captain Sensible - Revolution Now (CD, Album)

There was no guitar but if you play it to anyone they will talk about the guitar which is really an organ with a fuzz pedal played by Dave Stewart. A wonderful record — a symphony in four parts. These really big albums that we know and love by The Beatles and The Stones — the stereo versions of their albums were mixed by the tape op.

The Toys Take Over - Captain Sensible - Revolution Now (CD band spent two or three days mixing the mono and thought only a few people will listen to the stereo and its never going to take off laughs. We also like to share breaking podcasts, behind-the-scenes looks, and all the music content that drives you.

Jump in today! Sign in. Log into your account. Privacy Policy. Password Album). Join the Community Shop About Contact. Forgot your password? Get help. Classic Album Sundays. A rocketing career, international hits, hordes of fans and a tragic epilogue for this worldwide phenomenon. The ultimate generational phenomenon of genre, if not its last myth.

Fifty years after its release on March 24th,and thirty years after its creator's death, we look back at the conception and progression of one of Serge Gainsbourg's The Toys Take Over - Captain Sensible - Revolution Now (CD albums, "Histoire de Melody Nelson", a conceptual story set to music alongside his accomplice Jean-Claude Vannier.

Throughout a career stretching over 50 years, there is an evident streak of schizophrenia in his many stylistic changes. While we credit him with the invention of shock rock, he has ventured into almost every genre with varying degrees of success, from pop to nascent hard rock, with forays into heavy metal, new wave and industrial….

Categories: All Back. Cart 0 Your cart is empty. Available in Bit CD Quality Unlimited Streaming Listen to this album in high quality now The Toys Take Over - Captain Sensible - Revolution Now (CD our apps Start my trial period and start Album) to this album.

Enjoy this album on Qobuz apps with your subscription Subscribe. Enjoy this album on Qobuz apps with your subscription Listen on Qobuz. Digital Download Purchase and download this album in a wide variety of formats depending on your needs. Your browser does not support the audio element. Copy the following link to share it Copy. You are currently listening to samples. Captain Sensible. A Nice Cup Of Tea. Yanks With Guns. Please enable JavaScript in your browser to use the site fully. Blues Classical Country.

Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip.

Romantic Evening Sex All Themes. Articles Features Interviews Lists. Streams Videos All Posts. My Profile. Advanced Search. Collection Review by Stephen Schnee. Track Listing. Happy Talk.

Dopamine (Monojoke Remix), Pink Painted Butterfly - Milkwood Tapestry - Milkwood Tapestry (Vinyl, LP, Album), A Penny For Your Thoughts, Fifths - Down Bad - D.R.U.G.S. (CDr), Caoineadh Cu Chulainn (Lament) - Bill Whelan - Riverdance (Music From Riverdance The Show) (CD, Albu, Machete - Drop Top - Machete (File, MP3), Les Tisseurs De Rêve - Berthe Sylva - Berthe Sylva (Box Set, LP), On My Heart - School Of Seven Bells - SVIIB (Vinyl, LP, Album), Next Generation - Wyclef Jean - The Preachers Son (CD, Album), Every Picture Tells A Story - Rod Stewart - Every Picture Tells A Story (CD, Album), Believe - Ultrnx - The Byterockin EP (CD), Let Your Feelings Show = Demuestra Tus Sentimientos - Earth, Wind & Fire - I Am (Vinyl, LP, Albu, 2016 - Paul Wirkus - Discours Amoureux (CD, Album)

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Intro - Various - Spoken View Rundschau Sampler (CDr)

For example, when a call suddenly disconnects during the middle of a call or. When such calls occur and users complain, engineers need data to analyze "why such a problem occurred", but the volume of calls presents a needle in a haystack condition.

Analyzing the CDRs allows you to. The system allows one to understand and analyze the captured call detail records, troubleshoot call failures, and provide insight into the overall performance.

It offers several parameters from the records to get to the calls-of-interest COI. Viewing CDRs in this format is very informative in itself.

However, you can also design a custom Pivot Table and generate Pivot Charts linked to this table. This helps to analyze and summarize the required information in table or graphical forms. Some typical case studies are described below. Web Performance Monitor Web application performance monitoring from inside the firewall.

View All Application Management Products. Remote Monitoring. Be the first to know when your public or private applications are down, slow, or unresponsive. Renew Maintenance Learn about Auto-Renewal. Access the Success Center Find product guides, documentation, training, onboarding information, and support articles.

Technical Support Submit a ticket for technical and product assistance, or get customer service help. Customer Portal Download the latest product versions Intro - Various - Spoken View Rundschau Sampler (CDr) hotfixes. Access the Customer Portal. Intro - Various - Spoken View Rundschau Sampler (CDr) Matter Get Intro - Various - Spoken View Rundschau Sampler (CDr) advice on Intro - Various - Spoken View Rundschau Sampler (CDr) IT infrastructure from up-and-coming industry voices and well-known tech leaders.

View Orange Matter. LogicalRead Blog Into databases? Find articles, code and a community of database experts. View LogicalRead Blog. View Resources. Contact Intro - Various - Spoken View Rundschau Sampler (CDr) Online Quote. Features Features. View All Features. Technical Resources. On the Mac, insert a medium in the drive after opening WaveLab Elements.

Otherwise, the drive is under the control of the operating system and is not available for WaveLab Elements. Scans the system for connected optical devices. This is done automatically when this dialog opens. Click the Intro - Various - Spoken View Rundschau Sampler (CDr) icon after you insert a new blank medium to update the Speed menu.

Opens the Device Information dialog that shows information about the selected device. Erases the optical disc present in the selected drive, provided it is a rewritable medium.

Past Lives [ASJ Remix of Sunset Hearts] - A Severe Joy - Bonus Disc V.4 (CD), Seul - Blaspheme - Briser Le Silence (CD, Album), Still Not A Player - Big Pun* - Big Pun Edition (Vinyl), Mulholland Instrumental - cLOUDDEAD - Dead Dogs Two (Vinyl), Dub, Honda Civic - Jørgen Knudsen - Wealth (CD, Album), Cngcuutn - ENV(itre) - Leaving Traces (File, MP3, Album), Cry, Cry, Cry - Various - Elvis Presley & The Legend Of Rock N Roll Cd5 (CD), With Ones Ideas - Bodycocktail - The Pleasure Of Plenty (CD), Marie-Françoise Se Suicide, Storm Of Evil - Isengard - Vinterskugge (CD), Glen21, Will Smith - Greatest Hits (CD), Con Los Brazos Abiertos - Mayito Fernandez And His Band* - Cuba (Cassette, Album), Fire Ritual - Patrick OHearn - Between Two Worlds (Cassette, Album)

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Stimela - Look, Listen And Decide (Vinyl, LP, Album)

And it had a very good USB Audio implementation. Initially, hardware was only offered to fellow project members. Something had to be done to attract HiFi enthusiasts in general and cat lovers in particular. Later inafter DACs sold world-wide, a decision was made to up the ante. Every part of the DAC received a work over with significantly better power reserves. Whenever a chip needs to deliver some current somewhere, the DAC is designed to let that chip have it a-plenty and fast!

More power fast directly translates to better sound quality. The often dirty power supply coming over the USB cable was also given an enhanced power filter. Compared to previous models the new one packs a much larger punch. A double bass comes alive with this DAC! More and readily available power also improves on the musical character and makes the DAC more true to life. Hifi Pig was first to test the mkII. If you care enough about your music to own a stereo kit, and want the convenience of playing your music through a PC, a Mac or a Linux box, a DAC is an absolutely essential component.

Without a separate DAC the computer will be the weakest link in the chain. Regardless of the quality of your amp, speakers or headphones, the noisy signals inside the computer should be shielded from the rest of your audio system.

But students, electrical engineers, programmers and other tinkerers here have a piece of modern audio equipment which was designed from the start with them in mind.

The DAC can be modified, reconnected and reprogrammed. Makers and doers are welcome to share their experience with other Audio-Widget project members. The design files are published under Open Source licenses and readily available. But it tries to do those few things very, very well. Future models may do that, but the present model is kept simple by not including it. The same goes for a headphone amplifier.

To match the quality of the USB DAC part of the design, an added headphone output would increase the retail price quite a lot. And that feature would be of no use to people who already have a preferred amplifier.

EU customers get it delivered without any customs hassle. Depending on your location you can order it in local currency — including shipping — from: www. A ll the staff at Tellurium Q would like to wish Hifi Pig readers, all our Album), dealers and distributors a happy Christmas and hope you all have a fantastic New Year.

We have been especially lucky this year in receiving product of the year awards for six individual products throughout our range from entry level right up to the reference cables, these are:. Detailed and highly resolving with a wonderful decay with both voice and instruments and a lovely sense of ambiance Absolutely true to source and very musical, relaxed and neutral.

You have a true faithful to source USB Cable. If manufacturers and designers could only produce digital sources as good as your cables we would have digital Nirvana. Advertising Promotion The Blue was specifically designed for dealers and customers to be able to terminate themselves if you choose to.

It has been the entry level cable for a few years now and still getting awards for its performance. The Ultra Blue was again designed to be able to be terminated by the public. Try it and hear for yourself more richness and body than ever before. Once burned in it is paradoxically a very smooth but detailed cable. What it seems to do when you listen is to tame the upper harshness that some systems can have especially in an increasingly digital age while at the same pulling off the trick of time revealing a staggering amount of detail with a very wide sound stage.

These, warm, very friendly cables broaden the sound stage and provide, for the first time, an onion skin array of musi- cal detail. That is, bass exhibited a multi-tonal depth and vocals displayed a complexity unheard by both the Blue and Black cables. Way back in Simon who runs a small studio that Tellurium Q run early stage cable tests and Geoff a Director at Tellurium Q where working on various audio phenomena and testing them to see how effective they were.

Moving forward to this year, Tellurium Q were asked if a distributor could source burn in discs to provide with a few of the very highest end cables. Tellurium Q talked with a producer but long story cut short they were not forthcoming which led to a eureka moment. Geoff having a background in materials chemistry and with Simon and him having already researched sound generation and effects it seemed stupid not to develop our own.

Like going to a gym and training only a few specific muscles for years and then wondering why your body is out of balance. We place equal importance on all frequencies and even go into deep bass in a way that sub woofers will benefit from while working up through mids into the upper high frequency ranges in a non-sequentialnon-Fourier way.

There are also no pure ratio intervals to allow your system to slouch while it is having its work out. This is also one of the prime reasons that music played normally is slow to burn in components compared to this tool. I must say that after playing the whole CD just once, my entire system not only Ultra Blacks has improved dramatically.

Your product is absolutely brilliant. By the way, I used burn-in CDs by two well-known British companies for extended periods of time, but they are nowhere near as good. Links may be used, provided that full and clear credit is given to Hifi Pig and Big Pig Media with appropriate and specific direction link to the original content. Starts 8. Ends Advertising Promotion Luxman was created in when radio broadcasting started in Japan and has long offered its great acoustics to the audio Listen And Decide (Vinyl.

Wood is an excellent support material for hifi applications due to its resonance absorption properties, oak in particular has proven to be very effective for hifi equipment supports. Designed in the UK and a true made in Great Britain company, Black Rhodium make some of the finest sounding cables in hi-fi. Precision manufactured not a modified stock bearing, easy to fit with full installation instructions. This means that the supply can be operated continuously at full power yet still only become warm to the touch The unit is made in V and V versions, we ship globally LP supply the appropriate mains power cable to suit your country in with the package.

Dimensions mm wide mm deep mm tall. Fazor Features Loads the diaphragm with a symmetrical acoustic load Improves acoustic impedance-matching that extends high frequency response and increases efficiency Acoustically transparent so sound waves generated by the surface of the moving diaphragm pass through the magnetic structure undegraded Improved phase response at high frequencies Improved Impulse response All Audeze headphones are hand-crafted in California by sound engineers.

Deep bass had no boominess or chestiness. There was not a hint of over-sibilance. Planar magnetic transducers offer numerous benefits: Responsiveness : Since the force created by the magnetic field is distributed across most of the diaphragm surface, the planar magnetic diaphragm moves faster and with far greater accuracy to the input signal.

Frequency and Distortion : The magnetic force that drives the lightweight diaphragm delivers rapid acceleration thus achieving a wide frequency response, low distortion and excellent sound quality. Durability : Because the circuit pattern is spread flat across the diaphragm surface it can dissipate the heat generated by the current passing through it more efficiently.

Additionally, planar magnetic transducers have few moving parts and can maintain performance without any sonic degradation. Dynamic drivers continuously degrade in performance over their life due to a multitude of moving parts and use of glue joints. Amplifier Friendly : The circuits found in planar magnetic diaphragms present an almost purely resistive load to amplifiers, making it easy to drive. The impedance over the entire frequency range is completely flat vs. We make sure that your custom vinyl sounds and looks great before shipping.

Vinylify was founded in Amsterdam inand has since shipped one-off vinyl records to more than 5. About Vinylify.

Read on Google. Vinylify is running as normal and all your vinyl orders will be handled as usual. Our status on Covid More Info here. For any questions write us in the chat or at info vinylify. Featured on. Extensive quality control Each record is tested carefully by one of our sound specialists. Thousands of happy customers Vinylify was founded in Amsterdam inand has since shipped one-off vinyl records to more than 5.

Start creating your custom Vinyl Record Just upload your music, create your cover, and go! Reviews Read on Google. Gareth Floyd 25 Mar Fantastic product and service from these guys. Ordered as a birthday present and they made sure it arrived on time.

Had an issue with the quality of an image I picked for the cover my fault they LP this quickly and Aron was so helpful and on the ball. Can't recommend Vinylify enough! Olly Wiggins 12 Mar Very happy with the product I received from Vinylify as a gift. High quality all round - from the sleeve to the record. Would be nice to have options for 7 inch or 12 inch. DO NOT order vinyl from here, it's a scam. I placed an order at the beginning of December and was guaranteed delivery before Christmas.

Christmas came and went with no sign of the vinyl, so I contacted them to find out what happened and to ask if I could get a discount since I had ordered it as a present and didn't receive it in time. They refused to give a discount, but promised they would look into it and make sure it arrived soon. A few weeks went by and still nothing.

I contacted again and they said they'd get back to me within a day. Didn't hear from them for weeks. Contacted them multiple more times and they never bothered to respond at all. It's now been over 3 months and I still haven't received the vinyl, and they won't even respond to me or make any effort to resolve. Honestly these guys are a straight up scam.

There are many better places you can order from! Rim van Ham 10 Jan I've read a lot of people saying their audio quality was bad, but that all matters to the file you originally sent to the website. If your original audio file was mono and low quality, they will just use it.

So make sure your audio file is high quality and stereo. It was while humming Rainy Night In Georgia in the shower — artificial rain! A few obvious ones are missing: no raindrops keeping falling on heads, no always raining on me, no Beatles backward sound-noodling… Maybe in Volume 2, should here be one.

I think the result is a great way of spending a rainy day — or a hot day when one could do with a downpour. As ever, this mix is timed to fit on a standard CD-R and includes home-dried covers. Flying Burrito Brothers — Wind and Rain Joni Mitchell — Rainy Night House Richard Hawley — Early Morning Rain Carrie Smith — Some Rainy Day Donald Fagen — Walk Between Raindrops Of Listen And Decide (Vinyl Neil Diamond had a lot, too.

His easy listening music was aimed at my mom, not at me. Forever In Blue Jeans was a boomer hymn, not aimed at my generation. Then I became the age of the people at whom Diamond had aimed his music. I also have a lot of time for his s albums, especially the wonderful 12 Songs from By he had a recording contract, recording his first hit, Solitary Man. It was the beginning of a fruitful career. This mix features covers of songs from that long career.

Strangely, some great songs have not been covered such as the magnificent Brooklyn Roads or not covered by many acts other than your James Lasts and Hugo Montenegros. Bobby Womack — Sweet Caroline 3. Deep Purple — Kentucky Woman 5. Glen Campbell — Sunflower 8. Johnny Cash feat. Tom Petty — Solitary Man 9.

Marcia Griffiths — Play Me Wishful Thinking — Cherry, Cherry Lafayette — Porcupine Pie Frank Sinatra — Song Sung Blue But today is not the time for that discussion, though the flirtation between soul and hip hop had already begun in the s. As the s turned into the s, soul became more youthful, even as veterans such as Roberta Flack and Luther Vandross were still scoring hits.

In its purest form, it was short-lived, but its legacy was heavily felt throughout the decade and beyond. The awful s synthethisers and screeching movie soundtrack guitars were fading away, and the primacy of the bass returned.

After a decade-and-half of solo singers grabbing most of the success, groups were back. And their influences went way back to doo wop, as outfits like Boyz II Men featured here with the marvellous MotownphillyShai, AllOne et al showed. But new stars emerged, even if for a brief shift at the top. But where TP was all hairy face, Gill was shaved balls. Soul machismo had a new look, all short-sides and flattop, and waxed chests. Our soul singers were still cut from the romantic cloth, and their romancing included few sartorial uses, other than the strategic discarding of garments.

Case in point: cunnilingus. Previously all kinds of metaphors would protect the fainthearted from exposure to this particular form of oral sex and here we welcome the lost porn-googlers. Stick around, new arrivals, and enjoy the music. The s produced the girl groups, but the decade also offered scope to female solo singers. Both of them have become symbols for bombastic vocals with an excessive of melisma the proper term for soul yodelling. They were magnificent vocalists with some great pop and a few superb soul songs and also some unfortunate material.

I shall discuss the melisma mania in the linernotes for the next mix, but it would be negligent of me to fail pointing out that summarily dismissing the vocals of I Will Always Love You or Vision Of Love simply because they include vocal gymnastics is an act of foolishness. Women were taking their place of primacy in soul.

In my selection of tracks, this was entirely unintended. Even on the shortlist, men constituted only half of the volume. But it shows that in the s, things in soul were changing. As always, the mix is timed to fit on a standard CD-R and includes home-shellsuited covers and the text above in PDF format.

Soul II Soul feat. Kym Mazelle — Missing You 2. The Chimes — True Love 3. Mary J. Blige — Real Love 4. SWV — Weak 5. Keith Washington — Kissing You 7. Curtis Mayfield — Do Be Down 8. Gerald Alston — Slow Motion 9. Johnny Gill — My My My I also like the music to l isten to for general purposes. I listened to the Beatles Mono remastered CD's an d they blew me away.

The Vaughan Brothers: Family Style. Tick Tock is my favorite song, and has great sound. Maybe not the greatest sound, but very good, excelent dynamics and I now it like the back of my hand. Bob Dylan: Time Out of Mind. Alice in Chains unplugged Nirvana unplugged B. Santana: Supernatural The 9 Symphonies Bruno Walter out of production box set, re mastered from vinyl to cd in The Classical Jazz channel on Dish network.

If you don't like this musicyour wife probably will if you want to make her a romantic dinner. Roxy Music - Avalon in SACD surround - they said this remix was the mix they act ually had in mind when they conceived the album, had the technology been availab le.

If you want a break from audiophile imaging of a front row concert seat, jus t enjoy being in the middle of this sound. Rob Wasserman - Duets is a good CD. The tracks are hit and miss, but I really li ke the simplicity lack of overengineering and just voice, guitar and bass of h is tune with Lou Reed. Cowboy Junkies - Classic records vinyl, the 45 rpm is even better. Always a mell ow sonic pleasure. I listen in 2-channel, because in surround there is no bass channel, which means my front speakers are playing fu ll range and I lose out on my subwoofer without reconfiguring my receiver settin gs.

Neil Young - Massey Hall on vinyl - possibly the best live concert sound I've he. The Prophet's Song is very cool. I have the original Album) pressings, but I assume the regul ar copies are about the same.

Super smooth, intimate sound. Reference Recordings - First Sampler, there is a track from Star of Wonder - Nat ivity Carol, which has outstanding vocal choir sound, as well as some deep organ accompaniment. There is some other good stuff on this sampler as well, such as Berlioz, Symphony Fantastique Dream I have those 2 full albums on vinyl as well, but I prefer the sound on this sampler, so I will probably buy those CDs and sell the vinyl copies.

Slippin' Into Darkness, the results are fantastic. Some reggae material has a "l ow-fi" feel, not this track. The vocals are tremendous, and the production techn ique is superb.

Chesky's Bizarre SACD offers better, lower demo material for sub-woofer demonstr ation, than any other material I own. It opens with a shuttle launch superbly ca ptured, then proceeds with an all out surround, and LFE assault. No other recording he ever made has the style that the Slow Train Coming release had.

The entire release is smooth as silk and some splendidly catchy son gs. These are a handful of my demos, there's more. Like the classic Telarc canon fir e on the original Soundstream recordedMy kids turn me on to all kinds of new stuff, however when played at live levels, a significant amount of it sounds nasty, with harsh artifacts. I don't know if it's mastering compression or what. That said, some of it is ver y well done, and I'm always listening to current music.

Notice the extention of the bass d rum in a good room, and the crisp voice. The guitars, the vocals Deeeep bass. Great live recording. Spatial soundstage. A little "dark" in the soud perhaps, but the soundstage is exeptional on a decent rig. Everytime I go to any retailerthat's always what they want to play This sums it up well I did no t go through all posts, however from a random reading, I saw some very interesti ng discs.

I would like to place my opinion I should rather say: "my preferences" here, b ased of course on my musical background, cultivation and - consequently - cultur e, developed through the musical listenings of mine for more than 5 decades.

These preferences correspond, not only to the quality of the recordings, but als o to the music events themselves. Besides, there would be no meaning to have a q uality recording, if the music was just - excuse my wording - crap.

Initially, a smal introduction about Greek music, which comes first in my prefer ences.

Heaven Is 10 Zillion Light Years Away - Stevie Wonder - At The Close Of A Century (CD), Back Street Girl - The Rolling Stones - Between The Buttons (Vinyl, LP, Album), Love, Dont Let Me Go - Various - Pioneer The Album Vol. 3 (CD), Aps Intermission - Majik Most - Molesting Hip Hop: The Official Mixtape (CD, Album), Triple Optics - Dilated Peoples - The Platform (CD, Album), La Bombe Humaine - Téléphone - Paris81 (CD, Album), Intro - Black Legion, Helvete (10) - Black Legion / Helvete (CDr), Shining Star - Earth, Wind & Fire - The Best Of Earth Wind & Fire Vol. I (Vinyl, LP), DJ Ton T.B. - Electronic Malfunction (CDr), Child Of Guyana - Nazca (14) - The White Wheel (CD, Album), The First Noel - Jerry Maynard - Sing Along Christmas Carols (Vinyl, LP), At Gailenkirchen In West Germany - No Artist - Steam In All Directions (Vinyl, LP), Mis Deseos / Feliz Navidad - Michael Bublé - Christmas (Vinyl, LP, Album), Penny Arcade - Holly Johnson - Dreams That Money Cant Buy (Vinyl, LP, Album), Paris Nuit - Patrick Sébastien - Tout Neuf - Pepito (Vinyl, LP, Album)

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Lodi - Creedence Clearwater Revival - Green River (CD, Album)

The Cash Box Singles Charts, — Ultratop 50 in Dutch. Creedence Clearwater Revival. Fantasy, Inc. Southern Pacific. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Creedence Clearwater Revival in RIAA : Platinum [2]. You can help Wikipedia by expanding it.

From Wikipedia, the free encyclopedia. Creedence Clearwater Revival. Billboard : Retrieved December 19, United States : Fantasy Album). This won't work. And that was the very last time I ever allowed them to be around when I mixed a record Basically, we'd go in, we'd record the band, and then I'd throw them out of the studio.

I just couldn't have them around while I was doing overdubs or when I was mixing, because they weren't very constructive. The album's other notable cover, the Screamin' Jay Hawkins classic " I Put a Spell on You ", was a natural for Fogerty, whose own manic vocal delivery had much in common with Hawkins' powerful singing style.

The album was remastered and reissued on Gram vinyl by Analogue Productions in While the band did gain success with their chart debut, critics initially denied the band respect. He's a better-than-average singer really believable in Wilson Pickett's "Ninety-Nine and a Half"and an interesting guitarist.

But there's nothing else here. The drummer is monotonous, the bass lines are all repetitious and the rhythm guitar is barely audible. On AllMusic the album received 4 stars out of 5with Stephen Thomas Erlewine stating: "Released in the summer of - a year after the Summer of Lovebut still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations.

All songs except bonus tracks written by John Fogertyexcept where noted. Retrieved August 28, British Phonographic Industry. Retrieved January 8, Select albums in the Format field. Select Silver in the Certification field. Fantasy, Inc. Southern Pacific. Authority control MusicBrainz release group. Namespaces Article Talk. Views Read Edit View history.

Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. July 8, [1]. Wally Heider in San Francisco, California. Willy and the Poor Boys Cosmo's Factory Pendulum Christgau's Record Guide. A [4]. Arthur Crudup. Norman WhitfieldBarrett Strong.

Though billed as Album) with the LA Philharmonic, the orchestra began the night with music by US composers, and Fogerty and his band Lodi - Creedence Clearwater Revival - Green River (CD on after intermission, playing only three songs with the orchestra.

In addition, Don Henley and Timothy B. The show aired as a four-hour special on HBO on November 29, Fogerty was also nominated for a Grammy Award at the Grammys. BMI Icons are selected because of their "unique and indelible influence on generations of music makers. Fogerty began recording Wrote a Song for Everyone inwhich was released on Vanguard Records on May 28,his 68th birthday. The album is a collection of classics and tracks from his canon of hits performed with other artists.

Fogerty wrote the song for the show and guest-starred in its debut episode. In SeptemberFogerty signed a new recording contract with BMG Rights Managementwhich will cover an upcoming album and his solo catalogue. His most recent performance was at the Winstar in Thackerville, Oklahoma, on December 31, While on lockdown during the pandemic in earlyFogerty, accompanied by sons Shane and Tyler and daughter Kelsy, began releasing performance videos of previously released originals and covers.

A track album edition featuring additional lockdown performances followed on November Fogerty performed backing vocals on "Scream and Shout," a single by his sons' band Hearty Har, released October 19, Performers at the November Red Rocks Amphitheater show were: [64]. Fogerty married Martha Paiz in and had three children. They divorced in the s.

Fogerty met Julie Kramer [66] in while on tour in IndianapolisIndiana. Kramer had a daughter, Lyndsay, from a previous marriage. Sons Shane guitar, vocals and Tyler vocals now appear with their father in concert.

Fogerty has a granddaughter who has also appeared in online videos with him. Fogerty is a lifelong liberal Democrat. Despite his personal views, Fogerty has attracted high-profile conservative fans, including Bush, Donald Trump, and Rush Limbaugh. I love Lodi - Creedence Clearwater Revival - Green River (CD. He probably hates me. But I love John Fogerty. I just loved them. The talent they had.

They were on one of those two- or three-year rolls where their creativity was limitless. It knew no bounds. From Wikipedia, the free encyclopedia. American musician. For other people named John Fogerty, see John Fogerty disambiguation. Roots rock [2] rock and roll [3] country rock [4] blue-eyed soul [5].

Musician singer—songwriter record producer. Guitar vocals harmonica Album). Musical artist. Main article: Creedence Clearwater Revival. This section of a biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediatelyespecially if potentially libelous or harmful.

Main article: John Fogerty discography. See also: Creedence Clearwater Revival discography. New York: Little, Brown and Company. ISBN OCLC Andrews and McMeel. April 12,

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Bitch - Various - Mega Dancefloor #6 (CD)

Holden - Sun Spots Posted by Muwafaq Lee. Browse By DJ. With the global pandemic taking an initial toll on a lot of opportunities for artists as well as putting Bitch - Various - Mega Dancefloor #6 (CD) of us on high alert for our health and well-being, both Jeezy and DJ… The remixes of the song, including mixes by Fred Rister, Marc Mysterio, Laidback Luke, Bitch - Various - Mega Dancefloor #6 (CD) Arno Cost and Norman Doray were released.

Corona - The rythm of the night. Get up-to-date Celebrity and Music News. The country doesn't buy Apple's environmental angle. Dj's best music related site for downloads and latest music news. DJ Basics. Download music to run with and music to jog with to make your training more enjoyable and effective. Get your Music Copies and news updates today. Our products are passionately designed and developed for DJs, by DJs and give artists the ability to express themselves through music. The remixes contained on Latin Remixes are produced by professional DJ's and music producers from around the globe for the sole purpose of enhancing a DJ's overall performance.

To use our free service simply enter the name of the CD or artist you're looking for. Fans have paid artists 4 Bitch - Various - Mega Dancefloor #6 (CD) using Bandcamp, and million in the last 30 days alone. Drag a loop you like from another deck to keep it playing in your remix deck for extended mixes. MP3 download Mp4 download platform. For full functionality of this site it is necessary to enable JavaScript.

Puentes y The remixes that appear on the single have not appeared on other releases. Top Persian DJ mixes.

DJing Starts Here. Serato DJ Intro allows for traditional two deck mixing of digital music files from a computer. Shop Vinyl and CDs and complete your collection.

Every ad lasts for 24 hours and is randomly displayed on The DJ List homepage, the Mixes section, and other pages on the site. MAY 22 Kunasch Brandon Hamm. Live in Phoenix. Make America Psycho Again. Discography Production discography Awards and nominations. The Cookbook. Respect M. Walk the Moon. I Want! Steps songs. Authority control MusicBrainz work. Namespaces Article Talk. Views Read Edit View history.

Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Dance-pop [1]. On Our Own Belgium Ultratop 50 Flanders [14]. Canadian The Record [17]. France SNEP [18]. Ireland IRMA [19]. Italy FIMI [20]. Netherlands Dutch Top 40 [21]. Netherlands Single Top Bitch - Various - Mega Dancefloor #6 (CD).

Norway VG-lista [24]. South African Chart [25]. Sweden Sverigetopplistan [27]. Switzerland Schweizer Hitparade [28]. US Billboard Hot [30]. Billboard Adult Contemporary [31]. West Germany Official German Charts [34]. Hungary Single Top 40 [35]. Switzerland Swiss Hitparade [37]. UK Gallup [38]. US Billboard Hot [39]. Hip hop. Jam Master JayDavy D. Australia ARIA [49]. News September 20, Best TV of October hmv.

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Studio accessories. GBP My Language. Wishlist Log in to view your wishlist. Items in wishlist:. Items in cart:. Play All. Sort Artist. Items 1 to 50 of on page 1 of 4. People also bought Alloteva 12". Review: Leng Records welcomes cosmic disco legend Daniel Baldelli back to the label a year after his much loved full length with Marco Fratty.

This time out he Bitch - Various - Mega Dancefloor #6 (CD) up Alloteva, a first joint release with Marco Diongi for the label. Baldelli always manages to show a different look with each and every release and this one is no different - it offers big, cowbell laced cosmic disco with plenty of loose limbed drums and throbbing synths.

There are playful funk riffs underpinning 'Sonora' and leggy kicks and snappy hits making 'Time Is Plastic' a real chugger. Add to cart! Summertime 7". Ano t raks Japan. Um Brilho Novo 7". Review: Argentinian producer Kevin Fingier has decided to launch a new series of seven-inch singles on his Acid Jazz Records offshoot, Fingier Records. She's in fine form on A-side 'Um Brilho Novo', a superb slab of jazz-tinged Brazilian soul rich in energetic funk breaks, mazy vibraphone and flute solos, heavy bass and razor-sharp guitar licks.

Even more energetic and dancefloor-ready is flipside 'Rua Nova Barao', a fine fusion of South American dancefloor jazz, funk breaks and sweaty samba rhythms. Like the A-side, it sounds like a guaranteed floor-filler. Rainy Wednesday 7". Aliens 7".

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V.F.D. - Michelle Shocked - Short Sharp Shocked (Cassette, Album)

Michelle Shocked. Hello Hopeville. Memories of East Texas. Making the Run To Gladewater. Graffiti Limbo. If Love Was a Train. Jean Ritchie. Black Widow. V.F.D. - Michelle Shocked - Short Sharp Shocked (Cassette Limbo Michelle Shocked. Anchorage Michelle Shocked.

Black Widow Michelle Shocked. Fogtown Michelle Shocked. Yamboree Queen Michelle Shocked. Strawberry Jam Michelle Shocked. Disoriented Michelle Shocked. Ballad of Penny Evans Steve Goodman. Remodeling the Pentagon Michelle Shocked. Fred's Winter Song Michelle Shocked. Prince of Darkness The Mekons. One Piece at a Time Wayne Kemp. Campus Crusade Michelle Shocked. Blackberry Blossom Weaving Way Arkansas Traveler Album) Woody's Rag Hiddentrack Change the Name.

Album, MarzoPrivate Music. Stillborn 2. Homestead 3. Winter Wheat 4. Cold Comfort 5. Eddie 6. A Child Like Grace 7. Fever Breaks 8. Silver Spoon 9. Hard Way No Sign of Rain. Album, AbrilMood Records. Laundry Day 2. Drip Dry 3. Soul Searching 4. New Orleans 5. Groove Baby's Lullaby 6. Last Love 7. Can You See It in Me 8. Only a Lover 9. Live and Learn Carrickfergus - The Water Is Wide. Compilation, OctubreMercury Records.

Anchorage 3. Come a Long Way 4. Quality of Mercy 5. Streetcorner V.F.D. - Michelle Shocked - Short Sharp Shocked (Cassette 6. Too Little Too Late 7. Inshe V.F.D. - Michelle Shocked - Short Sharp Shocked (Cassette away from her Mormon fundamentalist mother to live with her father, who introduced her to country bluesmen Big Bill Broonzy and Leadbellyas well as contemporary songwriters Guy Clark and Randy Newman.

She spent the next several years exploring the folk underground, spending the early '80s in Austin, where she began honing her own songwriting skills. After dropping out of the University of Texas, she moved to San Francisco, where she quickly embraced the city's punk scene. When she returned home, her mother had her committed to a psychiatric hospital.

She was released when her insurance ran out. Shocked left Texas intraveled Album) the U. Inshe moved to Amsterdam. InShocked returned to the U. She then left on a solo tour, selling her newly recorded, independently produced with Tony Berg Kind Hearted Woman. Late inShocked began legal action against Mercury Records to break her contract.

Another independent release, Artists Make Lousy Slaves, was sold at the shows. Kind Hearted Woman was picked up for commercial re-release by Private Music inand as a condition of her release from Mercury, her old label released a "best-of" compilation, Mercury Poise:the same year.

After laying low for several years, in Shocked re-emerged with a new album, the gospel-influenced Deep Natural, and her own record label, Mighty Sound.

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Seasons - Steve Miller Band - Anthology (Vinyl, LP)

Alice in Chains Mad Season Class of ' The Police Strontium Bring Me the Horizon. Aerosmith Chain Reaction Kings of Chaos. Change Chic.

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The Manhattan Transfer. Highlighting 21 songs from the documentary, there are 8 unreleased recordings from the Zappa archive along with his Saturday Night Live performance and 13 recordings from Zappa's extensive recording career giving Zappa super-fans and newer-fans a sonic exploration into the musical brilliance that is Frank Zappa.

And that thing is my 8th studio album, folklore," she said, letting fans know she poured all her whims, dreams, fears, musings into the 17 tracks. Produced by Bob Rock, the group describes the album as "the most cathartic thing we've done.

The messages might be dark, but at the end what's left is that communication is important, working through feelings is important and most of all, hope is important. The song whose lyrics gave their newest album its name, but doesn't appear on it gets its first physical US release on this special picture disc 7" for RSD Black Friday. Brand new record from Cherie Currie of the legendary Runaways! Chromatica is the highly anticipated 6th studio album by Lady Gaga.

LP pressed on milky clear-colored vinyl. Available May 29th. Originally released in following a 14 year-long break up, Hell Freezes Over celebrates its 25th anniversary with a remastered reissue. Long out of print on vinyl and never before released in the US on this format. It contains four studio tracks and eleven tracks recorded live in April for MTV.

Their breakout album Dookie, which sold over 10 million and achieved diamond status, is widely credited with popularizing and reviving mainstream interest in punk rock, catapulting a career-long run of 1 hit singles. Limited Edition and Numbered double gatefold sets presented on gram audiophile vinyl.

Available for the first time on vinyl. Psychedelic lo-fi garage rock. SIDE A 1. Eyes On Me 2. Powers Back On 3. Out Of My Head 4. Tommy 5. Yap Man 2. Velvet Johnny 3. Very Spooky 4. Dave 5. Amp Rental 6. New You. Double vinyl LP pressing. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world. The Hot Rats Sessions box set celebrates the 50th anniversary of one of the greatest albums in the history of recorded music.

The original Frank Zappa album was the first record to be recorded on a prototype Track Tape Machine. Self-described as a 'Movie For Your Ears,' it was technically the second solo outing for the composer and the album that put FZ on the map as a guitar player. The recording sessions produced a wealth of material that ended up being sprinkled among multiple releases during FZ's lifetime. This mammoth six disc collection documents and compiles every composition recorded during those days in Julyalong with an abundance of rare mixes, Vault nuggets and complete basic tracks mixed from the original multi-track masters by Craig Parker Adams in The box set also includes a Zappa Land board game in celebration of this release with custom game pieces, dice and playing cards.

Featuring 65 tracks, all but 6 tracks are previously unreleased. The 6 tracks previously available are from the CD mixes which have been out of print since Also available as a 1LP of the original album, pressed on hot pink vinyl, pressed at Pallas.

The album's songs were entirely written on piano by frontman Rivers Cuomo for the first time in Weezer history, creating some of LP) most satisfyingly awesome songs in the entire hits-filled Weezer catalogue. With band members switching up instruments in the studio, and choruses filtered through Sitek's own encyclopedic musical references of everything from Gorillaz to Can to Pink Floyd, Weezer The Black Album is the bold next step in the winning streak of acclaimed albums they've released since Part of the Limited Purple Vinyl Series.

LP) on g Purple Vinyl. Rob Halford of Judas Priest. The title The Silver Scream fits like a bloody mask. I really love that. Originally released inthis is a highly sought after third studio album from genre-leading giants Napalm Death.

Harmony Corruption sees an evolution away from grindcore and blast beats towards a more expansive death metal sound. Recorded at Morrisound Recording in Tampa, Florida famed for the recording of many classic death metal albums. Limited gm vinyl LP pressing plus download of this album from the eclectic guitarist. Although John Frusciante is best known as the former guitarist of the rock band Red Hot Chili Peppers, he also has an active solo career, having released 11 albums under his own name.

His solo recordings include elements ranging from experimental rock and ambient music to New Wave and Electronica. Limited edition gm vinyl LP pressing housed in a gatefold sleeve. Enigma Records took a chance on glam metal giants Poison - a their leap of faith that paid remarkable dividends. Easily Enigma's best-selling record at the time, it also spawned three US chart hits, "Talk Dirty To Me," "I Want Action" and "I Won't Forget You," while the album's anthemic, radio-friendly contents which frequently drew comparisons to Kiss and Aerosmith had an immediate, across-the-board appeal.

Produced by David Bendeth Paramore, All Time Lowthe album is brimming with catchy riffs, intricate beats, and singer Kellin Quinn's soul-striking vocals. The track set takes Sleeping with Sirens to a new era in their career, while maintaining the unique spirit that has resonated with millions of listeners since their debut album.

The first single, "Legends" - a triumphant call-to-arms - is out now, alongside the lyric video, and has been named the official song of Team USA for Olympic and Paralympic Winter Games PyeongChang On Gossip, Sleeping With Sirens have reached the artistic heights they began moving towards since their debut nearly 10 years ago. Musically, I feel like it's the first Sirens record that sounds specifically like us. We took chances, experimented, and continued to do what we do best: create art.

It's something new. It has an authentic sound that we've been working towards all this time. Bad Religion's first record for a major label Atlantic Records opens with two guns blazing and doesn't stop firing until both sides of "Recipe for Hate" are played out.

Battling it out for more than a decade in L. Instead of toning down their act due to mainstream support, Bad Company came out with their most inventive and original album in years. Speaking truth to power as all true punks should, lead singer Greg Graffin and his mates continued turning the punk scene on it's ear. Ultimately, this album rose to 14 on the Billboard Heatseekers chart. Own this original release on vinyl today.

Chris Bellman at Bernie Grundman Mastering cut the lacquers for all the albums from the original analog masters, which are pressed on gram vinyl and presented in replica sleeves made to look like the original pressings.

All music overseen by executive producer Giles Martin. The seven LPs will be housed in die-cut jackets with a booklet in a library-style slipcase. Comes with an MP3 download card. To say In Heaven is about conquering grief would be oversimplifying everything Tim Showalter has achieved on the eighth studio album from Strand of Oaks. A stunning, hopeful reflection on love, loss, and enlightenment, In Heaven is a triumph in music making, and a preeminent addition to the Strand of Oaks discography.

Soon after, Stan, the cat they both adored, was diagnosed with terminal cancer. Showalter quit drinking so he could take better care of his wife and help rebuild the life they shared. And within months, they decided to pack up and move across the country from Philadelphia to Austin, Texas. With clean sounds, Jeff Lynne-esque acoustics, and sophisticated songwriting, he approached In Heaven in a more poised and pop-leaning way than his past releases.

The result is something extraordinary, as Showalter has crafted a poignant narrative that transcends his personal experiences and achieves a universality rooted not only in loss but joy, celebration, and newfound strength.

But any sense of hopelessness or melancholy yields to a different feeling entirely, just as he intended. Listen to your favorite records. And think about what it means to be alive. Rock icon and multi-instrumentalist Roger Taylor introduces his new solo album Outsider. With much of Outsider recorded during lockdown, this new album finds Taylor in a reflective mood, conveying a palpable sense of isolation, concerns over the passing of time, and tellingly dedicated "to all the outsiders, those who feel left on the sidelines".

A highly personal project, Outsider's instrumentation is almost entirely performed by Taylor, with his vocals matching the mood-piece atmosphere. Austin indie folk duo make their Grand Jury debut with True Love. This album is about growth and nostalgia. Both band members got married. One had a kid. Joining Zimmer on scoring the soundtrack is Johnny Marr, who is also the featured guitarist on the album, with additional music by composer and score producer Steve Mazzaro.

Performed and recorded over three nights in front of a sold-out crowd at The World Famous Theater in Harlem, NY December 4th - 6th,this album brings the electrifying performances that helped put Daptone on the map directly to your living room! This album is lovingly dedicated to the memory of our dear friends Sharon, Charles, Naomi, and Cliff. Certified 4x Platinum and a perennial best-seller, the soundtrack reached the Top 10 of the Billboard Charts in and 2 on the Billboard Vinyl Charts.

For this one-time only printing, the jacket has been wrapped in a silver foil while the embossed Peanuts characters and tree have never appeared more striking. Critically lauded and deemed very much worth the wait, Interiors succeeded in reestablishing the band as the powerful and contemporary entity they had always been. Distant Po p ulations has a punchier, more up-tempo sound than its predecessor; its 11 songs are concise, carved sonic jewels boasting not a single wasted note; and its raw power, its gripping lyricism, leaps out from the very first listening.

It is a striking step up for the band. The songwriting itself had been no minor process: Following the release of Interiors, the band successfully toured around the world and in the process fully re-established their chemistry together. Not a single one of these songs has ever been played live onstage. Mickey co-penned 15 of the 16 songs on the album. Featuring I. The first live Steely Dan album in over 25 years. Wide Spine Jacket.

Indie Exclusive Yellow 2 LP. This song smorgasbord will feature the Belcher family - Bob H. Fans, your order is up. Ten records in six years is some kind of prolific. The latest, a double album, suggests the artist has some songs worth paying attention to. Not bad for a thirty-seven-year-old late bloomer.

Charley Crockett has been a fairly remarkable artist to follow. He has a look. His voice is one-of-a-kind. His distinctive, plaintive vocals crack unapologetically with emotion, and he phrases his lines around the beat like a jazz singer, while he expounds upon personal relationships and the world beyond. Charley has endured the collapse of the recording industry, no money, petty crime, societal ennui, the Covid pandemic, open heart surgery, one-night stands, long distance rides in a van, loud truck stops and diners serving stale lukewarm coffee to get to where he is now.

The box set also comes with redesigned artwork and metallic ink on a clamshell box, plus a page booklet featuring archival photos and a retrospective essay by author Kim Reuhl. The album includes 1 photo book, 1 folded poster, sticker, photo card, postcard sticker, photo card, postcard: random 1 out of 9.

Dimensions mm x mm x 8. In the early s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapters in his studio catalog. Bob Dylan - Springtime In New York celebrates the rich creative period surrounding Dylan's classic albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more.

The songs. The songs stripped free of trappings, tampering, passing tastes, and judgements. The songs broken down to the sound of people really doing this, right now, acting on instinct. The songs rough and rowdy, bruised and tender, joking and crying, nagging and striving and yearning.

The songs were always there, and here they are still, keeping pace with us. While the heart of the record will be familiar to fans of his neo-soul and hip-hop-infused work, here Rakei dives deeper into his sound, merging electronic with acoustic, and rugged grooves with ambient atmospheres, to create something richer, more detailed, and more textural than before.

The band is comprised of lead vocalist and rhythm guitarist Aaron Lewis, lead guitarist Mike Mushok, bassist and backing vocalist Johnny April, and drummer Sal Giancarelli.

Over the course of their career, the band has released seven studio albums and eight Top 10 singles, selling over 15 million albums worldwide. Careless Love, first released inis a rich collection of covers, with tunes from Bob Dylan to James P. With over half a million albums sold, it shifted Peyroux from the jazz realm into the mainstream arena and remains her most popular release.

Sinner is the debut studio album by American heavy metal band Drowning Pool. Originally released on June 5, by Wind-Up Records, it is considered to be the band's most popular album - earning RIAA Platinum certification within the first six weeks of its release. This was due at least in part to their hit single "Bodies," which remains the band's most well-known song.

Available on vinyl for the first time to celebrate the 20th anniversary of its release. Now, 15 years later, this album is available for the first time. It's the follow-up to Golden Hour, which earned Musgraves her third No.

With Parallel TimelineWellbaum explores the feeling of being trapped inside her own consciousness while simultaneously searching for a meaningful connection to the universe, and all the mysteries it contains.

All content was overseen by executive producer Greg Fidelman. The music is a melange of blues rock, rock and singer-songwriter which surround themes about self-love and awareness, mental health, the environment, and consumerism. Elvis Costello and award-winning producer, Sebastian Krys, have brought together a stunning international cast of some of the biggest Latin rock and pop artists from around the globe to interpret Elvis Costello and The Attractions' album, This Seasons - Steve Miller Band - Anthology (Vinyl Model, entirely in Spanish.

The inspired Spanish-language adaptations are set to the band's classic studio performances, culled from the original master recordings, which have been newly mixed by Krys. Available on black Vinyl. Focusing on their craft, staying out of the fray, and holding fast their faith to find new ways to express the discord and delight of Seasons - Steve Miller Band - Anthology (Vinyl alive, to turn the duality of existence into hymns we can share, Low present HEY WHAT.

The ineable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered.

There will be time to unravel and attribute meaning to the music and art of these times, but the creative moment looks FORWARD, with teeth. Like a film director, she works as an aural auteur building scenes with her rapturous voice and the plaintive plucks of her guitar strings. Through this process, she both defies and expands notions of what it means to be from the region. The songs throughout the album tend to be shorter, and that was intentional. Falk counts jazz and funk as his major influences, so quite fittingly his percussion punctuates the album.

Freeman contributed guitar for the first time on her own recordings. The couple are joined by Victor Furtado bringing his skills as the youngest-ever Seasons - Steve Miller Band - Anthology (Vinyl of the Steve Martin Prize for Excellence in Banjo, Eli Wildman The Wildmans contributing acoustic guitar and mandolin, the much sought-after keyboardist Sam Fribush on piano, keys, and organ, Berklee College of Music graduate Eric Robertson adds additional guitars and bass, as well as acclaimed multi-instrumentalist Aaron Lipp contributing banjo and bass.

Frances Forever can spin anything into sunshine. As the project of Boston-area singer-songwriter Frances Garrett, its myriad moods can send listeners reeling into romance or off floating in existential space. Garrett balances their familiarity with extremes with an undeniable ear for melody and a gift for writing tracks that could live at home anywhere on the pop timeline. Atop this glitter-shocked display, Garrett spills their guts about fumbling their own power.

Take one listen to 'space girl,' Frances' latest charmer of a single that's rocketing up indie charts and TikTok counts despite a disaster mission of a year. From the doo-wop glaze of opener 'depression' to the horn-flecked indietronica of 'daytime,' paranoia party carves its identity from stopovers in darker, braver territory.

Those enchanted by 'space girl' have plenty to root for, though, as the EP's title track serves as its boldest mission statement, stacking a story of college-party anxiety against a circus-tent waltz that glitches and stutters in line with Garrett's narrative confidence. Legendary British producer Kevin Martin is back with his first new full-length album under The Bug moniker in seven years.

Scott Galloway. Swedish musician and producer DJ Seinfeld Armand Jakobsson rose to prominence in through the so-called 'lo-fi house' scene, inadvertently helping define its sound.

Now having transcended early labels, his long-awaited new album 'Mirrors' is set to be released on Ninja Tune in September. Recorded August 24,the performance of the legendary album in its entirety was kept secret until the moment the band took stage. Halsey has surpassed 60 million RIAA-certified units across albums, singles and features.

Worldwide, she has sold over million adjusted singles. The only problem with this is that Armatrading was just beginning to gain a confidence that led her to become really adventurous, taking huge chances with both her songwriting and production styles in the s. She became a pop singer whose lyrics were anything but pop and whose music expanded the boundaries of pop to include reggae, jazz, and slippery folk music.

Admittedly, the results were sometimes erratic, but were never, never less than utterly compelling. Disc two features all four tracks from the excellent How Cruel EP, including the reggae soul-drenched bluster of "Rosie," the title track, and "He Wants Her," with its dubbed-out drums and snaky guitar slinking through her sensual vocal.

She didn't try to make punk rock or new wave music, but she let its freedom enter her songwriting consciousness and open it up. Armatrading's songs had turned dark and grew tenser with the times, dealing with themes of emotional and physical abuse, vulnerability that is not necessarily willful, but is welcomed in a first-person way.

The final two tracks, "Frustration" and "Heaven," are awesome. The former is post-rock and downright right funky with its collapsible backbeat. She took South African township jive, Seasons - Steve Miller Band - Anthology (Vinyl it with greasy fretless basslines and celebratory melodic schematics, and juxtaposed it against tough lyrics of street life and cultural suffocation.

For Armatrading, need, love, obsession, sensuality, and excess had all become inseparable from one another in her songwriting; along with the pumped-up rock aesthetic, it made her music downright dangerous.

She dared to proclaim her darkness without regretful confession or repentance. She dared to make anthems out of raw need and insecurity, and made the tension between lovers something truly sensual.

As an artist, Armatrading never sought to find innocence; her vision as an artist has always been expansive, and she took on race and class issues in her songs via amorous relationships, daring both parties to step out of their fear. These songs tell stories so intimate and so encompassing it's no wonder most that people don't get them; they can't even imagine what addressing that fear would be like, let alone have somebody do it in wondrous pop songs you can hum to.

Necessary, explosive, and brilliant, listen and behold the songs of a sage whose wisdom is from the school of hard knocks and transcendent courage, and whose musical sophistication is second to none. This is the only Joan Armatrading collection worth owning. From Motown to the MC5, the Stooges, and the System to lesser-known lights like the Rationals and Frijid Pink, the state was responsible for some of the most raucous and soulful rock music of the era.

Kopperfield belongs, in a sense, to that last category of band, although they never earned even a modicum of commercial success. They did, however, gain a considerable following throughout the state and Midwest with their brand of progressive hard rock. Kopperfield emerged out of the ashes of a couple high school bands in Edwardsberg, MI.

Keyboard player Keith Robinson and bassist Jerry Opdycke were in competing combos, but were also good friends who had frequently jammed and discussed the possibility of connecting in a band. The opportunity finally presented itself when their respective bands began to disintegrate in the fall of Opdycke soon put in a call to Robinson. Chuck Eagan and longtime friend Bill Wallace accompanied Opdycke into the group on guitars and Robinson brought in his little brother Jimmy as the lead vocalist.

Tom Curtis, at the time playing bass in another band, joined on drums. The new collection of players jammed and gelled instantly and Kopperfield was formed. From the very beginning, they were writing a prodigious number of original songs. Bythey had worked up enough courage to journey to Chicago and record some of them, although they were still rough early efforts.

Bythe material had improved so much that the band began work on its Tales Untold project in between extensive stretches on the road. Kopperfield also lost Wallace during this period and replaced him with another keyboard player and vocalist, Paul Decker.

Tales Untold was finally finished and released in and Kopperfield immediately began work on its second LP, tentatively titled Back to Bitchin' the album was never finished or released. Byhowever, Kopperfield came to an end. InGear Fab reissued virtually the entire recorded legacy of the band on CD. The album was produced by Gilmour, and consists mostly of blues and guitar-oriented rock songs, except for the piano-dominated ballad "So Far Away".

They were then mixed at the same studio by Nick Griffiths. Session musicians included bass guitarist Rick Wills and drummer Willie Wilson, both of whom used to be part of Jokers Wild with Gilmour.

Gilmour was credited on the cover for contributing "Keyboards, Vocals" although he played guitar. Among those depicted on the inner sleeve is Gilmour's then-wife, Ginger.

About Face is the second solo studio album by the English singer and musician David Gilmour. The album was certified gold by the RIAA. Gilmour said he wanted to take his time and make "a really good album" and "get the best musicians in the world that I could get hold of to play with me.

Engineering duties were undertaken by long time collaborator Andy Jackson. The lyrics were principally written by Gilmour's wife, writer Polly Samson. It has also provided Gilmour with his first US Top 10 album, reaching 6. It was originally released on 18 September via Columbia Records. Gilmour completed short tours of Europe in September and October and South America in December to support the album, with a similar tour of the United States and Canada following in March and April The artwork for the album was created by Dave Stansbie from The Creative Corporation under the direction of Aubrey Powell, who has worked with Gilmour and Pink Floyd since the late s.

The album, Gilmour's first in nine years, became his second solo number one. The album was recorded at Gilmour's recording studios. Phil Manzanera, co-producer of the album, estimated that Gilmour had been writing the material for Rattle That Lock over the previous five years, though he pointed out that one piano piece was recorded 18 years ago in Gilmour's living room.

Most of the album was recorded at Medina Studio, in Hove — the additional recording was at the Astoria houseboat studio, in both cases by long time collaborator, engineer Andy Jackson. Robin Trower may seem a modest and quiet man, but his achievements are great. Over the decades since he formed his own band back inhe has conceived many fine solo albums that showcase his exceptional talents as a guitarist, singer and composer.

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The Sheer - Feel The Need (CD)

In a pinch, you can even use a tissue as a diffuser. Experiment with Chinese paper lanterns. Chinese paper lanterns, sometimes referred to as China balls, cost very little and can create very even, soft lighting. They are able to diffuse light in almost every direction simultaneously, making them very versatile.

The all-white ones are best for diffusing light in a typical way. Experiment with colored lanterns if you are trying to create unusual lighting effects. To get an idea of how China balls can be used — you could hang several of them from the ceiling to softly brighten up a scene, or you The Sheer - Feel The Need (CD) use a single lantern to light a more intimate shot, such as a dinner conversation in a restaurant.

Method 3. Put bubble wrap around your flash. After wrapping the bubble material around the flash, be sure to leave plenty of room over the top. You can create an even softer lighting effect by using two layers of bubble wrap. Bounce light using any semi-reflective white surface. To diffuse light by bouncing it, aim your light source at the semi-reflective white surface of your choice. The light reflects, or bounces, off that surface and creates a secondary source of light, which will illuminate your subject with diffused light.

Experiment with different fabrics and materials to create DIY silks. Professional silks are fabrics placed between the light source and subject to diffuse light. White bed sheets and clear shower curtain liners can be used quite effectively, but in a pinch you can get even more creative and still achieve some nice, soft light.

Experiment with a variety of different materials and objects The Sheer - Feel The Need (CD) get a feel for the diffusion possibilities. Try using things like bath towels, visqueen, paper towels, white t-shirts or dress shirts, printer paper The Sheer - Feel The Need (CD) even opaque Tupperware.

Include your email address to get a message when this question is answered. By using this service, some information may be shared with YouTube. Related wikiHows How to. How to. More References 1. About This Article. Co-authored by:. See what's new. Learn more. Android 11 The OS that puts you in charge. People fueling their passions. Explore stories.

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It also topped the charts in the US, The Sheer - Feel The Need (CD), and Australia. All the tracks on the album reached the top 20 of the UK Singles Chart in the week of the album's release, due mainly to heavy streaming. As of JulySheeran's song sales surpassed On 6 Mayit was announced that Sheeran will become the new sponsor of the football shirt of Ipswich Town Football Club. From Wikipedia, the free encyclopedia. Artist discography. Los Angeles Times.

Retrieved 14 November Official Charts Company. Retrieved 13 April Retrieved 31 July BBC News. Retrieved 6 May Retrieved 28 October You Need Me : "Chart Update Retrieved 31 March Songs I Wrote with Amy : "Chart update Retrieved 1 April Hung Medien. National Library of Australia. Retrieved 7 October Retrieved 28 November The Sheer - Feel The Need (CD) 24 August French Charts Portal. Retrieved 25 July Retrieved 14 March GfK Entertainment.

Retrieved 16 May Retrieved 13 March Retrieved 14 April Album Sales". Retrieved 7 April British Phonographic Industry. Retrieved 9 September Select albums in the Format field. Australian Recording Industry Association. Bundesverband Musikindustrie. Retrieved 15 March Retrieved 9 June IFPI Denmark. Retrieved 15 August The Irish Charts.

Archived from the original on 26 June Music Canada. Recording Industry Association of America. Recorded Music NZ. Music Week. Intent Media. Retrieved 23 March Retrieved 2 June Retrieved 12 November Retrieved 10 June IFPI Danmark. Retrieved 23 December Retrieved 11 May The Sheer - Feel The Need (CD) 16 April Retrieved 8 July Retrieved 17 August

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